Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ãàïîí Ï., Îáîðâàííûå ñòðóíû: âàëüñ — [ìåæäó 1890-1917]

Ñîäåðæàíèå: Âëàäåëü÷åñêèé êîíâîëþò. Ïðèïë. 14 íîò. èçä.: 1) Äæîéñ, Àð÷èáàëüä (Joyce,Archibald; 1873-1963). "Songe d'Automne": valse (Îñåííèé ñîí: âàëüñ) / Von Archibald Joyce.- St. Petersbourg: Jogansen, [ìåæäó 1860-1917].- 7 ñ..- Í. ä. T.A. 3976 I; 2) Êàçàðèíîâà, O. "Òîñêà î ïðîøëîì": âàëüñ / Ñî÷. Î. Êàçàðèíîâîé.-Ìîñêâà: Ãðîññå, [ìåæäó 1860-1917].- 4 ñ..- Í. ä. È. 2 Á; 3) Äåãåéòåð, Ïüåð (De Geyter,Pierre; 1948-1932). Èíòåðíàöèîíàë äëÿ ôîðòåïüÿíî /Ñðåäàêòèðîâàí êîìèññèåé èç ïðåäñòàâèòåëåé Ïóð'à, Ãëàâïîëèòïðîñâåòà è Ìóçñåêòîðà Ãîñèçäàòà.-Ìîñêâà: Ìóçûêàëüíûé ñåêòîð, 1924 .- 3, [1] c..- Í.ä. Ã.Ì. 5570 È.Ì.; 4) Äþðàí, Ìàðè Îãþñò (Durand, Marie-Auguste; 1830-1909). 2-me valse (Âòîðîé âàëüñ), Op. 86/Ang. Durand.-Moscou: Jurgenson, [ìåæäó 1870-1917] - 7 ñ. .- Í.ä. 18083; 5) Äþðàí, Ìàðè Îãþñò (Durand, Marie-Auguste; 1830-1909). 2-me valse 18133 (Âòîðîé âàëüñ), Op. 56 / B.Godard.-Moscou: Jurgenson, [ìåæäó 1870-1917].- 7 ñ..- Í.ä. 18133; 6) Ãàëîñ,Æèçåëü (Galos,Giselle). Le lac de C¤me (Îçåðî Êîìî): 6-e nocturne, Op.24 / C. Galos.-Moscou: Gutheil [Ãóòõåéëü], [ìåæäó 1870-1917].- 5 ñ..- Í.ä. 7410; 7) Ãëèíêà, Ìèõàèë Èâàíîâè÷ (1804-1857). Æèçíü çà öàðÿ äëÿ ôîðòåïüÿíî. — 7-á. Ìàçóðêà/ ìóç. Ì.È. Ãëèíêè.-Ìîñêâà: Ãóòõåéëü [Gutheil], [ìåæäó 1870-1917].-9 ñ..- Í.ä. A. 2128 G; 8) Äðÿãèí, Ñ. Marche fun˜bre / Ñ. Äðÿãèí.- [Á.ì.], [ìåæäó 1870-1917].-ñ.187-188 [ò.å. 2] ñ..- Í.ä. Ì.1071 II; 9) Ðóáèíøòåéí,Àíòîí Ãðèãîðüåâè÷ (1829-1894). Deux melodies (Äâå ìåëîäèè), Op. 3. — 1 / A. Rubinstein.- Moscou: Jurgenson, [ìåæäó 1870-1917].- 5 ñ. .- Í.ä. Ì.10031; 10) Ðóáèíøòåéí, Àíòîí Ãðèãîðüåâè÷ (1829-1894). 1-re Barcarolle (Áàðêàðîëëà), Op. 30 —1/ A. Rubinstein.- Moscou: Jurgenson, [ìåæäó 1870-1917].- 7 ñ. .-Í.ä. Ì.10038 11) Ñìèò, Ñ. (Smith,Sydney;1839-1889). Le murmure du ruisseau (Æóð÷àíèå ðó÷üÿ), Op. 207 / Sydney Smith.- C.-Ïåòåðáóðã: Èîãàíñåí, [ìåæäó 1870-1917].- 9 ñ. .- Í.ä. 1999; 12) ×àéêîâñêèé, Ïåòð Èëüè÷ (1840-1893). Åâãåíèé Îíåãèí. — 13 ...Âàëüñ / ìóç. Ï.×àéêîâñêîãî.-Ìîñêâà: Þðãåíñîí Ï., [ìåæäó 1870-1917].- 18 ñ..-Í.ä. 5829; 13) Ìîøêîâñêèé,Ìîðèö (Moszkowski, Moritz; 1854-1925).Spanische Tspanische tanze (Èñïàíñêèå òàíöû â ÷åòûðå ðóêè), Op. 12 / Moriitz .-[Á.ì.], [ìåæäó 1870-1917].- 27 ñ..-Í.ä. Ñ.1134 Ë. 14) Ãëèíêà, Ìèõàèë Èâàíîâè÷ (1804-1857).Valse-Fantaisie pour Orchestre (Âàëüñ-ôàíòàçèÿ äëÿ îðêåñòðà) /Compos™e par M. Glinka.-Nouvelle Ed. rev. et corrig™e par N. Rimsky-Korsakow et A. Glazounow.-Leipzig: Belaieff, 1902.- 21 ñ..- Í.ä. 3016;

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., A Portrait of the Artist as a Young Man — [reiss.2008] (Oxford world's classics)

It is a nearly complete rewrite of the abandoned Stephen Hero novel, the original manuscript of which was partially destroyed in a fit of rage during an argument with Nora. A kunstlerroman, or story of the development of an artist (a type of bildungsroman, or coming of age novel), it is largely autobiographical, showing the process of attaining maturity and self-consciousness by a gifted young man. The main character is Stephen Dedalus, Joyce's representation of himself. In this novel, some glimpses of Joyce's later techniques are evident, in the use of interior monologue and in the concern with the psychic rather than external reality

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Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce R., Miss Benson s Beetle — 2021

It is 1950. In a devastating moment of clarity, Margery Benson abandons her dead-end job and advertises for an assistant to accompany her on an expedition. She is going to travel to the other side of the world to search for a beetle that may or may not exist. Enid Pretty, in her unlikely pink travel suit, is not the companion Margery had in mind. And yet together they will be drawn into an adventure that will exceed every expectation. They will risk everything, break all the rules, and at the top of a red mountain, discover their best selves. This is a story that is less about what can be found than the belief it might be found; it is an intoxicating adventure story but it is also about what it means to be a woman and a tender exploration of a friendship that defies all boundaries

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Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Exiles. a play in three acts — 2018 (Original)

James Joyce (1882-1941) was an Irish novelist, short story writer, and poet. This volume includes the only extant play in three acts by the great writer "Exiles". There are obvious parallels to be drawn with Joyce's own life. However, "Exiles" is by no means straightforwardly autobiographical.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Ulysses. A Novel in English — 2017

Äæåéìñ Äæîéñ - íå òîëüêî îäèí èç ñàìûõ èçâåñòíûõ êëàññèêîâ ìèðîâîé ëèòåðàòóðû, íî è ÿð÷àéøèé ïðåäñòàâèòåëü ìîäåðíèçìà, îáëàäàþùèé èçûñêàííûì ñëîãîì. "Óëèññ" - ëåãåíäàðíûé ðîìàí, ïîëíûé àëëþçèé, ìèñòèôèêàöèé è çàãàäîê, êîòîðûé ñòàë íå òîëüêî íåîñïîðèìîé âåðøèíîé òâîð÷åñòâà Äæîéñà, íî è ïðîèçâåäåíèåì, îïðåäåëèâøèì áóäóùåå ðàçâèòèå ëèòåðàòóðû.  ðîìàíå îïèñûâàåòñÿ îäèí åäèíñòâåííûé äåíü ãëàâíîãî ãåðîÿ, ïðè ýòîì êàæäàÿ èç 18 ãëàâ íàïèñàíà ñâîèì ñòèëåì. Íî "Óëèññ" - ýòî íå ïðîñòî îäèí äåíü, à öåëàÿ æèçíü—

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Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., A selection from dubliners — 2017

These stories from James Joyce's Dubliners take you inside the tragedies and comedies of Irish life in the early twentieth century. Meet unforgettable characters, including a boy who died for love, determined mothers and romantic dreamers. Many of them are forced to see the truth about their lives. One of Ireland's greatest writers gives you his view of his native city.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Oates J. K., The man without a shadow — 2016

From bestselling author Joyce Carol Oates, a taut and fascinating novel that examines the mysteries of human memory and personality In 1965, a young research scientist named Margot Sharpe meets Elihu Hoopes, the subject of her study, a handsome amnesiac who cannot remember anything beyond the last seventy seconds. Over the course of thirty years, the two embark on mirroring journeys of self-discovery. Margot, enthralled by her charming, mysterious, and deeply lonely patient, as well as her officious supervisor, attempts to unlock Eli—s shuttered memories of a childhood trauma without losing her own sense of identity in the process. And Eli, haunted by memories of an unknown girl—s body underneath the surface of a lake, pushes to finally know himself once again, despite potentially devastating consequences. As Margot and Eli meet over and over again, Joyce Carol Oates— tightly written, nearly clinical prose propels the lives of these two characters forwards, both suspended in a dream-like, shadowy present, and seemingly balanced on the thinnest, sharpest of lines between past and future. Made vivid by Oates— eye for detail and searing insight into the human psyche, The Man Without a Shadow is an eerie, ambitious, and structurally complex novel, as poignant as it is thrilling.

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Ïîäðîáíàÿ èíôîðìàöèÿ

20 ëó÷øèõ ïîâåñòåé íà àíãëèéñêîì. original — 2014 (Èíîñòðàííûé ÿçûê: ó÷èìñÿ ó êëàññèêîâ) (Original)

Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Ñîäåðæàíèå: Wilkie Collins, Arthur Conan Doyle, Joseph Conrad, Charles Dickens, F. S. Fitzgerald, John Galsworthy, Washington Irving, Jerome K. Jerome, James Joyce, D. H. Lawrence, Jack London, H. P. Lovecraft, W. M. Thackeray, George Macdonald, Herman Melville, T. L. Peacock, E. A. Poe, R. L. Stevenson, Edward Bulwer Lytton, Oscar Wilde.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Äæîéñ Ä., Ñòèõîòâîðåíèÿ. ïåðåâîä ñ àíãëèéñêîãî — 2013 (Áèëèíãâà)

Ýòà êíèãà — ïðåäñòàâëÿåò ñîáîé ñàìîå ïîëíîå ñîáðàíèå ñòèõîòâîðåíèé Äæîéñà.  íåå âîøëè âñå îïóáëèêîâàííûå ïðè æèçíè ñòèõîòâîðåíèÿ Äæîéñà, à òàêæå «ñòèõè íà ñëó÷àé», ñîõðàíèâøèåñÿ â ÷åðíîâèêàõ è ïèñüìàõ, è ñòèõîòâîðíûå ôðàãìåíòû èç åãî ïîçäíåãî ðîìàíà «Ïîìèíêè ïî Ôèííåãàíó». Áîëüøèíñòâî ÷èòàòåëåé çíàþò Äæîéñà òîëüêî êàê ïðîçàèêà; òåì íå ìåíåå, ìíîãèå ñòèõè â ýòîé êíèãå äîêàçûâàþò, ÷òî è ïîýòîì îí áûë ïðåâîñõîäíûì è âïîëíå óíèêàëüíûì. Ïðè÷åì, â îáîèõ ñâîèõ ãëàâíûõ ìîäóñàõ — êîìè÷åñêîì è ëèðè÷åñêîì. Ìíîãèå øóòî÷íûå ñòèõè Äæîéñà îòìå÷àþò âàæíåéøèå âåõè åãî æèçíè — òàêèå, êàê áîðüáà çà îïóáëèêîâàíèå «Äóáëèíöåâ» èëè âûõîä èç ïå÷àòè «Óëèññà». Íî è ýòè ñòèõîòâîðåíèÿ èìåþò îòíþäü íå òîëüêî áèîãðàôè÷åñêîå çíà÷åíèå. Ïðàêòè÷åñêè â êàæäîì îïóñå, íàïèñàííîì íà ñëó÷àé, Äæîéñ äåìîíñòðèðóåò âûñî÷àéøóþ ñòèõîòâîðíóþ òåõíèêó, îðèãèíàëüíîñòü è èçÿùåñòâî ñâîåãî êîìè÷åñêîãî äàðà. Ïåðôåêöèîíèñò, îí ïðîñòî íå óìåë ïèñàòü íå áëåñòÿùå. Ïðîèçâåäåíèÿ àâòîðà ïðåäñòàâëåíû êàê íà ÿçûêå îðèãèíàëà, òàê è â ðóññêîì ïåðåâîäå. Èçäàíèå ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì è êîììåíòàðèÿìè èçâåñòíîãî ïîýòà-ïåðåâîä÷èêà è èññëåäîâàòåëÿ àíãëîÿçû÷íîé ïîýçèè Ã. Ì. Êðóæêîâà

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Ïîäðîáíàÿ èíôîðìàöèÿ

Äæîéñ Á., Îáîëüùåíèå — 2013 (New York Times Bestselling Author) (Harlequin)

Æèçíü Äæóëèàííû Ãðåéñòîóí â óíûëîé ñåëüñêîé ãëóøè ñêðàøèâàåòñÿ ïûëêèì óâëå÷åíèåì: þíàÿ àíãëè÷àíêà áðåäèò èäåÿìè ôðàíöóçñêîé ðåâîëþöèè, ìå÷òàÿ îá óñòàíîâëåíèè ðàâåíñòâà è ñâîáîäû ïîâñþäó. Îäíàæäû åé âûïàäàåò øàíñ ïîçàáîòèòüñÿ î íåïîñðåäñòâåííîì ó÷àñòíèêå ýòèõ ñîáûòèé - ôðàíöóçñêîì îôèöåðå Øàðëå Ìîðèñå. Ãåðîé ðåâîëþöèè òàê î÷àðîâàòåëåí è ñìåë, ÷òî Äæóëèàííà áðîñàåòñÿ â åãî îáúÿòèÿ, ïîçàáûâ îáî âñåì íà ñâåòå. Óâû, âñêîðå âûÿñíÿåòñÿ, ÷òî îáîëüùåíèå áûëî ëèøü êîâàðíûì ïëàíîì òàèâøåãîñÿ ïîäìàñêîé ðåñïóáëèêàíöà áðèòàíñêîãî øïèîíà, àðèñòîêðàòà è áîãà÷à Äîìèíèêà Ïåäæåòà. Ñåðäöå Äæóëèàííû ðàçáèòî, âåäü òåïåðü åå è Äîìèíèêà ðàçäåëÿåò êðîìåøíàÿ áåçäíà ïðåäàòåëüñòâà. Íî ðàçíîå ïîëîæåíèå â ñâåòå, ïîëèòèêà, âîéíà è äàæå îáìàí - íè÷òî, åñëè â äåëå çàìåøàíà ëþáîâü. Âïðî÷åì, îäíàæäû Äæóëèàííå òîæå ïðèõîäèòñÿ ïðèìåðèòü íà ñåáÿ ðîëü ïðåäàòåëüíèöû... Äëÿ ëèö ñòàðøå 16 ëåò.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners — 2011 (Collins Classics)

"Snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves". From a child grappling with the death of a fallen priest, to a young woman's dilemma over whether to elope to Argentina with her lover, to the dance party at which a man discovers just how little he really knows about his wife, these fifteen stories bring the gritty realism of existence in Joyce's native Dublin to life

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Ïîäðîáíàÿ èíôîðìàöèÿ

Äæîéñ Á., Óêðàäåííàÿ íåâåñòà. ðîìàí. [18+] — 2011 (New York Times bestselling author) (Âïåðâûå íà ðóññêîì)

Ýòîò ìóæ÷èíà êîãäà-òî áûë äëÿ íåå íåáîì, âîçäóõîì è ñîëíöåì. Îäíàæäû îí èñ÷åç áåññëåäíî, ðàíèâ åå ñåðäöå ãîäàìè ìîë÷àíèÿ. Íî êîãäà îí âåðíóëñÿ, åñòü ëè ó ãåðîåâ íàäåæäà íà ñ÷àñòëèâóþ ëþáîâü? Èç ðîäîâîãî ïîìåñòüÿ Øîíà Î'Íèëà çâàëà è ìàíèëà íåèçâåñòíàÿ æèçíü. Íàïðàñíî Ýëåîíîðà óìîëÿëà åãî îñòàòüñÿ, óáåæäàÿ, ÷òî åãî ñ÷àñòüå - ýòî äîì, êîòîðûé îí ïîäíÿë èç ðóèí, è åå ëþáîâü. Øîí áûë íåïðåêëîíåí, îí æàæäàë ïðèêëþ÷åíèé è îïàñíîñòåé. È îíè íå çàìåäëèëè ÿâèòüñÿ â åãî æèçíü, êàê òîëüêî îí ïîêèíóë ðîäíîé ïîðîã. Äîëãèå ÷åòûðå ãîäà Ýëåîíîðà æäàëà åãî è, îò÷àÿâøèñü, ñîãëàñèëàñü íà áðàê ñ êðàñèâûì, áîãàòûì è ðîäîâèòûì Ïèòåðîì Ñèíêëåðîì. Îíà íå çíàëà, ÷òî Øîí ïîïàë â òþðüìó ïî îãîâîðó. Ïðàâäà îòêðûëàñü åé, êîãäà îí íåîæèäàííî ïîÿâèëñÿ êàê ðàç íàêàíóíå åå ñâàäüáû..

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Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Poems — 2003

Ñáîðíèê ïðåäñòàâëÿåò ñàìîå ïîëíîå ñîáðàíèå ñòèõîòâîðåíèé Äæåéìñà Äæîéñà, êðóïíåéøåãî ïèñàòåëè-ìîäåðíèñòà XX âåêà.  íåãî âîøëè è îïóáëèêîâàííûå, è íå ïáëèêîâàâøèåñÿ ïðè æèçíè ïèñàòåëÿ ñòèõè â òîì ÷èñëå "ñòèõè íà ñëó÷àé". Ïðîèçâåäåíèÿ Äæîéñà ïóáëèêóþòñÿ íå òîëüêî â ðóññêîì ïåðåâîäå, íî è â îðèãèíàëå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Interzone March(165) — 2001

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìàëåíüêàÿ êîìåäèÿ íðàâîâ — 2000 (Èçó÷àåì èíîñòðàííûå ÿçûêè)

Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê. Êàæäàÿ ñòðàíèöà òåêñòà ñíàáæåíà ïîñòðàíè÷íûì ñëîâàðåì è êîììåíòàðèåì, à òàêæå ïåðåâîäîì ðàçëè÷íûõ ëåêñè÷åñêèõ è ãðàììàòè÷åñêèõ òðóäíîñòåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners — 1996 (Penguin Popular Classics)

Although only 24 when he signed his first publishing contract for Dubliners, Joyce already knew its worth: to alter it in any way would "retard the course of civilisation in Ireland". Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a deat an encounter, an opportunity not taken, a memory rekindled - and collectively paint a portrait of a nation. This edition is introduced and annotated by Jeri Johnson - who gives a witty and informative insight into the context, meanings, and reception of Joyce's work

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèå ðàññêàçû — 1993 (Áèáëèîòåêà äëÿ äîìàøíåãî ÷òåíèÿ)

 ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners — 1988

Although only 24 when he signed his first publishing contract for Dubliners, Joyce already knew its worth: to alter it in any way would retard the course of civilisation in Ireland. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a deat an encounter, an opportunity not taken, a memory rekindled - and collectively paint a portrait of a nation. This edition is introduced and annotated by Jeri Johnson - who gives a witty and informative insight into the context, meanings, and reception of Joyce s work

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Christmas Reader — 1986

The wonderful anthology of verse and prose, short stories, reminiscences and diary entries, ranging from the traditional to the subversive, the whimsical to the sinister, the ironic to the tragic. Exquisitely illustrated with black and white drawings from many periods, The Christmas Reader is a perfect source-book for reading aloud to family and friends.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce C., Claude Monet et Giverny — 1985

Íà ôðàíöóçñêîì ÿçûêå. Claire Joyes est ecrivain. Jean-Marie Toulgouat, artiste peintre; ils vivent et travaillent a Giverny. Jean-Marie Toulgouat, un des arriere-petits-fils de Mme Claude Monet a passe son enfance dans ce village partageant ses jours de loisirs entre la maison du peintre et celle de ses parents situees a quelques enjambees l'une de l'autre. Ses souvenirs personnels de l'«univers Monet», et des jardins tels que Monet les avait concus, tels que Mme Jean Monet se fit un point d'honneur a les conserver, joints aux temoignages d'autres membres de la famille, de l'entourage proche de l'artiste ainsi que de plusieurs jardiniers ont contribue a donner un reflet des plus fideles des rituels en cours dans cette maison qui, bien apres la mort de Monet survenue en 1926, a continue a vivre avec le gout transmis de la botanique et du jardinage ainsi que le respect de son oeuvre

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ