Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Dos Passos J., The Big Money. U.S.A. — ñîð.1979

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dos Passos J., The 42nd Parallel. U.S.A. — ñîð.1979

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Blues Breakers, All your love — ñîð. 1966

Blues Breakers ñ Ýðèêîì Êëýïòîíîì , â ïðîñòîðå÷èè èçâåñòíûé êàê The Beano Album , - ñòóäèéíûé àëüáîì àíãëèéñêîé áëþç-ðîê- ãðóïïû Äæîíà Ìýéîëëà è Bluesbreakers . Ñïðîäþñèðîâàííûé Ìàéêîì Âåðíîíîì è âûïóùåííûé â 1966 ãîäó íà Decca Records (Âåëèêîáðèòàíèÿ) è London Records (ÑØÀ), îí ñòàë ïèîíåðîì â çâó÷àíèè áëþç-ðîêà ñ ïðåîáëàäàíèåì ãèòàðû

Ñîäåðæàíèå: All Your Love; Hideaway; Little Girl; Another Man; Double Crossing Time;What I'd Say; Key To Love; Parchman Farm; Have You Heard; Ramblin' On My Mind; Steppin' Out; It Ain't Right

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Winter J. D., Step Back — 2014

Äæîííè Óèíòåð âûïóñêàåò, âîçìîæíî, ñâîé ñàìûé áîëüøîé àëüáîì 2 ñåíòÿáðÿ 2014 ãîäà! Øàã íàçàä ïîêàçûâàåò óäèâèòåëüíûé ñïèñîê ìóçûêàëüíûõ ãîñòåé è âîçâðàùàåò Äæîííè ê áîëåå àãðåññèâíîìó ñòèëþ áëþçà, êîòîðûé ïîìîã ñôîðìèðîâàòü ìóçûêàëüíóþ èêîíó. Ïðîäþñåð Paul Nelson, STEP BACK äåìîíñòðèðóåò êëàññè÷åñêèå ïåñíè, êîòîðûå âäîõíîâëÿëè Äæîííè Óèíòåðà

Ñîäåðæàíèå: Ñîäåðæàíèå: Unchain My Heart Johnny Winter; Can't Hold Out (Talk to Me Baby); Don't Want No Woman; Killing Floor; Who Do You Love; Okie Dokie Stomp; Where Can You Be; Sweet Sixteen; Death Letter; My Babe; Long Tall Sally; Mojo Hand; Blue Monday

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Ongarello A., Ballads for jazz guitar: 12 songs arranged for jazz guitar. [+ CD ñ ðàçëè÷íûìè âàðèàíòàìè çàïèñåé áàëëàä ñáîðíèêà] — 2007 (Learn & Play)

Íîòíàÿ çàïèñü, áóêâåííî - öèôðîâîå îáîçíà÷åíèå àêêîðäîâ, òàáóëàòóðû

Ñîäåðæàíèå: Fly me to the moon / B. Howard. Georgia on my mind; Stardust / H. Carmichael.Laura / D. Raksin. Love is a many splendored thing / S. Fain. Misty / E. Garner. Moonlight serenade / G. Miller. My funny Valentine / R. Rodgers. Night and day / C. Porter. Over the rainbow / H. Arlen. Tenderly / W. Gross. The shadow of your smile / J. Mandel. ÏÐÈËÎÆÅÍÈÅ: CD ñ çàïèñÿìè áàëëàä ñáîðíèêà è äâóìÿ âàðèàíòàìè (îòäåëüíî àêêîðäû è ìåëîäèÿ) ìèíóñîâîé ôîíîãðàììû äëÿ àêêîìïàíåìåíòà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Songs for you: ïîïóëÿðíûå ïåñíè íà àíãëèéñêîì ÿçûêå — 1996

Ñáîðíèê áóäåò èíòåðåñåí âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê è ëþáèò ìóçûêó — äåòÿì è âçðîñëûì.  íåãî âêëþ÷åíû ïåñíè èç çíàìåíèòûõ ìóëüòôèëüìîâ Óîëòà Äèñíåÿ, ìþçèêëîâ, èç ðåïåðòóàðà ãðóïïû "Beatles" è äðóãèõ àìåðèêàíñêèõ è àíãëèéñêèõ ïîïóëÿðíûõ èñïîëíèòåëåé

Ñîäåðæàíèå: Who's Afraid of the Big Bad Wolf?: from Walt Disney`s "Thee Little Pigs" / Frank Churchill, lyric by A. Ronell. Winnie the Pooh: from Walt Disney`s "Winnie the Pooh and the Honey Tree"; Chim Chim Cher-ee: from Walt Disney`s: "Mary Poppins" / words and music by Richard M. Sherman and Robert B. Sherman. Some Day My Prince Will Come, Heigh-Ho: from Walt Disney`s: "Snow White and the Seven Dwarfs" / Frank Churchill, words by L. Morey. You Can Fly!: from Walt Disney`s: "Peter Pan" / Sammy Fain, words by S. Cahn. Mickey Mouse March: from Walt Disney`s TV Series "Mickey Mouse Club" / words and music by Jimme Dodd.Where is Love?: from "Oliver" / words and music by L. Bart. America the Beautiful / Samuel A. Ward (originally the humn "Materna"), words by K.L. Bates. Where Have All the Flowers Gone / words and music by Pete Seeger. Ets.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Dowland J., Anthology of Selected Pieces: for Guitar. Transcribed and edited by Raymond Burley — 1993

Ñîäåðæàíèå: Preludium; The Right Honourable Robert, Earl of Essex, His Galliard; Lord Strang's March; Sir John Smith, His Almain; Mrs White's Nothing; The Most Sacred Queen Elizabeth, Her Galliard; Fortune; Tarleton's Riserrectione; Mrs Norrish's Delight; A Coy Joy; The Frog Galliard; A Fancy

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Marquand J. P., Sincerely, willis wayde — 1955

Ïîäðîáíàÿ èíôîðìàöèÿ

Monaghan J., Social and cultural anthropology. a very short introduction — [2000] (A Very short introductions. 15)

"If you want to know what anthropology is, look at what anthropologists do," write the authors of Social and Cultural Anthropology: A Very Short Introduction. This engaging overview of the field combines an accessible account of some of the discipline's guiding principles and methodology with abundant examples and illustrations of anthropologists at work. Peter Just and John Monaghan begin by discussing anthropology's most important contributions to modern thought: its investigation of culture as a distinctively human characteristic, its doctrine of cultural relativism, and its methodology of fieldwork and ethnography. Drawing on examples from their own fieldwork in Indonesia and Mesoamerica, they examine specific ways in which social and cultural anthropology have advanced our understanding of human society and culture. Including an assessment of anthropology's present position, and a look forward to its likely future, Social and Cultural Anthropology will make fascinating reading for anyone curious about this social science.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õåäæêîó Äæ., Èñêóññòâî öâåòíîé ôîòîãðàôèè — [1988]

Ýòà êíèãà íàó÷èò âàñ ïî-íîâîìó ñìîòðåòü íà öâåò. Ïî÷òè âñå ôîòîãðàôèè, ïîìåùåííûå â íåé, ñäåëàíû îäíèì ÷åëîâåêîì, êîòîðûé ïîäðîáíî ðàññêàçûâàåò î ïðîöåññå ñúåìêè è ó÷èò ÷èòàòåëÿ äåëàòü ïîäîáíûå ôîòîãðàôèè.  Äæîíå Õåäæêîó ïîðàæàåò ìíîãîïëàíîâîñòü òâîð÷åñòâà. Îí óìååò äåëèòüñÿ çíàíèÿìè è âûðàæàòü ìèðîîùóùåíèå îïûòíîãî ïðîôåññèîíàëüíîãî ôîòîãðàôà ñëîâàìè, ïîíÿòíûìè êàæäîìó âëàäåëüöó ôîòîàïïàðàòà. Ðàáîòû Õåäæêîó, ñðåäè êîòîðûõ åñòü è «æåì÷óæíûå» ïåéçàæè, è çàõâàòûâàþùèå «êðóïíûå ïëàíû», ñíÿòûå ïðè âûñîêîé ñêîðîñòè äâèæåíèÿ îáúåêòà, ïðåäñòàâëÿþò ñîáîé íå òîëüêî áîãàòîå ñîáðàíèå êðàñèâûõ öâåòíûõ ñíèìêîâ, íî è ñòðîéíîå èññëåäîâàíèå ñàìîé ïðèðîäû öâåòà. Ýòè ôîòîãðàôèè âìåñòå ñ ðèñóíêàìè è ñõåìàìè çíàêîìÿò ÷èòàòåëÿ ñíà÷àëà ñ îñíîâíûìè ïîíÿòèÿìè òåîðèè ñâåòà, à çàòåì - ñ òîí÷àéøèìè îñîáåííîñòÿìè öâåòîâûõ ñî÷åòàíèé âî âñåõ èõ ïðîÿâëåíèÿõ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Barbirolli J., [Concert] [Êîíöåðò] — [1965]

Ñîäåðæàíèå: Serenade in C major: Op. 48/ Tchaikovsky. Variations on A theme by Tchaikovsky: Op. 35/ Arensky ed. Maganini

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Joseph Mallord William Turner. 130 reproductions with 56 in large full color — [19-?] (The Library of Greate Painters)

Êíèãà ïîñâÿùåíà òâîð÷åñòâó àíãëèéñêîãî õóäîæíèêà Óèëüÿìà Òåðíåðà. Äëÿ èñêóññòâîâåäîâ, è âñåõ èíòåðåñóþùèõñÿ òâîð÷åñòâîì õóäîæíèêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Camille Pissarro. 122 reproductions with 48 in large full color — [19-?] (The Library of Greate Painters)

Êíèãà ïîñâÿùåíà òâîð÷åñòâó ôðàíöóçñêîãî æèâîïèñöà Êàìèëÿ Ïèññàððî. Äëÿ èñêóññòâîâåäîâ, è âñåõ èíòåðåñóþùèõñÿ òâîð÷åñòâîì õóäîæíèêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Rhode J., Death at the Inn — cop.1953

This is a police novel, making its way by chain-deduction, and working here at a nicely ingenious puzzle. And it represents the steady Mr. Rhode in sound form

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories for Study and Enjoyment — cop.1934

Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Wilson C., New Moon Daughter — cop. 2015

New Moon Daughter - ñòóäèéíûé àëüáîì àìåðèêàíñêîé äæàçîâîé ïåâèöû Êàññàíäðû Óèëñîí, êîòîðûé áûë âûïóùåí Blue Note â 1995 ãîäó. Àëüáîì çàíÿë ïåðâîå ìåñòî â ÷àðòå äæàçîâûõ àëüáîìîâ æóðíàëà Billboard, à òàêæå ïîëó÷èë ïðåìèþ Ãðýììè êàê ëó÷øåå äæàçîâîå âîêàëüíîå èñïîëíåíèå

Ñîäåðæàíèå: Äèñê 1: Strange Fruit; Love Is Blindness; Solomon Sang; Death Letter; Skylark; Find Him; I'm So Lonesome I Could Cry. Äèñê 2: Last Train To Clarksville; Until; A Little Warm Death; Memphis; Harvest Moon; 32-20

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Zomby R., Venomous Rat Regeneration Vendor — cop. 2013

Venomous Rat Regeneration Vendor — ïÿòûé ñîëüíûé ñòóäèéíûé àëüáîì Ðîáà Çîìáè, èçäàí â 2013 ãîäó íà ëåéáëå Roadrunner Records. Venomous Rat Regeneration Vendor âûøåë ñïóñòÿ ÷åòûðå äíÿ ïîñëå âûõîäà î÷åðåäíîãî ôèëüìà Ðîáà — «Ïîâåëèòåëè Ñàëåìà». Òðåê-ëèñò àëüáîìà áûë îïóáëèêîâàí íà ñòðàíè÷êå Ðîáà Çîìáè â Òâèòòåðå 22 ôåâðàëÿ. Ýòî ïåðâûé àëüáîì, çàïèñàííûé ñ íîâûì áàðàáàíùèêîì Äæèíäæåðîì Ôèøîì

Ñîäåðæàíèå: Teenage Nosferatu Pussy; Dead City Radio & the New Gods of Supertown [Album Version]; Revelation Revolution; Theme for the Rat Vendor; Ging Gang Gong De Do Gong De Laga Raga; Rock and; We're an American Band; Lucifer Rising; The Girl Who Loved the Monsters; Trade in your guns for a coffin

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Øîóë Ä., Ïåðâîêëàññíûé ñåðâèñ êàê êîíêóðåíòíîå ïðåèìóùåñòâî — 2021

"Äæîí Øîóë èçâåñòåí êàê ãóðó êóëüòóðû îáñëóæèâàíèÿ. Îí ñ÷èòàåò, ÷òî ñïîñîáíîñòü êîìïàíèè çàðàáàòûâàòü äåíüãè çàâèñèò îò âïå÷àòëåíèÿ, êîòîðîå âñå ñîòðóäíèêè ïðîèçâîäÿò íà êëèåíòîâ. Íà êîíêðåòíûõ ïðèìåðàõ Øîóë äîêàçûâàåò, ÷òî ñåðâèñ - ñòðàòåãèÿ ñòîëü æå ìîùíàÿ, êàê ìàðêåòèíã, è ñòîëü æå ýôôåêòèâíàÿ, êàê âûñîêîêà÷åñòâåííûé ïðîäóêò.Êóðñ íà ïåðâîêëàññíûé ñåðâèñ - ñòðàòåãèÿ èíòåðíàöèîíàëüíàÿ, ïðèìåíèìàÿ â ëþáîé ñòðàíå. Ïðèìåðû ïëîõîãî ñåðâèñà ñóùåñòâóþò â ñòðàíàõ ñ äàâíèìè ðûíî÷íûìè òðàäèöèÿìè, è àâòîð ïðèâîäèò ïðèìåðû êðàõà êðóïíûõ êîìïàíèé èìåííî èç-çà íåäîñòàòî÷íîé ïðèâåðæåííîñòè èäåå ïåðâîêëàññíîãî ñåðâèñà.Ïðî÷èòàâ ýòó êíèãó, ìåíåäæåðû âûñøåãî è ñðåäíåãî çâåíà óçíàþò, êàê ìîòèâèðîâàòü ñîòðóäíèêîâ ïðåäîñòàâëÿòü ñåðâèñ âûñî÷àéøåãî óðîâíÿ, ÷òî ïîçâîëèò ïîâûñèòü ïðèáûëüíîñòü êîìïàíèè, óâåëè÷èòü äîëþ ðûíêà, çàâîåâàòü ëîÿëüíîñòü êëèåíòîâ. êà÷åñòâå ïðèëîæåíèÿ ê êíèãå äàåòñÿ ññûëêà äëÿ ñêà÷èâàíèÿ âèäåîôèëüìà ñ ïðèìåðàìè îðãàíèçàöèè êà÷åñòâåííîãî ñåðâèñà."

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Winehouse A., Lioness: Hidden Ttreasures — cop. 2011

Ñáîðíèê êîìïîçèöèé Lioness: Hidden Treasures áðèòàíñêîé èñïîëíèòåëüíèöû Amy Winehouse, èçäàííûé ïîñìåðòíî. Êîìïèëÿöèÿ âûøëà â 2011 ãîäó è ñîñòîèò èç ðàíåå íå èçäàâàâøèõñÿ òðåêîâ, à òàêæå íåêîòîðûõ ïåñåí èç äðóãèõ àëüáîìîâ. Ïëàñòèíêà äîñòèãëà ïåðâîãî ìåñòà â UK Albums Chart è ÷åòâåðòîé ïîçèöèè â Billboard 200. Âñå ñðåäñòâà, âûðó÷åííûå ñ ïðîäàæè, èäóò â Ôîíä Ýìè Óàéíõàóñ.Áðèòàíñêàÿ ïåâèöà Amy Winehouse ðîäèëàñü â 1983 è ïîãèáëà â 2011 ãîäó. Íåñìîòðÿ íà òî, ÷òî èñïîëíèòåëüíèöà óñïåëà âûïóñòèòü òîëüêî äâà ñòóäèéíûõ àëüáîìà, å¸ òâîð÷åñòâî ñèëüíî ïîâëèÿëî íà ðàçâèòèå ñîóë-ìóçûêè. Ïîñëåäíèé ñòóäèéíûé àëüáîì Back to Black ïðèí¸ñ Ýìè ïÿòü ñòàòóýòîê Ãðýììè. Ïåâèöà áûëà çàíåñåíà â Êíèãó ðåêîðäîâ Ãèííåñà, êàê åäèíñòâåííàÿ áðèòàíñêàÿ ïåâèöà, âûèãðàâøàÿ ñòîëüêî íàãðàä Ãðýììè.

Ñîäåðæàíèå: Cîäåðæ.: Our Day Will Come; Between The Cheats; Tears Dry (Original Version); Will You Still Love Me Tomorrow?; Like S; A Song For You; Valerie; The Girl From Ipanema; Half Time; Wake Up Alone; Best Friends, right?; Body And Soul

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Fraser J., Visits to a Small Island — cop. 2008 (Àóäèîêíèãè) (1Ñ: Àóäèîêíèãè)

Britain is a very small. If you have seen London you have seen it all right? Wrong! Visitthe island with John Fraser as your guide. Discover places, stories, sights and sounds you could not possibly have imagined existed with this, the strangest but most accurate guide you will ever find to «The Little Island». Why were ancient Roman soldiers afraid red haired Ladies? Why were ancient Viking warriors afraid of Holy women? Why were modern British soldiers afraid of Tourists and dogs? The answer to all these questions and more can be found in this audiobookÀóäèîêíèãà ðåêîìåíäóåòñÿ âñåì, êòî æåëàåò óñîâåðøåíñòâîâàòü íàâûêè âîñïðèÿòèÿ íà ñëóõ èíîñòðàííîãî òåêñòà, ðàñøèðèòü ñëîâàðíûé çàïàñ è óçíàòü èíòåðåñíûå ôàêòû, ëåãåíäû, ñåêðåòû î «ñòàðîé äîáðîé» Àíãëèè. Àóäèîêíèãà â  èñïîëíåíèè íîñèòåëåé ÿçûêà. Äèñê ñîäåðæèò òåêñòîâûå âåðñèè ðàññêàçîâ è èõ ïåðåâîäû íà ðóññêèé ÿçûê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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