Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Jerome Klapka Jerome (1859-1927) was an English writer and humourist. The pilgrimage of the title is a journey to see the famous Passion Play at Oberammergau, which has been performed every ten years since 1634, the middle of the Thirty Years War. "Diary" is a typically witty account of this journey, part travelogue and part social commentary. Journalist, playwright and author, a wealth of his writing has remained just beyond the public gaze. "Diary of a Pilgrimage" is one such work.

Àííîòàöèÿ: Íàä ïîðàçèòåëüíûìè, íåâåðîÿòíûìè ñèòóàöèÿìè, â êîòîðûå ïîïàäàþò ãåðîè ýòèõ ðàññêàçîâ, õîõîòàëè åùå ïðàäåäóøêè íûíåøíèõ ÷èòàòåëåé! Íî, êàê è ñòàðîìó äîáðîìó àíãëèéñêîìó âèñêè, âðåìÿ òîëüêî äîáàâëÿåò ýòèì íåñðàâíåííûì øåäåâðàì äîïîëíèòåëüíûå îòòåíêè íåçàáûâàåìîãî âêóñà! Èçáðàííûå þìîðèñòè÷åñêèå íîâåëëû Äæåðîìà Ê. Äæåðîìà, Î. Ãåíðè, Ó. Ó. Äæåéêîáñà è Ô. Ñêîòòà Ôèöäæåðàëüäà àäàïòèðîâàíû â íàñòîÿùåì èçäàíèè ïî ìåòîäó Èëüè Ôðàíêà: ñíàáæåíû äîñëîâíûì ïåðåâîäîì íà ðóññêèé ÿçûê è íåîáõîäèìûì ëåêñèêî-ãðàììàòè÷åñêèì êîììåíòàðèåì. Óíèêàëüíîñòü ìåòîäà çàêëþ÷àåòñÿ â òîì, ÷òî çàïîìèíàíèå ñëîâ è âûðàæåíèé ïðîèñõîäèò çà ñ÷åò èõ ïîâòîðÿåìîñòè, áåç çàó÷èâàíèÿ è íåîáõîäèìîñòè èñïîëüçîâàòü ñëîâàðü. Èçäàíèå ñïîñîáñòâóåò ýôôåêòèâíîìó îñâîåíèþ ÿçûêà, ìîæåò ñëóæèòü äîïîëíåíèåì ê ó÷åáíîé ïðîãðàììå. Äëÿ øèðîêîãî êðóãà ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ êóëüòóðîé àíãëîÿçû÷íûõ ñòðàí

Àííîòàöèÿ: Èçáðàííûå íîâåëëû êëàññèêà þìîðèñòè÷åñêîé ïðîçû Äæåðîìà Ê. Äæåðîìà (1859-1927) àäàïòèðîâàíû â íàñòîÿùåì èçäàíèè (áåç óïðîùåíèÿ òåêñòà îðèãèíàëà) ïî ìåòîäó Èëüè Ôðàíêà. Óíèêàëüíîñòü ìåòîäà çàêëþ÷àåòñÿ â òîì, ÷òî çàïîìèíàíèå ñëîâ è âûðàæåíèé ïðîèñõîäèò çà ñ÷åò èõ ïîâòîðÿåìîñòè, áåç çàó÷èâàíèÿ è íåîáõîäèìîñòè èñïîëüçîâàòü ñëîâàðü. Ïîñîáèå ñïîñîáñòâóåò ýôôåêòèâíîìó îñâîåíèþ ÿçûêà, ìîæåò ñëóæèòü äîïîëíåíèåì ê ó÷åáíîé ïðîãðàììå. Ïðåäíàçíà÷åíî äëÿ øèðîêîãî êðóãà ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àíãëèéñêîé êóëüòóðîé.

Àííîòàöèÿ: Ïðîèçâåäåíèÿ Äæ.Ê. Äæåðîìà ïî ïðàâó ñ÷èòàþò êëàññèêîé àíãëèéñêîé ëèòåðàòóðû. Åãî ðàññêàçû èçâåñòíû ñâîèì òîíêèì èíòåëëåêòóàëüíûì þìîðîì è îðèãèíàëüíîñòüþ îáðàçîâ.  ýòó êíèãó âîøëè ëó÷øèå èç åãî êîðîòêèõ ðàññêàçîâ: "Ñëåäóåò ëè æåíàòîìó ÷åëîâåêó èãðàòü â ãîëüô?", "Ïî÷åìó ìû íå ëþáèì èíîñòðàíöåâ", "Ïàäåíèå Òîìàñà-Ãåíðè" è äðóãèå. Âñå òåêñòû ñîïðîâîæäàþòñÿ óïðàæíåíèÿìè íà ïîíèìàíèå ïðî÷èòàííîãî, êîììåíòàðèÿìè è ñëîâàðåì, îáëåã÷àþùèì ÷òåíèå. Ïðåäíàçíà÷àåòñÿ äëÿ ïðîäîëæàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê íèæíåé ñòóïåíè (óðîâåíü 2 - Pre-Intermediate).

Àííîòàöèÿ: Ïîâåñòü "Òðîå â ëîäêå, íå ñ÷èòàÿ ñîáàêè" - íàèáîëåå ïîïóëÿðíîå ïðîèçâåäåíèå àíãëèéñêîãî ïèñàòåëÿ Äæåðîìà Ê. Äæåðîìà. Ñ áîëüøèì þìîðîì àâòîð îïèñûâàåò ïðèêëþ÷åíèÿ òðîèõ äðóçåé, ïóñòèâøèõñÿ â ïëàâàíèå ïî Òåìçå â êîìïàíèè ôîêñòåðüåðà Ìîíìîðàíñè. Ñìåøíûå íåäîðàçóìåíèÿ, êîìè÷íûå ñèòóàöèè, â êîòîðûå ïîïàäàþò ãåðîè þìîðèñòè÷åñêîé ïîâåñòè, è ñåãîäíÿ ïîðàæàþò ÷èòàòåëåé ñâîåé îðèãèíàëüíîñòüþ è òîíêèì àíãëèéñêèì þìîðîì— Òåêñò ïðîèçâåäåíèÿ ñíàáæåí ãðàììàòè÷åñêèì êîììåíòàðèåì è ñëîâàðåì, â êîòîðûé âîøëè ÂÑÅ ñëîâà, ñîäåðæàùèåñÿ â òåêñòå. Áëàãîäàðÿ ýòîìó êíèãà ïîäîéäåò äëÿ ëþáîãî óðîâíÿ âëàäåíèÿ àíãëèéñêèì ÿçûêîì.

Àííîòàöèÿ: Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Àííîòàöèÿ: Relates the adventures and mishaps of three late-Victorian gentlemen and a dog on holiday on the Thames. With picaresque digressions and asides, Jerome depicts the groups attempts to keep themselves afloat and cope with the English weather.

Àííîòàöèÿ: Òðîå â îäíîé ëîäêå, îäíà èç ñàìûõ ñìåøíûõ íà ñâåòå êíèã, äîñòàâëÿåò èñòèííîå íàñëàæäåíèå áëèñòàòåëüíûì ÿçûêîì è äîáðîäóøíûì þìîðîì, ñêâîçÿùèì äàæå â èñòîðè÷åñêèõ ñïðàâêàõ. Êíèãà ñîïðîâîæäàåòñÿ ïîäðîáíûìè ëèíãâîñòðàíîâåä÷åñêèìè êîììåíòàðèÿìè è ïðåäíàçíà÷åíà äëÿ òåõ, êòî ÷èòàåò íà àíãëèéñêîì ÿçûêå è èçó÷àåò åãî.

Àííîòàöèÿ: A comic masterpiece that has never been out of print since it was first published in 1889, Jerome K. Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics. Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age. In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

Àííîòàöèÿ: Some time after their eventful trip on the river, chronicled in Three Men in a Boat, the same three men suffer a renewed attack of itchy feet and decide to take off on a "bummel"

Àííîòàöèÿ:  äàííîå èçäàíèå âêëþ÷åíû íîâåëëû èç ðàçëè÷íûõ ñáîðíèêîâ è ðîìàíîâ çíàìåíèòîãî áðèòàíñêîãî ïèñàòåëÿ Äæ. Ê. Äæåðîìà (1859-1927), ïî óðîâíþ ïèñàòåëüñêîãî ìàñòåðñòâà íå óñòóïàþùèå ñàìîé èçâåñòíîé åãî êíèãå - ðîìàíó "Òðîå â ëîäêå, íå ñ÷èòàÿ ñîáàêè". Íåàäàïòèðîâàííûé òåêñò íà ÿçûêå îðèãèíàëà ñíàáæåí ïîñòðàíè÷íûìè êîììåíòàðèÿìè è ñëîâàðåì.

Àííîòàöèÿ: Î÷àðîâàíèå ëèòåðàòóðíîãî ñòèëÿ, îðèãèíàëüíîñòü ñþæåòà, èçûñêàííàÿ ïðàâäèâîñòü èçîáðàæåíèÿ, áëåñòÿùèé þìîð äåëàþò êíèãó èíòåðåñíîé è ïîëåçíîé øèðîêîìó êðóãó ÷èòàòåëåé.

Àííîòàöèÿ: Àóäèîêíèãà íà àíãëèéñêîì è ðóññêîì ÿçûêàõ.Portrait of a ladyThe Man who would ManageThe Absent-minded ManThe Man who did not Believe in LuckShould Married Men Play Golf?Ïîðòðåò äàìû×åëîâåê, êîòîðûé ñòàðàëñÿ âñåì ïîìîãàòüÐàññåÿííûé ÷åëîâåê×åëîâåê, êîòîðûé íå âåðèë â óäà÷óÑëåäóåò ëè æåíàòûì ìóæ÷èíàì èãðàòü â ãîëüô?

Àííîòàöèÿ: While it is beyond doubt that Jerome K. Jerome is most well known for his comic masterpiece Three Men in a Boat, the range of his other literary achievements is staggering. Journalist, playwright and author, a wealth of his writing has remained just beyond the public gaze. Diary of a Pilgrimage is one such work. The pilgrimage of the title is a journey to see the famous Passion Play at Oberammergau, which has been performed every ten years since 1634, the middle of the Thirty Years War. Diary is a typically witty account of this journey, part travelogue and part social commentary. It is also a work which has long deserved its place in the sun, outside of the benevolent shade of Jerome—s more famous writing.

Àííîòàöèÿ: Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a T. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks—not to mention the devastation left in the wake of J. s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian clerking classes, it hilariously captured the spirit of its age.

Àííîòàöèÿ: Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a T. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks—not to mention the devastation left in the wake of J. s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian clerking classes, it hilariously captured the spirit of its age.

Àííîòàöèÿ: Relates the adventures and mishaps of three late-Victorian gentlemen and a dog on holiday on the Thames. With picaresque digressions and asides, Jerome depicts the groups attempts to keep themselves afloat and cope with the English weather.