Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Êíèãà ñîäåðæèò àäàïòèðîâàííûå íîâåëëû áðèòàíñêèõ è àìåðèêàíñêèõ êëàññèêîâ è óïðàæíåíèÿ íà ðàçâèòèå ÿçûêîâîé è êîììóíèêàòèâíîé êîìïåòåíöèè. Ðåêîìåíäóåòñÿ äëÿ èñïîëüçîâàíèÿ â ñðåäíèõ è âûñøèõ ó÷åáíûõ çàâåäåíèÿõ äëÿ èçó÷åíèÿ àìåðèêàíñêîãî âàðèàíòà àíãëèéñêîãî ÿçûêà íà ñðåäíåì ýòàïå, à òàêæå äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: This production closely follows Nathaniel Hawthorne's 1850 novel The Scarlet Letter. In Boston, shortly after its founding in 1630, the Puritan citizenry order Hester Prynne (Meg Foster), a beautiful young woman, to wear a scarlet letter "A" (signifying "adulteress") on her dress for life after she bears a child in the absence of her husband, who has delayed his trip to the New World to conclude business. Despite intense questioning, Hester refuses to identify the father, Arthur Dimmesdale (John Heard), a respected minister who cannot muster the courage to acknowledge his sin in public.

Àííîòàöèÿ: As enjoyable as it is edifying.Even longtime readers in the field may make some happy discovers.

Àííîòàöèÿ: Hailed by Henry James as "the finest piece of imaginative writing yet put forth in the country, " Nathaniel Hawthorne's "The Scarlet Letter" reaches to our nation's historical and moral roots for the material of great tragedy. Set in an early New England colony, the novel shows the terrible impact a single, passionate act has on the lives of three members of the community: the defiant Hester Prynne; the fiery, tortured Reverend Dimmesdale; and the obsessed, vengeful Chillingworth. With "The Scarlet Letter," Hawthorne became the first American novelist to forge from our Puritan heritage a universal classic, a masterful exploration of humanity's unending struggle with sin, guilt and pride.

Àííîòàöèÿ: Çàäà÷à íàñòîÿùåãî ñáîðíèêà-ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àìåðèêàíñêèõ êðèòèêîâ è ëèòåðàòóðîâåäîâ,à òàêæå ïèñàòåëåé,âûñòóïàâøèõ â ðîëè êðèòèêîâ,çà äâà ñòîëåòèÿ. Ñðåäè òåõ,êòî îïðåäåëÿë íàïðàâëåíèå àìåðèêàíñêîé ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè XIX âåêà-ïîýòû Ý.Ïî è Ó.Óèòìåí,ïðîçàèêè Í.Ãîòîðí è Ã.Äæåéìñ.Ñðåäè êðèòèêîâ ÕÕ âåêà,÷üè èäåè âíåñëè âêëàä â ñòàíîâëåíèå è ðàçâèòèå àìåðèêàíñêîé øêîëû ðåàëèçìà-Â.Â.Áðóêñ è Â.Ë.Ïàððèíãòîí,Ì.Ãàéñìàð è Ì.Êàóëè.Èçäàíèå ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì,êîììåíòàðèÿìè è ïðåäíàçíà÷àåòñÿ òåì,êòî èíòåðåñóåòñÿ ïðîáëåìàìè èñòîðèè è òåîðèè çàðóáåæíîé êðèòèêè

Àííîòàöèÿ: This enduring novel of crime and retribution vividly reflects the social and moral values of New England in the 1840s. Nathaniel Hawthorne's gripping psychological drama concerns the Pyncheon family, a dynasty founded on pious theft, who live for generations under a dead man's curse until their house is finally exorcised by love. Hawthorne, by birth and education, was instilled with the Puritan belief in America's limitless promise. Yet - in part because of blemishes on his own family history - he also saw the darker side of the young nation. Like his twentieth-century heirs William Faulkner and F. Scott Fitzgerald, Hawthorne peered behind propriety's facade and exposed the true human condition.

Àííîòàöèÿ: Íîâåëëû, âêëþ÷åííûå â êíèãó, ïðåäñòàâëÿþò áîëüøîé èíòåðåñ äëÿ èçó÷åíèÿ àìåðèêàíñêîé ëèòåðàòóðû è àíãëèéñêîãî ÿçûêà â åãî àìåðèêàíñêîì âàðèàíòå. Ñáîðíèê ñíàáæåí ïðåäèñëîâèåì è êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Êíèãà ðàññ÷èòàíà íà ñòóäåíòîâ óíèâåðñèòåòîâ è èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ, íà âñåõ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àìåðèêàíñêîé ëèòåðàòóðîé.

Àííîòàöèÿ: This production closely follows Nathaniel Hawthorne's 1850 novel The Scarlet Letter. In Boston, shortly after its founding in 1630, the Puritan citizenry order Hester Prynne (Meg Foster), a beautiful young woman, to wear a scarlet letter "A" (signifying "adulteress") on her dress for life after she bears a child in the absence of her husband, who has delayed his trip to the New World to conclude business. Despite intense questioning, Hester refuses to identify the father, Arthur Dimmesdale (John Heard), a respected minister who cannot muster the courage to acknowledge his sin in public.

Àííîòàöèÿ:  ñáîðíèê âõîäÿò ïðîèçâåäåíèÿ êðóïíåéøèõ àìåðèêàíñêèõ ïèñàòåëåé-ðîìàíòèêîâ Â. Èðâèíãà, Í. Ãîòîðíà, Ý. Ïî, Ã. Ìåëâèëëà, ñîçäàííûå â ïåðâîé ïîëîâèíå XIX âåêà. Ïðè âñåé ñâîåé èíäèâèäóàëüíîé íåïîâòîðèìîñòè îíè âîïëîòèëè â ñåáå ÷åðòû, ïðèñóùèå àìåðèêàíñêîìó ðîìàíòèçìó â öåëîì: êðèòèêó ñêëàäûâàþùèõñÿ áóðæóàçíûõ îáùåñòâåííûõ îòíîøåíèé, îñòðîå îùóùåíèå òðàãè÷åñêèõ ïðîòèâîðå÷èé àìåðèêàíñêîãî îáðàçà æèçíè.

Àííîòàöèÿ: A brilliant,far-reaching collection of stories from Washington Irving to John Updike

Àííîòàöèÿ: This new edition of Adventures in American Literature is one of five books which make up the ADVENTURES series for the senior high school. The editors have put their best thought and effort into this revision. They have consulted numerous teachers who have been teaching the text, and have received many valuable suggestions as to pruming weakness and preserving strength

Àííîòàöèÿ: Ðîìàí àìåðèêàíñêîãî ïèñàòåëÿ Íàòàíèýëÿ Õîòîðíà

Àííîòàöèÿ: Âàì ïðåäîñòàâëÿåòñÿ âîçìîæíîñòü ïðîñëóøàòü ëó÷øèå ïðîèçâåäåíèÿ âñåìèðíî èçâåñòíûõ ïèñàòåëåé â âåëèêîëåïíîì èñïîëíåíèè íîñèòåëåé ÿçûêà. Äèñê àäðåñîâàí øèðîêîé àóäèòîðèè: ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî æåëàåò ðàñøèðèòü çíàíèå àíãëèéñêîãî ÿçûêà. Ïðîèçâåäåíèÿ àäàïòèðîâàíû äëÿ ñëóøàòåëåé, âëàäåþùèõ ÿçûêîì íà óðîâíå Intermediate. Äèñê ñîäåðæèò òàêæå òåêñòîâûå âåðñèè ðàññêàçîâ è èõ ïåðåâîäû íà ðóññêèé ÿçûê.

Àííîòàöèÿ: Íîâåëëû, âêëþ÷åííûå â êíèãó, ïðåäñòàâëÿþò áîëüøîé èíòåðåñ äëÿ èçó÷åíèÿ àìåðèêàíñêîé ëèòåðàòóðû è àíãëèéñêîãî ÿçûêà â åãî àìåðèêàíñêîì âàðèàíòå. Ñáîðíèê ñíàáæåí ïðåäèñëîâèåì è êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Êíèãà ðàññ÷èòàíà íà ñòóäåíòîâ óíèâåðñèòåòîâ è èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ, íà âñåõ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àìåðèêàíñêîé ëèòåðàòóðîé.

Àííîòàöèÿ: While investigating the so-called suicide of a Belgian woman, noted writer Virginia Woolf uncovers a plot involving espionage and murder that could determine the outcome of World War I.

Àííîòàöèÿ: 'He has the purest style, the finest taste, the most available scholarship, the most delicate humor, the most touching pathos, the most radiant imagination, the most consummate ingenuity,' wrote Poe of Hawthorne, whose novel, The Scarlet Letter (1850) is generally regarded as the first great work of American fiction. It is the story of a 'fallen woman' - fallen, that is, in the eyes of the Calvinist-Puritan society of Boston - and of her daughter and the unacknowledged father. Hawthorne fiercely attacks this society for its persecution of those who have broken none of Nature's laws, yet sympathizes with it enough to be able to regard his 'romance' as 'a tale of human frailty and sorrow'. Of the 'family' he writes with warmth and understanding and on them lavishes the artistic charms that so delighted Henry James.Puritanism, which fascinated Hawthorne, is also the special concern of the other tales in this volume: they have been selected to show how variously he treated the subject.This edition contains THE SCARLET LETTER as well as The Gray Champion, The Maypole of Merry Mount, The Minister's Black Veil, Young Goodman Brown and The Gentle Boy.

Àííîòàöèÿ: The fragility - and the durability - of human life and art dominate this story of American expatriates in Italy in the mid-nineteenth century. Befriended by Donatello, a young Italian with the classical grace of the Marble Faun, Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam s unhappy past precipitates the present into tragedy. Hawthorne s International Novel dramatizes the confrontation of the Old World and the New and the uncertain relationship between the authentic and the fake in life as in art. The author s evocative descriptions of classic sites made The Marble Faun a favourite guidebook to Rome for Victorian tourists, but his richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.

Àííîòàöèÿ: Famous for his novels, Hawthorne was first a short story writer. This collection includes his most powerful and penetrating stories, including "Young Goodman Brown" and "The Minister's Black Veil.