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Hardy T., Jude the Obscure — 1978
1978
Hardy T., Jude the Obscure — 1978
1978
London
Macmillan
Аннотация: In 1895 Hardy s final novel, the great tale of Jude The Obscure, sent shockwaves of indignation rolling across Victorian England. Hardy had dared to write frankly about sexuality and to indict the institutions of marriage, education, and religion. But he had, in fact, created a deeply moral work. The stonemason Jude Fawley is a dreamer; his is a tragedy of unfulfilled aims. With his tantalizing cousin Sue Bridehead, the last and most extraordinary of Hardy s heroines, Jude takes on the world and discovers, tragically, its brutal indifference. The most powerful expression of Hardy's philosophy, and a profound exploration of man's essential loneliness, Jude The Obscure is a great and beautiful book. His style touches sublimity.
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Hardy T., The Woodlanders — 1977
1977
Hardy T., The Woodlanders — 1977
1977
London
Macmillan
Аннотация: Set in the Dorset landscape familiar to Hardy novels, The Woodlanders concerns the fortunes of Giles Winterborne, whose love for the well-do-do Grace Melbury is challenged by the arrival of a dashing and dissolute doctor, Edred Fitzpiers. When the mysterious Mrs. Charmond further complicates the romantic entanglements, marital choice and class mobility become inextricably linked.
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Hardy T., The Hand of Ethelberta — 1977
1977
Hardy T., The Hand of Ethelberta — 1977
1977
London
Macmillan
Аннотация: Adventuress and opportunist, Ethelberta reinvents herself to disguise her humble origins, launching a brilliant career as a society poet in London with her family acting incognito as her servants. Turning the male-dominated literary world to her advantage, she happily exploits the attentions of four very different suitors. Will she bestow her hand upon the richest of them, or on the man she loves? Ethelberta Petherwin, alias Berta Chickerel, moves with easy grace between her multiple identities, cleverly managing a tissue of lies to aid her meteoric rise. In The Hand of Ethelberta (1876), Hardy drew on conventions of popular romances, illustrated weeklies, plays, fashion plates, and even his wife's diary in this comic story of a woman in control of her destiny.
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Hardy T., Far from the Madding Crowd — 1983 (The Penguin English Library)
1983
Hardy T., Far from the Madding Crowd — 1983 (The Penguin English Library)
1983
Harmondsworth
Penguins books
Аннотация: This tale of love -- from reckless fervor to selfless constancy -- is firmly rooted in the rich rural byways that Hardy knew so well. Bathsheba Everdene, determined to run the farm that has always belonged to her family, is loved by three men: the local farmer Boldwood, a solid, yet passionate squire; Gabriel Oak, a quiet, devoted shepherd; and fascinating, ruthless Sergeant Troy. In this powerful, dramatic story Bathsheba, capricious and willful, comes to comprehend the true nature of generosity, humility, and, ultimately, love.This brand-new edition of Far from the Madding Crowd includes all of the material that was censored from Hardy's original 1874 manuscript and is the complete book that the author never saw published.This tale of love -- from reckless fervor to selfless constancy -- is firmly rooted in the rich rural byways that Hardy knew so well. Bathsheba Everdene, determined to run the farm that has always belonged to her family, is loved by three men: the local farmer Boldwood, a solid, yet passionate squire; Gabriel Oak, a quiet, devoted shepherd; and fascinating, ruthless Sergeant Troy. In this powerful, dramatic story Bathsheba, capricious and willful, comes to comprehend the true nature of generosity, humility, and, ultimately, love.This brand-new edition of Far from the Madding Crowd includes all of the material that was censored from Hardy's original 1874 manuscript and is the complete book that the author never saw published.
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Hardy T., The Return of the Native — 1979 (The Penguin English Library)
1979
Hardy T., The Return of the Native — 1979 (The Penguin English Library)
1979
Harmondsworth
Penguins books
Аннотация: This fine novel sets in opposition two of Thomas Hardy s most unforgettable creations: his heroine, the sensuous, free-spirited Eustacia Vye, and the solemn, majestic stretch of upland in Dorsetshire he called Egdon Heath. The famous opening reveals the haunting power of that dark, forbidding moon where proud Eustacia fervently awaits a clandestine meeting with her lover, Damon Wildeve. But Eustacia s dreams of escape are not to be realized--neither Wildeve nor the retuming native Clym Yeobright can bring her salvation. Injured by forces beyond their control, Hardy's characters struggle vainly in the net of destiny. In the end, only the face of the lonely heath remains untouched by fate in this masterpiece of tragic passion, a tale that perfectly epitomizes the author s own unique and melancholy genius.
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Hardy T., Under the Greenwood Tree — 1982 (The Penguin English Library)
1982
Hardy T., Under the Greenwood Tree — 1982 (The Penguin English Library)
1982
Harmondsworth
Penguin Books
Аннотация: Under the Greenwood Tree is the story of the romantic entanglement between church musician, Dick Dewey, and the attractive new school mistress, Fancy Day. A pleasant romantic tale set in the Victorian era, Under the Greenwood Tree is one of Thomas Hardy s most gentle and pastoral novels.
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Short Stories for Study and Enjoyment — cop.1934
1934
Short Stories for Study and Enjoyment — cop.1934
1934
New York
The Odyssey Press
Аннотация: Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.
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