Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ:  ïðåäëàãàåìîé êíèãå îïèñûâàþòñÿ ïðîñòûå è èçÿùíûå ðåøåíèÿ òèïè÷íûõ çàäà÷, âîçíèêàþùèõ â îáúåêòíî-îðèåíòèðîâàííîì ïðîåêòèðîâàíèè. Ïàòòåðíû ïîÿâèëèñü, ïîòîìó ÷òî ìíîãèå ðàçðàáîò÷èêè èñêàëè ïóòè ïîâûøåíèÿ ãèáêîñòè è ñòåïåíè ïîâòîðíîãî èñïîëüçîâàíèÿ ñâîèõ ïðîãðàìì. Íàéäåííûå ðåøåíèÿ âîïëîùåíû â êðàòêîé è ëåãêî ïðèìåíèìîé íà ïðàêòèêå ôîðìå. Àâòîðû èçëàãàþò ïðèíöèïû èñïîëüçîâàíèÿ ïàòòåðíîâ ïðîåêòèðîâàíèÿ è ïðèâîäÿò èõ êàòàëîã. Òàêèì îáðàçîì, êíèãà îäíîâðåìåííî ðåøàåò äâå çàäà÷è. Âî-ïåðâûõ, çäåñü äåìîíñòðèðóåòñÿ ðîëü ïàòòåðíîâ â ñîçäàíèè àðõèòåêòóðû ñëîæíûõ ñèñòåì. Âî-âòîðûõ, ïðèìåíÿÿ ñîäåðæàùèåñÿ â ñïðàâî÷íèêå ïàòòåðíû, ïðîåêòèðîâùèê ñìîæåò ñ ëåãêîñòüþ ðàçðàáàòûâàòü ñîáñòâåííûå ïðèëîæåíèÿ. Èçäàíèå ïðåäíàçíà÷åíî êàê äëÿ ïðîôåññèîíàëüíûõ ðàçðàáîò÷èêîâ, òàê è äëÿ ïðîãðàììèñòîâ, îñâàèâàþùèõ îáúåêòíî-îðèåíòèðîâàííîå ïðîåêòèðîâàíèå.

Àííîòàöèÿ: UK vinyl LP pressing. 2010 release, the seventh album from British Jazz Funk pioneers Jamiroquai. Fronted by the charismatic Jay Kay, this is the band's first album in five years, following Dynamite with the kind of catchiness that made Jamiroquai a household name. Recorded between Buckinghamshire, Oxfordshire, and Thailand, Rock Dust Light Star features the single 'Blue Skies', a Take That-esque uplifting pop song - a departure from tracks such as 'Space Cowboy'. This record shows the group's talent remains as strong in 2010 as it was in 1994

Àííîòàöèÿ: Ñïðàâî÷íîå ïîñîáèå óãëóáëåííîãî òèïà ïî ìîäåëèðîâàíèþ ïðîâîäíèêîâûõ ëèíèé ïåðåäà÷è è àíàëèçó èõ âëèÿíèÿ íà öåëîñòíîñòü öèôðîâîãî ñèãíàëà, ïðåäíàçíà÷åííîå äëÿ ñàìîãî øèðîêîãî êðóãà ñïåöèàëèñòîâ öèôðîâîé ýëåêòðîíèêè - îò ðàçðàáîò÷èêîâ èíòåãðàëüíûõ ñõåì äî ïðîåêòèðîâùèêîâ êàáåëüíûõ ñåòåé ïåðåäà÷è äàííûõ. Ãðàôè÷åñêèå äèàãðàììû è ðàñ÷åòíûå ôîðìóëû ïîçâîëÿþò îïòèìèçèðîâàòü ïàðàìåòðû ñèñòåì ïåðåäà÷è öèôðîâûõ äàííûõ êàê â ðó÷íîì ðåæèìå, òàê è ñ èñïîëüçîâàíèåì òåõíîëîãèé èìèòàöèîííîãî ìîäåëèðîâàíèÿ SPICE è IBIS. Èçëîæåíèå ïîñòðîåíî íà ïðèìåðàõ, âçÿòûõ èç ïðàêòèêè, â ôîðìå äèñêóññèè ñ ðåàëüíûìè ñïåöèàëèñòàìè, ÷òî îáëåã÷àåò âîñïðèÿòèå ìàòåðèàëà

Àííîòàöèÿ: This is a ready-reference book on grammar, punctuation, correct expressions, correct use of wwords, good usage, and points of style. If you are keen to aquire a comand of good English for business, professional and social purposes, this is the book for you, for it will improve your speech and writing in a very short time.

Àííîòàöèÿ: Ïî ìíåíèþ Âèêà Äæîíñîíà, çà ãîä ìîæíî óñïåòü î÷åíü ìíîãîå, åñëè ïîñòàâèòü ñåáå öåëü è íåóêëîííî ïðîäâèãàòüñÿ ê íåé. Ïðàâäà, åñòü íåñêîëüêî ñåêðåòîâ, è àâòîð îõîòíî çíàêîìèò ñ íèìè ÷èòàòåëÿ, ðàññêàçûâàÿ, êàê íåäåëÿ çà íåäåëåé äîáèâàòüñÿ èñïîëíåíèÿ ñâîåé ìå÷òû. Êîíå÷íî, íå òàê óæ ïðîñòî ïîñâÿòèòü ãîä æèçíè äîñòèæåíèþ æåëàåìîãî; ýòî ðåøåíèå îòâåòñòâåííîå è ïîòðåáóåò îò âàñ ìàññû òåðïåíèÿ. Íî åñëè âû ñèëüíû äóõîì, íàñòîé÷èâû, ïðèëåæíû è äîáðîñîâåñòíû, ñ÷èòàéòå, ÷òî ìèð ó âàñ â êàðìàíå! Ãëàâíîå - íå ñäàâàòüñÿ è øàã çà øàãîì, íåäåëÿ çà íåäåëåé äâèãàòüñÿ ê ñâîåé öåëè.

Àííîòàöèÿ: Project 2010 - îäíà èç ñàìûõ ìîùíûõ ïðîãðàìì ïàêåòà Microsoft Office 2010, êîòîðàÿ ïîìîãàåò îïòèìèçèðîâàòü è äîâåñòè äî ñîâåðøåíñòâà òåõíèêó óïðàâëåíèÿ ïðîåêòàìè. Project ïîìîæåò âàì íå òîëüêî îïðåäåëèòü çàäà÷è, ïðîàíàëèçèðîâàòü ðåçóëüòàòû, óïðàâëÿòü ðåñóðñàìè, âðåìåíåì è ôèíàíñàìè, íî è ñêîîðäèíèðîâàòü ïîðòôåëè ïðîåêòîâ è ãðóïïîâûå ðåñóðñû ïðî ñîâìåñòíîé ðàáîòå. Ñ ïîìîùüþ ýòîãî ìîùíîãî èíñòðóìåíòà âû îñâîèòå âñå ýòàïû ïðîöåññà óïðàâëåíèÿ ïðîåêòîì: ðàçðàáîòàåòå äåòàëüíûé ïëàí, ñîñòàâèòå ðàñïèñàíèå çàäàíèé, íàçíà÷èòå ðåñóðñû è ñ ëåãêîñòüþ áóäåòå óïðàâëÿòü âçàèìîñâÿçÿìè.Âåðñèÿ Project 2010 ïîñòðîåíà íà ïðåäûäóùèõ âåðñèÿõ, íî â íåå äîáàâëåíû ïîëåçíûå íîâûå âîçìîæíîñòè, à òàêæå âíåñåíû èçìåíåíèÿ â èíòåðôåéñ (ëåíòà, ïðåäñòàâëåíèÿ Backstage è Âðåìåííàÿ øêàëà, óëó÷øåííàÿ âñòàâêà â Excel è Word, ïîëüçîâàòåëüñêèå ïîëÿ, ñîõðàíåíèå â ôîðìàòàõ PDF è XPS è äð.). Êíèãà ðàññ÷èòàíà äëÿ ïðèîáðåòåíèÿ íàâûêîâ ðàáîòû êàê ñ ðóññêîé âåðñèåé ïðîãðàììû, òàê è ñ àíãëèéñêîé. Äëÿ ïîëüçîâàòåëåé íà÷àëüíîãî è ñðåäíåãî óðîâíÿ ïîäãîòîâêè.

Àííîòàöèÿ: This entertaining account of Cambridge around the turn of the twentieth century contains the centenary edition of the complete text of F. M. Cornfords famous satire of 1908 on university politics, Microcosmographia Academica, together with a full account of the controversies which gave rise to it. Cambridge during this period was being subjected to pressure for reform from within and outside the University, forcing it to radical social and academic change, above all by extending and altering the curriculum and by admitting women. All these matters, many of which remain in debate at the beginning of the twenty-first century in Cambridge and in the wider academic community, provoked fierce debates and provided a rich context for Cornfords pamphlet. The book is illustrated with a selection of contemporary photographs and portraits.

Àííîòàöèÿ: Áîðèñ Äæîíñîí — ïîæàëóé, ñàìûé íåîáû÷íûé ìýð â ìèðå. Ïðåäñòàâèòåëü áðèòàíñêîãî èñòåáëèøìåíòà, êîíñåðâàòîð äî ìîçãà êîñòåé, îí âåäåò þìîðèñòè÷åñêóþ òåëåïåðåäà÷ó è ðàçúåçæàåò ïî Ëîíäîíó íà âåëîñèïåäå. Ëþáèìûé æóðíàëèñò Ìàðãàðåò Òýò÷åð, èçâåñòíûé ïîä êëè÷êîé Êëîóí, áûë îòëè÷íèêîì â Èòîíå è áëåñòÿùå çàùèòèë äèïëîì â Îêñôîðäå. Ýòà êíèãà — ïîäáîðêà ëó÷øèõ ïóáëèêàöèé çà 10 ëåò, èç êîòîðîé ÷èòàòåëü íåñîìíåííî óçíàåò ìíîãî íîâîãî äëÿ ñåáÿ îá Àíãëèè è ìèðå. Îá îñîáåííîñòÿõ íàöèîíàëüíîé îõîòû è îá èíòðèãàõ â Ïàðëàìåíòå. Πâîéíå â Èðàêå è ïåðåèçáðàíèè Áóøà. Πïðè÷èíàõ òåððîðèçìà è ðîæäåíèè åâðî. Πïîëüçå àëêîãîëüíûõ íàïèòêîâ è î ñòîèìîñòè íåäâèæèìîñòè â Ëîíäîíå. ΠÐîññèè è õîäîâûõ êà÷åñòâàõ ñóïåðêàðîâ. Πáîìáàðäèðîâêàõ Ñåðáèè è Äæåðåìè Êëàðêñîíå. À ãëàâíîå — âñå, î ÷åì ïèøåò Áîðèñ Äæîíñîí, îí çíàåò íå ïîíàñëûøêå

Àííîòàöèÿ: "Flash CS5. Ðóêîâîäñòâî ðàçðàáîò÷èêà" (Adobe Flash Professional CS5 on Demand), àâòîð Ñòèâ Äæîíñîí (Steve Johnson), - íàïèñàííîå íà âûñîêîì ïðîôåññèîíàëüíîì óðîâíå ðóêîâîäñòâî ïî Adobe Flash CS5. Ïðîãðàììà äëÿ ñîçäàíèÿ ïðîôåññèîíàëüíûõ àíèìàöèîííûõ Flash-ôàéëîâ. Adobe Flash Professional îáëàäàåò ðàñøèðåííûì íàáîðîì èíñòðóìåíòîâ äëÿ ðàáîòû ñ Flash òåõíîëîãèåé. Ïðèñóòñòâóåò âîçìîæíîñòü èìïîðòà ôàéëîâ èç Adobe Photoshop è Adobe Illustrator, óäîáíàÿ âðåìåííàÿ øêàëà, ïîçâîëÿþùàÿ íàèáîëåå òî÷íî íàêëàäûâàòü ýôôåêòû äâèæåíèÿ è ðàñøèðåííûå ñðåäñòâà äëÿ ñîçäàíèÿ è ðåäàêòèðîâàíèÿ îñíîâíûõ ãåîìåòðè÷åñêèõ ôîðì. Êðîìå òîãî, äàííàÿ ïðîãðàììà ïîçâîëÿåò ëåãêî äîáàâëÿòü â Flash-ôàéë ìóçûêó â ôîðìàòå MP3 è âêëþ÷àòü â íåãî âèäåî äëÿ ïîëó÷åíèÿ ôàéëîâ FLV ôîðìàòà. Êíèãà "Flash CS5. Ðóêîâîäñòâî ðàçðàáîò÷èêà" ïîìîæåò îñâîèòü ìóëüòèìåäèéíóþ ïëàòôîðìó, íà÷èíàÿ ñ óñòàíîâêè Flash CS5. Àâòîð âêëþ÷èë â êíèãó ìíîæåñòâî èëëþñòðàöèé. Äàíû äåòàëüíûå èíñòðóêöèè, ïðàêòè÷åñêèå ïðèìåðû è ðåêîìåíäàöèè

Àííîòàöèÿ: The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

Àííîòàöèÿ: If we want to understand how German speakers think about themselves and the world in which they live, then a useful place to begin is by looking at the language they use. This fully revised and updated edition provides a systematic approach to the study of the German language and an introduction to the social aspects of the language, including its dialects, its history and the uses of the language today. No previous knowledge of linguistics is assumed, and each chapter is accompanied by a series of practical exercises. This edition includes a brand new section on gender, purism and German unification, fresh examples for analysis and an updated chapter on the geography of Germany today. The book will help students not only to find new ways of exploring the German language, but also of thinking and talking about German-speaking cultures.

Àííîòàöèÿ: Êàêîâû èñòîðè÷åñêèå êîðíè ðîìàíòè÷åñêîé ëþáâè, è ñóùåñòâóåò ëè òàêàÿ ëþáîâü â íàøå âðåìÿ? Êàê èçìåíèëàñü åå ïñèõîëîãèÿ? Ýòèì è äðóãèì âîïðîñàì, ñâÿçàííûì ñ ïñèõîëîãèåé îòíîøåíèé ìåæäó ìóæ÷èíîé è æåíùèíîé, ïîñâÿùåíà êíèãà Ð. Äæîíñîíà "Ìû: Ãëóáèííûå àñïåêòû ðîìàíòè÷åñêîé ëþáâè".

Àííîòàöèÿ: ×òî çíà÷èò áûòü ìóæ÷èíîé? Êàêîâû îñíîâíûå âåõè íà ïóòè ñòàíîâëåíèÿ ìàñêóëèííîñòè? Êàê óâèäåòü â ñåáå ÷åðòû Ïàðñèôàëÿ è Êîðîëÿ-Ðûáàêà? Êàê îíè ïðîÿâëÿþòñÿ â æèçíè ñîâðåìåííîãî ìóæ÷èíû? Êàêîå ìåñòî â æèçíè ìóæ÷èíû çàíèìàþò æåíùèíû? ×åì ÷óâñòâî îòëè÷àåòñÿ îò ýìîöèè, ãäå èñêàòü èñòîêè ïëîõîãî íàñòðîåíèÿ? Íà ýòè è ìíîãèå äðóãèå âîïðîñû îòâå÷àåò àâòîð ýòîé íåîáû÷íîé êíèãè, ïîñâÿùåííîé çàãàäêàì ìóæñêîé ïñèõîëîãèè. Êíèãà àäðåñîâàíà øèðîêîìó êðóãó ÷èòàòåëåé.

Àííîòàöèÿ:  êàêîé ìåðå èñòîðèè æèçíè âñåõ æåíùèí ïîõîæè ìåæäó ñîáîé è â ÷åì ñîñòîèò èõ ñóùåñòâåííîå ïñèõîëîãè÷åñêîå îòëè÷èå?Êàêîå ìåñòî â æèçíè æåíùèíû çàíèìàþò ìóæ÷èíû íà ðàçíûõ ýòàïàõ åå ðàçâèòèÿ?Êàê æåíùèíû ìîãóò îáíàðóæèòü â ñåáå Ïñèõåþ è Àôðîäèòó?×òî òàêîå æåíñêàÿ çðåëîñòü

Àííîòàöèÿ: — âûñîêîì èñêóññòâå è ÷èñòîé íàóêå äåòàëü — ýòî âñ¸—, — ïèñàë Âëàäèìèð Íàáîêîâ. Åãî ïèñàòåëüñêèé äàð è ñîñòîèò â óìåíèè ñ ìàòåìàòè÷åñêîé òî÷íîñòüþ ñêëàäûâàòü èç äåòàëåé ñëîæíûå óçîðû, ëàáèðèíòû è öåëûå ìèðû. Ïîíÿòü ãåîìåòðèþ è îöåíèòü âñþ êðàñîòó —Ïðèãëàøåíèÿ íà êàçíü—, —Áëåäíîãî ïëàìåíè—, —Àäû— è äðóãèõ ðîìàíîâ Íàáîêîâà ìîæíî ëèøü ïðèáåãíóâ ê ïîìîùè ïðîíèöàòåëüíîãî è ýðóäèðîâàííîãî ïðîâîäíèêà. Òàêèì ïðîâîäíèêîì ñëóæèò êíèãà Äîíàëüäà Áàðòîíà Äæîíñîíà. Ä. Áàðòîí Äæîíñîí — ïî÷åòíûé ïðîôåññîð Êàëèôîðíèéñêîãî óíèâåðñèòåòà, äâàæäû ïðåçèäåíò Âñåìèðíîãî Íàáîêîâñêîãî îáùåñòâà, ñîçäàòåëü ìåæäóíàðîäíîãî èíòåðíåò-ôîðóìà íàáîêîâåäîâ, ó÷åíûé, ÷üå èìÿ ñòîèò â ðÿäó êðóïíåéøèõ ñïåöèàëèñòîâ ïî òâîð÷åñòâó Âëàäèìèðà Íàáîêîâà. Åãî ãëàâíûé òðóä, ñîäåðæàùèé êëþ÷è êî ìíîãèì ãîëîâîëîìêàì íàáîêîâñêèõ êíèã, íà ðóññêîì ÿçûêå ïóáëèêóåòñÿ âïåðâûå.

Àííîòàöèÿ: Penguin Modern Stories is devoted entirely to new short stories by new writers as well as by established practitioners of the genre.

Àííîòàöèÿ: Bel Air is a wealthy community nestled in the hills outside of Los Angeles. It is here, among the pastel stucco houses and palm trees, that Bingo Edwards, the New Age wife of an orthopedic surgeon, lives a sheltered and eccentric life raising chickens and box turtles. Her harmonious existence is disrupted when the local fire department arrives to remove the hazardous backyard privacy hedges which have protected her from the outside world. Uprooting the hedges exposes Bingo all too well to her neighbors, an unconventional Beverly Hills psychiatrist and his eccentric patients. She also finds herself in the company of strangers, particularly a magnificently handsome fireman who has made it his personal crusade to "service" many of the housewives on Bellagio Road. As the situation heats up for everyone, an enormous fire threatens to consume Bel Air and in the process, destroy Bingo.

Àííîòàöèÿ: Bruges, bedecked with stiff Madonnas . . . London, going wild in the Twenties . . . Paris, where white powdered faces gleam from cafe tables . . . Against these backdrops unfolds the life of Claud Pickering as he describes his boyhood, dominated by his step-mother Helena, and the complications and compromises, the yearnings and expectations of young adulthood. It is the story of his failed marriage, and it is the story of his passion for Cecil, a singer, who haunts Claud with all the elusiveness — and the destructiveness — of a dream. Too Dear For My Possessing is the first volume in the —Helena— trilogy, in which Pamela Hansford Johnson demonstrates superbly her considerable powers as a novelist. The story continues in An Avenue of Stone and concludes in A Summer To Decide.

Àííîòàöèÿ: Rasselas-regarded as Johnson s most creative work--presents the story of the journey of Rasselas and his companions in search of the choice of life. Its charm lies not in its plot, but rather in its wise and humane look at man s constant search for happiness. The text is based on the second edition as Samuel Johnson revised it.