Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Áîëåå òðèäöàòè ëåò ïðîâåë âûäàþùèéñÿ øîòëàíäñêèé ãåîãðàô Äàâèä Ëèâèíãñòîí ñðåäè àôðèêàíöåâ, èçó÷èë èõ îáû÷àè è ÿçûêè, æèë èõ æèçíüþ. Ïîçíàâ ñ äåòñòâà òÿæåëûé òðóä è íóæäó, îí ñòàë ñòðàñòíûì ïîáîðíèêîì ñîöèàëüíîé ñïðàâåäëèâîñòè è ãóìàíèçìà, ïðîòèâíèêîì ðàáîòîðãîâëè, ðàñèçìà è æåñòîêîñòè êîëîíèçàòîðîâ. Ïðèáûâ â Àôðèêó â êà÷åñòâå ìèññèîíåðà, Ëèâèíãñòîí â îòëè÷èå îò áîëüøèíñòâà ñâîèõ ñîáðàòüåâ âñêîðå ïîíÿë, ÷òî ïðèîáùåíèå ìåñòíûõ æèòåëåé ê ìèðîâîé öèâèëèçàöèè íàäî íà÷èíàòü ñ ìàòåðèàëüíîé êóëüòóðû. Ïîèñêè ïóòåé ê íàðîäàì âíóòðåííåé Àôðèêè ïðèâåëè åãî ê êðóïíûì ãåîãðàôè÷åñêèì îòêðûòèÿì

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: Im vorliegenden Werk ist versucht worden, den Benutzer schnell zum jeweils benotigten, aber nicht sofort gegenwartigen Ausdruck zu fuhren. Dabei war es naturlich unvermeidbar, zwischen den sprachlich-lexikologischen Gegebenheiten auf der einen Seite und den lexikographischen Notwendigkeiten auf der anderen Seite mancherlei Kompromisse einzugehen.

Àííîòàöèÿ: Bilder einer traditionsreichen Stadt stellt dieser Band vor. Sie lassen spuren, wie Weimar geworden ist, obwohl sie nur festhalten, was heute sichtbar ist.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: The book includes well-known classics of world science fiction novels of HG Wells' The Time Machine "," Invisible Man, "his short stories and essays.

Àííîòàöèÿ: More than three thousand years have passed since the first events recorded in DUNE. Only one link survives with those tumultuous times: the grotesque figure of Leto Atreides, son of the prophet Paul Muad'Dib, and now the virtually immortal God Emperor of Dune. He alone understands the future, and he knows with a terrible certainty that the evolution of his race is at an end unless he can breed new qualities into his species. But to achieve his final victory, Leto Atreides must also bring about his own downfall...

Àííîòàöèÿ: Up The Line To Death: The War Poets 1914—1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.A significant revisiting of the tradition of the war poet, writing in English, it was backed up by strong biographical research on the poets included. Those were mainly British and Irish combatants of World War I; but there are also Australian, Canadian and American poets. The poems are arranged roughly in chronological order, from the start of the war to the end. Some contemporary poems by major poets not involved in the fighting are also given. The title of the anthology comes from the Siegfried Sassoon poem Base Details.

Àííîòàöèÿ: Herbert Heckmann ist ein geborener Geschichtenerzahler. Er hat einen ursprunglishenn Sinn fur die Anekdote, fur das Besondere und das Skurrile, das er uberall im Alltag sieht.Er muss nichts erfinden, denn er findet. Er findet die Menschen in ihren Sorgen, Hoffnungen, Tucken und Schrullen...

Àííîòàöèÿ: Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Àííîòàöèÿ: These three novellas explore human relationships and the devastating results of war. In The Fox, a predator targets two young women living on a small farm during the First World War. The Captain's Doll explores the complex relationship between a German countess and a married Scottish soldier in occupied Germany. In The Ladybird, a wounded prisoner of war has a disturbing influence on the Englishwoman who visits him in the hospital.

Àííîòàöèÿ: D. H. Lawrence started 'The Sisters' in March 1913, wrote four different versions and claimed to have discarded 'quite a thousand pages' before completing The Rainbow in May 1915. The novel was suppressed, just over a month after publication, in November 1915. Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's great novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in the full textual apparatus so the reader can follow the development of the novel and evaluate what outside interference might have done to it. Appendixes give the earliest, unpublished fragments from the first two versions and a newly discovered report and summary of the third. Published in two volumes.

Àííîòàöèÿ: Ñáîðíèê ñòàâèò ñâîåé öåëüþ ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àíãëèéñêèõ íîâåëèñòîâ 50-õ - 60-õ ãã.  íåì ïðåäñòàâëåíû ïèñàòåëè íåñêîëüêèõ ïîêîëåíèé, ñîçäàâàÿ êðàñî÷íóþ, ìíîãîëèêóþ êàðòèíó ñåãîäíÿøíåé Àíãëèè. Êíèãè ïðåäñòàâëÿåò ðàçíîîáðàçíûå òåìàòèêè è ñòèëèñòèêè ñîâðåìåííîãî àíãëèéñêîãî ðàññêàçà.