Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

The Penguin Book of Canadian Verse — 1977

This book presents itself as a survey, from the first to the latest, of English-Canadian poetry. The book differs from previous Penguin Anthology, the earlier poets more solidly represented, the periods better balanced. This revised edition, coinciding with Canada's own Centennial, presents a surney of the work done in English by Canadian poets during the past one hundred years.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Rock Day-by-day. Every Important Rock Date since 1954 — cop.1987

Rock Day by Day has been compiled by researchers on both sides of the Atlantic. It is a unique record of every significant date on the rock calendar from 1954 to the present day.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ellington E.K., Fantasy. Four songs arranged for string quartet by Paul Chihara. 1. I m beginning to see the light 2.Sophisticated lady 3.Take the "À"train 4.Mood indigo. Score — Á.ã.

Ñîäåðæàíèå: 1.I m beginning to see the light 2.Sophisticated lady 3.Take the "À"train 4.Mood indigo

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Toole J.K., A Confederacy of Dunces — 1983 (King Penguin)

A monument to sloth, rant and contempt, and suspicious of anything modern - this is Ignatius J. Reilly of New Orleans, crusader against dunces. In revolt against the 20th century, Ignatius propels his bulk among the flesh-pots of a fallen city, documenting life on his Big Chief tablets as he goes, until his mother decrees that Ignatius must work.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Kennedy W., Legs — 1983

Legs, the inaugural book in William Kennedy—s acclaimed Albany cycle of novels, brilliantly evokes the flamboyant career of gangster Jack —Legs— Diamond. Through the equivocal eyes of Diamond—s attorney, Marcus Gorman (who scraps a promising political career for the more elemental excitement of the criminal underworld), we watch as Legs and his showgirl mistress, Kiki Roberts, blaze their gaudy trail across the tabloid pages of the 1920s and 1930s.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Kennedy W., Ironweed — 1984

Francis Phelan, ex-ballplayer, part-time gravedigger, full-time drunk, has hit bottom. Years ago he left Albany in a hurry after killing a scab during a trolley workers strike. He ran away again after accidentally - and fatally - dropping his infant son. Now, in 1938, Francis is back in town, roaming the old familiar streets with his hobo pal, Helen, trying to make peace with the ghosts of the past and the present. A powerfully affecting work, abounding in humor and heartbreak.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä.,  ïîãîíå çà ñ÷àñòüåì — 2011 (Äóãëàñ Êåííåäè. Ìèðîâîé áåñòñåëëåð) (Ìèðîâîé áåñòñåëëåð)

Ìàíõýòòåí, êàíóí Äíÿ áëàãîäàðåíèÿ, 1945 ãîä. Âîéíà îêîí÷åíà, è âå÷åðèíêà ó Ýðèêà Ñìàéòà â ñàìîì ðàçãàðå. Íà íåé, ñðåäè èíòåëëåêòóàëîâ èç Ãðèíâè÷-Âèëëèäæ, ëþáèìàÿ ñåñòðà Ñìàéòà - Ñàðà. Îíà ìîëîäà, î÷àðîâàòåëüíà, íåçàâèñèìà è óìíà. Îíà ìå÷òàåò ïîêîðèòü Íüþ-Éîðê.Íî âñå ìå÷òû çàáûòû â îäíî ìãíîâåíèå, ïîòîìó ÷òî ïîÿâèëñÿ îí - Äæåê Ìàëîóí, âîåííûé êîððåñïîíäåíò, òîëüêî ÷òî âåðíóâøèéñÿ èç ïîâåðæåííîé Ãåðìàíèè, ÷åëîâåê, êîòîðûé íå ïîíàñëûøêå çíàåò, ÷òî òàêîå âîéíà. Ñëó÷àéíàÿ âñòðå÷à Ñàðû è Äæåêà ïåðåâåðíåò æèçíü îáîèõ...Íîâûé ðîìàí Äóãëàñà Êåííåäè " ïîãîíå çà ñ÷àñòüåì" - ýòî òðàãè÷åñêàÿ èñòîðèÿ ëþáâè" ñ âíóòðåííèìè êîíôëèêòàìè è ïðè÷óäëèâûìè ãðèìàñàìè ñóäüáû.  ýòîé èñòîðèè ñòðàñòü, áîëü, ïðåäàòåëüñòâî, íåïîíèìàíèå è ïðîùåíèå ñëèëèñü â îäèí çàïóòàííûé êëóáîê, ðàñïóòàòü êîòîðûé ñóìååò òîëüêî æèçíü

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ý. Ì., Îäèí çà âñåõ. âîñïîìèíàíèÿ — 2012 (Ïåðñîíà. áèîãðàôèè, àâòîáèîãðàôèè, ìåìóàðû)

Âñÿ æèçíü Ýäâàðäà Ìóðà Êåííåäè òåñíî ïåðåïëåòåíà ñ ïîëèòè÷åñêîé æèçíüþ Ñîåäèíåííûõ Øòàòîâ Àìåðèêè. Åãî äåä, ëåãåíäàðíûé Ñëàäêèé Ôèö, äâà ðàçà èçáèðàëñÿ ìýðîì Áîñòîíà. Îòåö áûë ïîñëîì â Âåëèêîáðèòàíèè, ãäå ìàëåíüêîìó Òåäó óæå ïðèøëîñü èãðàòü ðîëü îáðàçöîâî-ïîêàçàòåëüíîãî ïðåäñòàâèòåëÿ àìåðèêàíñêîãî þíîøåñòâà. Ñîâñåì ìîëîäûì ÷åëîâåêîì îí ó÷àñòâîâàë â ïðåäâûáîðíûõ êàìïàíèÿõ ñâîèõ ñòàðøèõ áðàòüåâ - Äæîíà è Ðîáåðòà Êåííåäè.  1962 ãîäó áûë èçáðàí â Ñåíàò, ñàì áàëëîòèðîâàëñÿ â ïðåçèäåíòû.  çàìå÷àòåëüíûõ ìåìóàðàõ Ýäâàðäà Êåííåäè îæèâàåò ïî÷òè âåêîâàÿ èñòîðèÿ Àìåðèêè ñ åå çâåçäíûìè, òðàãè÷åñêèìè, êðèòè÷åñêèìè è êóðüåçíûìè ýïèçîäàìè - Êàðèáñêèì êðèçèñîì, ïîëèòè÷åñêèìè óáèéñòâàìè, "Óîòåðãåéòîì", ñêàíäàëîì ñ Ìîíèêîé Ëåâèíñêè è ìíîãèì-ìíîãèì åùå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Kennedy M., La nymphe au coeur fidele — 1969

Tessa est la fleur de l'invraisemblable famille Singer, o© grandissent ensemble les enfants de plusieurs m˜res, r™unis dans le mšme culte de l'art. Elle aime le compositeur Lawis Dodd, commensal de la famille, d'un amour sans espoir. Lui, l'artiste cr™ateur qui aime toujours la petite Tossa de quinze ans, nattes au dos, dans son costume en serge bleue de pensionnaire, sans voir la jeune fille qu'elle est devenue. Et ™pouse Florence, une belle patricienne. Mais il ne peut se passer de Tessa : elle seule l'avertit de la fausse note, de l—entr™e manqu™e d'un violon... Evad™e du pensionnait o© on l'avait rel™gu™e, Tessa vit en intruse sus le toit du m™nage Dodd, souffrant en silence. Seule l'injustice passionn™e de Florence la jettera dans Ies bras de Lewis.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä.,  ïîãîíå çà ñ÷àñòüåì — 2012 (Äóãëàñ Êåííåäè. Ìèðîâîé áåñòñåëëåð) (Ìèðîâîé áåñòñåëëåð)

Ìàíõýòòåí, êàíóí Äíÿ áëàãîäàðåíèÿ, 1945 ãîä. Âîéíà îêîí÷åíà, è âå÷åðèíêà ó Ýðèêà Ñìàéòà â ñàìîì ðàçãàðå. Íà íåé, ñðåäè èíòåëëåêòóàëîâ èç Ãðèíâè÷-Âèëëèäæ, ëþáèìàÿ ñåñòðà Ñìàéòà - Ñàðà. Îíà ìîëîäà, î÷àðîâàòåëüíà, íåçàâèñèìà è óìíà. Îíà ìå÷òàåò ïîêîðèòü Íüþ-Éîðê.Íî âñå ìå÷òû çàáûòû â îäíî ìãíîâåíèå, ïîòîìó ÷òî ïîÿâèëñÿ îí - Äæåê Ìàëîóí, âîåííûé êîððåñïîíäåíò, òîëüêî ÷òî âåðíóâøèéñÿ èç ïîâåðæåííîé Ãåðìàíèè, ÷åëîâåê, êîòîðûé íå ïîíàñëûøêå çíàåò, ÷òî òàêîå âîéíà. Ñëó÷àéíàÿ âñòðå÷à Ñàðû è Äæåêà ïåðåâåðíåò æèçíü îáîèõ...Íîâûé ðîìàí Äóãëàñà Êåííåäè " ïîãîíå çà ñ÷àñòüåì" - ýòî òðàãè÷åñêàÿ èñòîðèÿ ëþáâè" ñ âíóòðåííèìè êîíôëèêòàìè è ïðè÷óäëèâûìè ãðèìàñàìè ñóäüáû.  ýòîé èñòîðèè ñòðàñòü, áîëü, ïðåäàòåëüñòâî, íåïîíèìàíèå è ïðîùåíèå ñëèëèñü â îäèí çàïóòàííûé êëóáîê, ðàñïóòàòü êîòîðûé ñóìååò òîëüêî æèçíü.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Êðóïíûì ïëàíîì. [ðîìàí] — 2012 [ò.å. 2011]

Îí ìå÷òàë ñòàòü ïðîôåññèîíàëüíûì ôîòîãðàôîì, à îêàçàëñÿ óäà÷ëèâûì êëåðêîì ñ Óîëë-Ñòðèò. Äîì â áîãàòîì ïðèãîðîäå, êðóïíûé ñ÷åò â áàíêå, êàðüåðíûé ðîñò, ëþáÿùàÿ æåíà è äâîå ìàëåíüêèõ äåòåé— À ýòî çíà÷èò, ÷òî æèçíü óäàëàñü. Íî íàñòîÿùèé ìàñòåð èíòðèãè, Äóãëàñ Êåííåäè íåîæèäàííî äåëàåò êðóòîé ïîâîðîò. Áåí Áðåôîðä óçíàåò, ÷òî æåíà åìó íåâåðíà. Ñëó÷àéíàÿ âñòðå÷à ñ ñîïåðíèêîì çàêàí÷èâàåòñÿ òðàãåäèåé. È òåïåðü Áåí ïðîñòî âûíóæäåí èçìåíèòü ñâîþ æèçíü. Îí íà÷èíàåò æåñòîêóþ èãðó ñ ñóäüáîé. È ìû ìîæåì òîëüêî ãàäàòü î òîì, êòî îêàæåòñÿ ïîáåäèòåëåì—Áëèñòàòåëüíûé, ñòðåìèòåëüíûé, íàïðÿæåííûé è ýíåðãè÷íûé ïñèõîëîãè÷åñêèé òðèëëåð îò Äóãëàñà Êåííåäè âûõîäèò çà ãðàíèöû æàíðà è ñòàâèò ïåðåä ÷èòàòåëåì âåñüìà íåîæèäàííûå âîïðîñû.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Êðóïíûì ïëàíîì — 2012 (Ìèðîâîé áåñòñåëëåð)

Îí ìå÷òàë ñòàòü ïðîôåññèîíàëüíûì ôîòîãðàôîì, à îêàçàëñÿ óäà÷ëèâûì êëåðêîì ñ Óîëë-ñòðèò. Äîì â áîãàòîì ïðèãîðîäå, êðóïíûé ñ÷åò â áàíêå, êàðüåðíûé ðîñò, ëþáÿùàÿ æåíà è äâîå ìàëåíüêèõ äåòåé— À ýòî çíà÷èò, ÷òî æèçíü óäàëàñü. Íî íàñòîÿùèé ìàñòåð èíòðèãè, Äóãëàñ Êåííåäè, íåîæèäàííî äåëàåò êðóòîé ïîâîðîò. Áåí Áðåôîðä óçíàåò, ÷òî æåíà åìó íå âåðíà. Ñëó÷àéíàÿ âñòðå÷à ñ ñîïåðíèêîì çàêàí÷èâàåòñÿ òðàãåäèåé. È òåïåðü Áåí ïðîñòî âûíóæäåí èçìåíèòü ñâîþ æèçíü. Îí íà÷èíàåò æåñòîêóþ èãðó ñ ñóäüáîé. È ìû ìîæåì òîëüêî ãàäàòü î òîì, êòî îêàæåòñÿ ïîáåäèòåëåì— Áëèñòàòåëüíûé, ñòðåìèòåëüíûé, íàïðÿæåííûé è ýíåðãè÷íûé ïñèõîëîãè÷åñêèé òðèëëåð îò Äóãëàñà Êåííåäè âûõîäèò çà ãðàíèöû æàíðà è ñòàâèò ïåðåä ÷èòàòåëåì âåñüìà íåîæèäàííûå âîïðîñû

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Æåñòêèé òàéì-ìåíåäæìåíò. âîçüìèòå ñâîþ æèçíü ïîä êîíòðîëü — 2013

Âðåìÿ — ñàìàÿ áîëüøàÿ öåííîñòü äëÿ ñîâðåìåííîãî ÷åëîâåêà è â îñîáåííîñòè — äëÿ ïðåäïðèíèìàòåëÿ. Ýòà êíèãà ïðåäíàçíà÷åíà ñïåöèàëüíî äëÿ òåõ, êîìó íàäîåëî ñîêðóøàòüñÿ î âå÷íîé åãî íåõâàòêå è êòî óæå ãîòîâ íà ðåøèòåëüíûå øàãè, ÷òîáû âðåìåíè (íàêîíåö!) ñòàëî áîëüøå. Äýí Êåííåäè, êàê âñåãäà, ïðÿìîëèíååí è äàåò èñêëþ÷èòåëüíî ïðàêòè÷åñêèå ñîâåòû, êîòîðûå ïîçâîëÿò ñàìîìó çàíÿòîìó ÷åëîâåêó ñ ñàìûì íàïðÿæåííûì ãðàôèêîì âûæàòü ìàêñèìóì èç êàæäîãî äíÿ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Æåñòêèé ìåíåäæìåíò. çàñòàâüòå ëþäåé ðàáîòàòü íà ðåçóëüòàò — 2013

Êíèãà îáëåêàåò âàñ ïðàâîì âåðíóòü ñåáå âëàñòü íàä ñâîèì áèçíåñîì, çàäàâàòü ïðàâèëà, ñòàâèòü âî ãëàâó óãëà ïðèáûëü è äîáèâàòüñÿ íàñòîÿùèõ ðåçóëüòàòîâ îò òåõ, êòî íà âàñ ðàáîòàåò

Ñîäåðæàíèå: Ãë.: Êàíöåëÿðèò - ýòî ìû ; Èñòèííàÿ ïðèðîäà îòíîøåíèé ðàáîòíèê-íàíèìàòåëü ; Ñïèñîê Øåëáè ; Ñèíäðîì Âèëëè Ëîìàíà ïîðàæàåò ìåíåäæìåíò ; Ïðîãðàììà ; Äâà ñàìûõ âàæíûõ óïðàâëåí÷åñêèõ ðåøåíèÿ ; ...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Èñêóøåíèå Äýâèäà Àðìèòàæà — 2011 (Ìèðîâîé áåñòñåëëåð) (Äóãëàñ Êåííåäè. Ìèðîâîé áåñòñåëëåð)

Âû âñòðå÷àåòåñü ñ ãîëëèâóäñêèì ñöåíàðèñòîì Äýâèäîì Àðìèòàæåì â òîò ìîìåíò, êîãäà îí íàõîäèòñÿ íà âåðøèíå óñïåõà. Çàáûòû ãîäû íåóäà÷ è áåçäåíåæüÿ. Ñåãîäíÿ Àðìèòàæ áîãàò, çíàìåíèò, âîñòðåáîâàí. Åãî ëþáîâíèöà èçâåñòíà è ïðåêðàñíà, åãî äðóçüÿ ïðèíàäëåæàò ê ýëèòå Ãîëëèâóäà, åãî ñöåíàðèè ïîêóïàþòñÿ çà áàñíîñëîâíûå äåíüãè, åãî ñ÷åò â áàíêå ñòðåìèòñÿ ê áåñêîíå÷íîñòè. Íî âñå ðóøèòñÿ â îäíî÷àñüå, êîãäà íà åãî ïóòè ïîÿâëÿåòñÿ ìèëëèàðäåð Ôèë Ôëåê ñ ïðåäëîæåíèåì, îò êîòîðîãî Äýâèä Àðìèòàæ íå ìîæåò îòêàçàòüñÿ...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., The Tempest — 2012 (Collins Classics)

Magical and dreamlike in its tone, Shakespeare—s The Tempest begins with a storm of epic proportions and a shipwreck. Banished from Italy, Prospero lives on a remote island with his daughter. Using his magic, he vows to seek revenge on the injustice dealt to him by his brother, but in doing so, Shakespeare questions the difficulty of distinguishing —men— from —monsters—, and the realities of justice.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., Twelfth Night — 2011 (Collins Classics)

HarperCollins is proud to present its new range of best-loved, essential classics. 'If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die.' A comedic romance of mistaken identity, Twelfth Night begins with a shipwreck, splitting up Viola and her twin brother, Sebastian. Alone in a strange land, Viola disguises herself as a male servant, Cesario, in order to work for the Duke Orsino. Orsino is in love with Lady Olivia, but it is Cesario that Olivia falls for. A farcical tale of misplaced love, confusion, gender-swapping and aspiration, Twelfth Night remains one of Shakespeare's best-loved and inventive comedies.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., Othello — 2011 (Collins Classics)

Dramatic and powerful in its scope, Othello explores the perils of suspicion and jealousy and the ensuing breakdown of relationships and disaster that can arise from such emotions. Othello, a revered soldier secretly marries Desdemona, the daughter of a Venetian senator, but is led to believe that she has been unfaithful to him by his ensign Iago, leading to tragic events.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Ïðîäàþùåå ïèñüìî. êàê ïðàâèëüíî íàïèñàòü ðåêëàìíîå ïèñüìî, ÷òîáû ïðèâëå÷ü ìàêñèìàëüíîå ÷èñëî êëèåíòîâ — 2014

Êíèãà ñîäåðæèò ïîøàãîâîå ðóêîâîäñòâî ïî íàïèñàíèþ õîðîøåãî ðåêëàìíîãî ïèñüìà, ïîäáîðó "ïðîäàþùèõ" çàãîëîâêîâ, âûãîäíîìó âûäåëåíèþ ïîñòñêðèïòóìà, à òàêæå ñîâåòû î òîì, ÷òî íóæíî ñäåëàòü, ÷òîá ïèñüìî ïðî÷èòàëî êàê ìîæíî áîëüøå êëèåíòîâ è îíî íå ïîïàëî â ìóñîðíóþ êîðçèíó äî òîãî, êàê åãî ïðî÷èòàþò

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êåííåäè Ä., Æåñòêèé òàéì-ìåíåäæìåíò. âîçüìèòå ñâîþ æèçíü ïîä êîíòðîëü — 2014

Âðåìÿ — ñàìàÿ áîëüøàÿ öåííîñòü äëÿ ñîâðåìåííîãî ÷åëîâåêà è â îñîáåííîñòè — äëÿ ïðåäïðèíèìàòåëÿ. Ýòà êíèãà ïðåäíàçíà÷åíà ñïåöèàëüíî äëÿ òåõ, êîìó íàäîåëî ñîêðóøàòüñÿ î âå÷íîé åãî íåõâàòêå è êòî óæå ãîòîâ íà ðåøèòåëüíûå øàãè, ÷òîáû âðåìåíè (íàêîíåö!) ñòàëî áîëüøå. Äýí Êåííåäè, êàê âñåãäà, ïðÿìîëèíååí è äàåò èñêëþ÷èòåëüíî ïðàêòè÷åñêèå ñîâåòû, êîòîðûå ïîçâîëÿò ñàìîìó çàíÿòîìó ÷åëîâåêó ñ ñàìûì íàïðÿæåííûì ãðàôèêîì âûæàòü ìàêñèìóì èç êàæäîãî äíÿ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ