Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

The Penguin Book of Canadian Verse — 1977

This book presents itself as a survey, from the first to the latest, of English-Canadian poetry. The book differs from previous Penguin Anthology, the earlier poets more solidly represented, the periods better balanced. This revised edition, coinciding with Canada's own Centennial, presents a surney of the work done in English by Canadian poets during the past one hundred years.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hines B., Looks and Smiles — 1986

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hines B., A Kestrel for a Knave — 1983

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hines B., The Blinder — 1982

He could do things with a football the opposition hadn t even thought of. He had a world at his feet, and a chip on his shoulder. He had a glittering future: as a soccer player, as a college student, or with the boss s daughter...but he had enemies, who played for higher stakes - and they were just as talented.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hines B., The Price of Coal — 1982

The Milton colliery exacts its daily toll of sweat and fear from the men who grope down its dark tunnels. Beer, snooker, rose-growing in the allotment and Geoff Boycott are sacrificed to the imperatives of clawing coal from the earth.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Sutton R., Stomp of, let's go — 1978

Ñîäåðæàíèå: Opus No. 1 / Sy Oliver. Honeysuckle Rose / Waller - Razaf. Alligator Crawl / Williams - Morton. Them There Eyes / Tracey - Tauber - Pinkard. Gee Baby, Ain't I Good To You / Redman - Razaf. Stomp Off, Let's Go.../ Schoebel. Savoy Blues / Ory. Dream A Little Dream Of Me / Schwan - Andre - Kahn. Open Ears / Hodges - Hines. I'm Gonna Sit Right Down And Write Myself A Letter / Ahlert - Young. Dark Blue World; You Don't Know What The Middle Ages Were Like / Jezek

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Jazz in Europe Vol. 1: Swing & jazz classique — 198-? (Jazz in Europe 1)

Ñîäåðæàíèå: Nobody Knows/Louis Armstrong;Honeysuckle Rose/Kid Ory, Henry "Red" Allen;Perdido/Johnny Hodges, Earl Hines;Airmail Special/Lionel Hampton;Summertime/Ella Fitzgerald;Sing Sing Sing/Gene Krupa;Lady Sings The Blues/Billie Holiday;Top Hat, White Tie And Tails / Fred Astaire;Cottontail/Ben Webster;These Foolish Things/LesterYoung;Autumn Leaves/Oscar Peterson;April In Paris/Count Basie

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìàðêèí Þ., Ìîè ïåðâûå øàãè â äæàçå: ôîðòåïüÿííûå ïüåñû: ×àñòü 1, 2 — 2006

Ñîäåðæàíèå: ×àñòü 1. Èç ðåïåðòóàðà Êàóíòà Áýéñè: Jive at Five; Basie Blues; Swingin' the Blues; Sent for You Yesterday/ C. Basie. Teddy the Toad; Li'l Darlin'/ N. Hefty. Ets. ×àñòü 2. Äæàçîâûå ñòàíäàðòû: Basin Street Blues/ S. Williams. Down by the Riverside. Saint Louis Blues/ W. Hendy. Dear Old Southland/ T. Layton. Jersey Jump/ B. Rayle. Just You Just Me/ L. Young. Ets.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàéí Ò., Òîòàëüíàÿ óïàêîâêà. íåèçâåñòíàÿ èñòîðèÿ è ñêðûòûå ñìûñëû çàâëåêàòåëüíûõ êîðîáîê, áàíîê, áóòûëîê è äðóãèõ åìêîñòåé — 2017

Ýòà êíèãà — óâëåêàòåëüíàÿ èñòîðèÿ î òîì, êàê óïàêîâêà ïîÿâèëàñü, ðàçâèâàëàñü è ïîñòåïåííî ïðåâðàùàëàñü â ñèëó, êîòîðàÿ óïðàâëÿåò ïîâåäåíèåì ïîêóïàòåëåé, ìàíèïóëèðóåò èõ ñòðàõàìè è îæèäàíèÿìè, ôîðìèðóåò îáëèê ìàãàçèíîâ è öåëèêîì âñþ êóëüòóðó ïîòðåáèòåëüñêîãî îáùåñòâà. Àâòîð óäåëÿåò ìíîãî âíèìàíèÿ èíæåíåðíîé, äèçàéíåðñêîé è ðåêëàìíîé ñîñòàâëÿþùèì òîâàðíîé óïàêîâêè è ðàñêðûâàåò èñòèííûå ïðè÷èíû ïîÿâëåíèÿ îòäåëüíûõ åå äåòàëåé, êîòîðûì îáû÷íî íèêòî íå ïðèäàåò çíà÷åíèÿ: íàïðèìåð, êðûøêè ó êàðòîííîé ñèãàðåòíîé ïà÷êè íóæíû äëÿ òîãî, ÷òîáû êóðèëüùèê âñÿêèé ðàç äîñòàâàë ïà÷êó èç êàðìàíà è äåìîíñòðèðîâàë îêðóæàþùèì ìàðêó. Íî åùå áîëåå èíòåðåñíû ïàðàëëåëè, ïðîâåäåííûå ìåæäó ìåõàíèçìàìè âëèÿíèÿ íà ìàññîâîå ñîçíàíèå êîðîáîê è áàíîê íà ïîëêàõ ñóïåðìàðêåòîâ è «óïàêîâàííûõ» ÿâëåíèé, êîìïàíèé è ëþäåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ