Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Íåîáõîäèìîñòü â ïåðåðàáîòêå è äîïîëíåíèè ïðåäûäóùåãî èçäàíèÿ êíèãè âûçâàíà â ïåðâóþ î÷åðåäü âûõîäîì â ñâåò äîëãîæäàííîãî äëÿ ïðîãðàììèñòîâ âñåãî ìèðà åäèíîãî ìåæäóíàðîäíîãî ñòàíäàðòà ïî Ñ++. Òåïåðü ìîæíî áûòü óâåðåííûì, ÷òî óæå â áëèæàéøåì áóäóùåì ïðîãðàììû íà Ñ++ áóäóò âûãëÿäåòü è ôóíêöèîíèðîâàòü îäèíàêîâî, íåçàâèñèìî îò òîãî, â êàêîé ñðåäå ïðîãðàììèðîâàíèÿ è äëÿ êàêîãî êîìïèëÿòîðà îíè íàïèñàíû

Àííîòàöèÿ: The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Àííîòàöèÿ: American science-fiction writer, who became famous with his ecological novel DUNE (1965), set in a world of giant sandworms. The epic adventure won the first Nebula for Best Novel, shared the Hugo, and gained a cult status among science fiction readers. Herbert's bestseller was followed by five sequels. Often Herbert's stories dealt with great cycles of development, environmental as well as cultura

Àííîòàöèÿ: The sand-blasted world of Arrakis has become green, watered and fertile. Old Paul Atreides, who led the desert Fremen to political and religious domination of the galaxy, is gone. But for the children of Dune, the very blossoming of their land contains the seeds of its own destruction. The altered climate is destroying the giant sandworms, and this in turn is disastrous for the planet's economy. Leto and Ghanima, Paul Atreides's twin children and his heirs, can see possible solutions - but fanatics begin to challenge the rule of the all-powerful Atreides empire, and more than economic disaster threatens...

Àííîòàöèÿ: Ñîáðàíèå äîêóìåíòàëüíîé õðîíèêè îòðàæàåò ðîëü ëèäåðîâ âåäóùèõ ìèðîâûõ äåðæàâ â ïðîöåññå ôîðìèðîâàíèÿ è äåÿòåëüíîñòè àíòèãèòëåðîâñêîé êîàëèöèè ñ ÿíâàðÿ 1942 ïî ìàé 1945 ãîäà.

Àííîòàöèÿ: Ôðýíê Ãåðáåðò (1920 - 1986) óñïåë íàïèñàòü ìíîãî, íî â èñòîðèè îñòàëñÿ, ïðåæäå âñåãî, êàê àâòîð ýïîïåè «Äþíà». Âîçìîæíî, ñàìîé ïðîñëàâëåííîé ôàíòàñòè÷åñêîé ñàãè íàøåãî ñòîëåòèÿ, ñàãè, ïåðåâåäåííîé íà äåñÿòêè ÿçûêîâ è ïðèîáðåòøåé ïî âñåìó ìèðó ìèëëèîíû ïîêëîííèêîâ. Ñàìûé àâòîðèòåòíûé æóðíàë íàó÷íîé ôàíòàñòèêè «Ëîêóñ» ïîïðîñòó ïðèçíàë «Äþíó», ïåðâûé ðîìàí ýïîïåè î «ïåñ÷àíîé ïëàíåòå», ëó÷øèì íàó÷íî-ôàíòàñòè÷åñêèì ðîìàíîì âñåõ âðåìåí è íàðîäîâ.  «Äþíå» Ôðýíêó Ãåðáåðòó óäàëîñü ñîâåðøèòü íåâîçìîæíîå - ñîçäàòü ñâîåîáðàçíóþ «õðîíèêó äàëåêîãî áóäóùåãî». È íå áûëî çà âñþ èñòîðèþ ìèðîâîé ôàíòàñòèêè êàðòèíû ãðÿäóùåãî áîëåå ÿðêîé, áîëåå çðèìîé, áîëåå ìîùíîé è îðèãèíàëüíîé. Öèêë «Äþíà» áûë è îñòàåòñÿ óíèêàëüíûì ÿâëåíèåì - ñàìûì ãðàíäèîçíûì, ñàìûì äåðçêèì, ñàìûì ìàñøòàáíûì òâîðåíèåì çà âñþ èñòîðèþ ìèðîâîé ôàíòàñòèêè. Çîëîòàÿ áèáëèîòåêà ôàíòàñòèêè.

Àííîòàöèÿ: Brands no longer exist solely in the realm of the physical. The advent of the internet and other new digital technologies means that companies - be they dot.com start-ups or traditional bricks and mortar companies - must develop a successful strategy for presenting compelling brands in the virtual world. Drawing on their experience with Interbrand, the world's largest branding consultancy, and including chapters by branding experts from Microsoft, McDonalds, Pepsi-Cola and Procter & Gamble, the authors examine how this should be done and map out the future of e-branding.

Àííîòàöèÿ: "×åëîâåê-íåâèäèìêà" - îäíî èç ñàìûõ ïîïóëÿðíûõ ïðîèçâåäåíèé Ãåðáåðòà Óýëëñà. äàâíÿÿ ìå÷òà ÷åëîâåêà- ñòàâ íåâèäèìûì, îáðåñòè ñêàçî÷íîå ìîãóùåñòâî, áîãàòñòâî è âëàñòü - ïðèîáðåòàåò ó ïèñàòåëÿ, èìåþùåãî ñåðüåçíûå åñòåñòâåííî-íàó÷íûå ïîçíàíèÿ îòòåíîê ïðàâäîïîäîáèÿ.  ñáîðíèê òàêæå âêëþ÷åíû ðàññêàçû "Ñîêðîâèùà ìèñòåðà Áðèøåðà", "Èìïåðèÿ ìóðàâüåâ", "Íåîïûòíîå ïðèâåäåíèå" è "Ñîêðîâèùå â ëåñó".

Àííîòàöèÿ: Women in Love is, however, a profound response to a whole cultural crisis. The "progress" of the modern industrialized world had led to the carnage of the First World War. What, then, did it mean to call ourselves "human"? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise?

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.

Àííîòàöèÿ:  ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Àííîòàöèÿ: Herbert Reinecker ist der Autor der Kriminalserie "Derrick", die mit uber 200 Folgen im Fernsehen zu einem Welterfolg wurde. Dieses Bandchen enthallt drei Kriminalkurzgeschichten. In jeder dieser Geschichten wird der Kommissar vor die schwierige Aufgabe gestellt, einen geheimnisvollen Mord aufzuklaren. Ihm geht es dabei nicht um die atemberaubende Jagd nach dem Morder, sondern er interessiert sich vielmehr fur das Motiv, das einen Menschen zu dieser Untat bewegt.

Àííîòàöèÿ: Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: Àíãëèÿ-ñòðàíà,ïîðîäèâøàÿ âåëèêóþ ïëåÿäó þðèñòîâ, êëàññèêîâ ìèðîâîé ëèòåðàòóðû.Òðàäèöèè,çàëîæåííûå Øåêñïèðîì,Ôèëäèíãîì,Ñòåðíîì,Äèêêåíñîì,ïðîäîëæàþò è ðàçâèâàþò àíãëèéñêèå þìîðèñòû XIX-XX ñòîëåòèé:Äæåðîì Ê.Äæåðîì, Ã.Ê.×åñòåðòîí, Õ.Áåëëîê, Äæ.Ìèêåø è äðóãèå, ñ òâîð÷åñòâîì êîòîðûõ è ïîçíàêîìèò äàííûé ñáîðíèê.Èçäàíèå ïðåäíàçíà÷åíî êàê âëàäåþùèì àíãëèéñêèì ÿçûêîì, òàê è èçó÷àþùèì åãî

Àííîòàöèÿ: Herbert's evocative, epic tales are set on the desert planet Arrakis, the focus for a complex political and military struggle with galaxy-wide repercussions. Arrakis is the source of spice, a mind-enhancing drug which makes interstellar travel possible; it is the most valuable substance in the galaxy. When Duke Atreides and his family take up court there, they fall into a trap set by the Duke's bitter rival, Baron Harkonnen.

Àííîòàöèÿ: The epic that began with the Hugo and Nebula Award-winning classic DUNE continues... The long-established galactic order is passing. The Honoured Matres, ruthless and all-conquering, have destroyed the planet Dune. In opposition, hard-pressed but still fighting back, the Bene Gesserit sisterhood co-ordinate their resistance from their as-yet undiscovered home world, Chapter House. Now as a new Scattering is planned, they still have one carefully nurtured asset: the sandworms, offspring of the only giant worm salvaged from Dune. Chapter House is to about to turn into a barren wasteland: Chapter House will be the new Dune. Read the series which inspired the 2021 Denis Villeneuve epic film adaptation, Dune, starring Oscar Isaac, Timothee Chalamet, Zendaya and Josh Brolin

Àííîòàöèÿ: A novel focusing mainly on the Nottinghamshire of Lawrence s youth, remembering the community and its inhabitants. It is the story of Alvina s rebellion against the ordinariness of life. She undertakes a wild affair with a vaudeville actor and then escapes to a more fulfilling life in Italy.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.