Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: The Sixth Reader is a book of world-famous stories. The great poems of Greece and Rome, the Bible, the myths of Northern Europe, and the epics and romances of the Age pf Chivalry are all represented. The book is addressed to the pupil. Proper names and the more difficult words and phrases have often been listed with their pronunciations after the lessons inwhich they occur. Other words have been listed For study with the Glossary.

Àííîòàöèÿ: Ðîìàí àíãëèéñêîãî ïèñàòåëÿ è ïóòåøåñòâåííèêà Õüþ Ñòîóýëëà Ñêîòòà (ïîä ïñåâäîíèìîì: Ãåíðè Ñåòîí Ìåððèìàí). Àâòîð íà÷èíàë ðàáîòàòü þðèñòîì â ñòðàõîâîé êîìïàíèè, íî óâëåêñÿ ïóòåøåñòâèÿìè è íàïèñàíèåì ðîìàíîâ

Àííîòàöèÿ: The Best of the World's Classics from Great Britain and Ireland

Àííîòàöèÿ: Èçáðàííûå ýññå îäíîãî èç âèäíåéøèõ ìûñëèòåëåé è ïèñàòåëåé ÑØÀ Ðàëüôà Óîëäî Ýìåðñîíà (1803-1882) ñî âñòóïèòåëüíîé ñòàòüåé, ñîäåðæàùåé àíàëèç åãî òâîð÷åñòâà.  ñáîðíèê âêëþ÷åíà åãî èñòîðè÷åñêàÿ ðå÷ü «Àìåðèêàíñêèé ó÷¸íûé» (American Scholar, 1837), à òàêæå î÷åðê «Î äîâåðèè ê ñåáå» (Self-Reliance, 1841)

Àííîòàöèÿ: Ðîìàí àíãëèéñêîãî ïèñàòåëÿ Ýäâàðäà Áóëüâåð-Ëèòòîíà

Àííîòàöèÿ: Ðîìàí àíãëèéñêîé ïèñàòåëüíèöû Ýëëåí Âóä, áîëüøå èçâåñòíîé êàê Ìèññèñ Ãåíðè Âóä

Àííîòàöèÿ: Ëó÷øèå ðàññêàçû àìåðèêàíñêèõ ïèñàòåëåé íà àíãëèéñêîì ÿçûêå â èñïîëíåíèè íîñèòåëåé ÿçûêà

Àííîòàöèÿ: From the title, I assumed it would be a humourous work, perhaps in the style of Nora Ephron or David Sedaris. It is, in fact, a serious study of manners in England, in laymans language. If you want to be informed, this is it. If you want to be entertained, look elsewhere.

Àííîòàöèÿ: Ñáîðíèê ñîñòîèò èç ðàññêàçîâ î ÷èñòî äåëîâûõ îòíîøåíèÿõ, â êîòîðûå íåèçìåííî âìåøèâàþòñÿ ÷óâñòâà. Ìàñòåð ïàðàäîêñàëüíûõ ñþæåòîâ è íåîæèäàííûõ ðàçâÿçîê Î. Ãåíðè ñ íåïîäðàæàåìûì þìîðîì ðàññêàçûâàåò ñìåøíûå è òðîãàòåëüíûå èñòîðèè î áîðüáå ìåæäó ñåðäöåì è óìîì. ×èòàÿ è ñëóøàÿ òåêñòû íà àíãëèéñêîì ÿçûêå, ñðàâíèâàÿ èõ ñ ïåðåâîäîì íà ðóññêèé, ìîæíî ïî äîñòîèíñòâó îöåíèòü ìàñòåðñòâî ïèñàòåëÿ è óëó÷øèòü íàâûêè ÷òåíèÿ è âîñïðèÿòèÿ íà ñëóõ èíîÿçû÷íîé ðå÷è. Äëÿ óãëóáëåíèÿ çíàíèé àíãëèéñêîãî è îáëåã÷åíèÿ ïîíèìàíèÿ òåêñòà ïðåäëàãàþòñÿ óïðàæíåíèÿ è ñëîâàðü. Êíèãà áóäåò èíòåðåñíà è ïîëåçíà øêîëüíèêàì, àáèòóðèåíòàì, ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: Ïðàâèëüíàÿ ñòðàòåãèÿ — îñíîâà îñíîâ óñïåõà ëþáîãî áèçíåñà. Íî ðàçðàáàòûâàòü ñòðàòåãèþ ìîæíî ïî-ðàçíîìó è ê íàñòîÿùåìó ìîìåíòó â ñòðàòåãè÷åñêîì ìåíåäæìåíòå íàñ÷èòûâàåòñÿ öåëûõ äåñÿòü øêîë.  ýòîé óâëåêàòåëüíîé êíèãå àâòîðû ñ ìèðîâûì èìåíåì ïðåäñòàâëÿþò âñåñòîðîííåå èññëåäîâàíèå îñíîâíûõ ïîëîæåíèé, ñèëüíûõ è ñëàáûõ ñòîðîí êàæäîé èç øêîë ñòðàòåãèé — øêîë äèçàéíà, ïëàíèðîâàíèÿ, ïîçèöèîíèðîâàíèÿ, ïðåäïðèíèìàòåëüñòâà, ïîçíàíèÿ, îáó÷åíèÿ, âëàñòè, êóëüòóðû, âíåøíåé ñðåäû è êîíôèãóðàöèè — à â çàâåðøåíèå îáúåäèíÿþò èõ, ïîêàçûâàÿ ñèñòåìíûé âçãëÿä íà ñòðàòåãèþ îðãàíèçàöèè. Êíèãà áóäåò èíòåðåñíà âñåì, êòî çàíèìàåòñÿ ðàçðàáîòêîé ñòðàòåãèé, àíàëèçîì è îïòèìèçàöèåé áèçíåñ-ìîäåëåé.

Àííîòàöèÿ: Ñáîðíèê çíàêîìèò ÷èòàòåëÿ ñ ðàññêàçàìè èçâåñòíîãî àìåðèêàíñêîãî ïèñàòåëÿ Î.Ãåíðè, íàïèñàííûìè â ðàçíûå ïåðèîäû òâîð÷åñòâà. Îñòðûå ñèòóàöèè, â êîòîðûå ïîïàäàþò ãåðîè, òåìà ñóäüáû "ìàëåíüêîãî ÷åëîâåêà", ïûòàþùåãîñÿ óñòðîèòü ñâîå ëè÷íîå ñ÷àñòüå, ÿðêèé è îáðàçíûé ÿçûê äåëàþò ñáîðíèê èíòåðåñíûì è ïîëåçíûì äëÿ âñåõ èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: PRINCIPLES OF ACCOUNTING continues to lead the market with balanced, flexible content supported by an array of integrated print and technology supplements. Designed for both majors and non-majors, the new edition focuses on the relevance of accounting in business with an emphasis on decision-making and analysis. Whether an instructor wants to present a user or procedural orientation, incorporate new instructional strategies, develop students' core competencies, or integrate the latest technology into the classroom, the 2005e Edition provides a total solution. The integrated text and technology program engages students in relevant issues and themes, from the Enron crisis--which led to a series of amendments in accounting law--to the controversy surrounding stock options. Case studies, accompanied by provocative questions, help build critical thinking skills and connect accounting to the real world of business.

Àííîòàöèÿ: Êíèãà äîêòîðà Ãåíðè Íèâà, ó÷åíèêà, áëèçêîãî äðóãà è êîëëåãè äîêòîðà Äåìèíãà, ñ÷èòàåòñÿ, ïî îáùåìó ìíåíèþ, ëó÷øåé èíòåðïðåòàöèåé ó÷åíèÿ Äåìèíãà î íîâîì ìåíåäæìåíòå. Ïðèíöèïèàëüíî èíîé, ãóìàíèñòè÷åñêèé âçãëÿä íà ìåíåäæìåíò, ðàçâèòûé äîêòîðîì Äåìèíãîì âî âòîðîé ïîëîâèíå ïðîøëîãî âåêà, ãàðìîíè÷íî îáúåäèíÿåò öåëè âëàäåëüöåâ áèçíåñà, ìåíåäæåðîâ è îñòàëüíûõ ñîòðóäíèêîâ. Ëîçóíã íîâîãî ìåíåäæìåíòà "Âûèãðûâàþò âñå" îòðàæåí â çíàìåíèòûõ 14 ïóíêòàõ è òåîðèè ãëóáèííûõ çíàíèé. Ìåòîäû è ïîäõîäû äîêòîðà Äåìèíãà óíèâåðñàëüíû. Îíè ïðèìåíèìû êàê äëÿ áàíêîâ è êðóïíîãî áèçíåñà, òàê è äëÿ ìàëûõ ïðåäïðèÿòèé è îðãàíèçàöèé; ñ óñïåõîì ðàáîòàþò â ïðîìûøëåííîñòè, ñôåðå îáñëóæèâàíèÿ, çäðàâîîõðàíåíèè, îáðàçîâàíèè, ñòðàõîâàíèè, òîðãîâëå, ãîñóäàðñòâåííîì óïðàâëåíèè è ò.ä. Êíèãà àäðåñîâàíà ðóêîâîäèòåëÿì è ïðåäïðèíèìàòåëÿì, à òàêæå ïðåïîäàâàòåëÿì è ñòóäåíòàì ýêîíîìè÷åñêèõ ñïåöèàëüíîñòåé.

Àííîòàöèÿ: Ãåðîè÷åñêàÿ ñàãà «Ïåñíü ëüäà è îãíÿ» Äæîðäæà Ð.Ð. Ìàðòèíà ñâîáîäíà îò æàíðîâûõ êëèøå è ñòåðåîòèïîâ, ïîäòâåðæäåíèåì ÷åìó ñëóæèò íå òîëüêî øèðîêîå ïðèçíàíèå åå ìèëëèîíàìè ÷èòàòåëåé ïî âñåìó ìèðó, íî è ïîÿâëåíèå âäóì÷èâûõ èññëåäîâàíèé ìèðà, ñîçäàííîãî ôàíòàçèåé Ìàðòèíà. Êàê óæèâàþòñÿ â «Èãðå ïðåñòîëîâ» ìàãèÿ, íàóêà è ìåòàôèçèêà? Èñïîëüçîâàíèå ôèëîñîôèè äçýí â îáó÷åíèè Àðüè Ñòàðê — áëàãî èëè çëî? Ñîñòÿçàíèå ìîðàëüíûõ êîäåêñîâ ëîðäà Ýääàðäà Ñòàðêà è êîðîëåâû Ñåðñåè — ÷üÿ ïðàâäà ñèëüíåå? Êàê ñîãëàñóþòñÿ èäåè Ìàêèàâåëëè î ïðàâèëàõ âåäåíèÿ âîéíû ñ ñîáûòèÿìè â Âåñòåðîñå — ìîæíî ëè ñî÷åòàòü òåîðèþ è ïðàêòèêó? Íà ýòè è ìíîãèå äðóãèå âîïðîñû îòâåòèò êíèãà, â êîòîðîé ñàìûå çëîáîäíåâíûå è âå÷íûå âîïðîñû ôèëîñîôèè äàíû ÷åðåç ïðèçìó ïåðèïåòèé ýïè÷åñêîãî ôýíòåçè

Àííîòàöèÿ: Translated by H.F. Cary With an Introduction by Claire Honess. Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his Comedy (the epithet 'Divine' was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work. The Comedy tells the story of the journey of a character who is at one and the same time both Dante himself and Everyman. In the Inferno, Dante's protagonist - and his reader - is presented with a graphic vision of the dreadful consequences of sin, and encounters an all-too-human array of noble, grotesque, beguiling, ridiculous and horrific characters.

Àííîòàöèÿ: « Autrefois, lui disait Julien, quand j`aurais pu etre si heureux pendant nos promenades dans les bois de Vergy, une ambition fougueuse entrainait mon ame dans les pays imaginaires.Au lieu de serrer contre mon coeur ce bras charmant qui etait si pres de mes levres, l`avenir m`enlevait a toi (—) non, je serais mort sans connaitre le bonheur, si vous n`etiez venue me voir dans cette prison. »