Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Orhester-Parade. [Âûï. 2]: Moon River — [1983]

Ñîäåðæàíèå: Sunny; Chanson d'amour; Trumpet Blues; Guantanamera; Winchester Cathedral; Summertime; Popcorn; Blueberry Hill; Indian Lady; Moon River è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Die goldene Gitarre: Welt-Hits Im Gitarren-Sound — [1980]

Ñîäåðæàíèå: Pop corn/ Kingsley. El Condor pasa/ Robles. Moon River/ Mancini. Wheels/ Petty. A Whiter Shade Of Pale/ Brooker. Tico-Tico/ Abreu. Elisabeth-Serenade/ Binge. Dolannes Melodie/ de Seneville, Touissant. A Banda/ de Hollanda. Blue Spanish Eyes/ Kaempfert. Vaya Con Dios/ Russell. Greensleeves, Le Rêve, La Cucaracha: Traditional.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories for Study and Enjoyment — cop.1934

Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õàðäè Á., Ãèáêàÿ ëè÷íîñòü. êàê èçáàâèòüñÿ îò îãðàíè÷èâàþùèõ óáåæäåíèé è èçìåíèòü ñâîå áóäóùåå — 2021 (Ãèáêîå ìûøëåíèå)

Ìíîãèå äóìàþò, ÷òî ëè÷íîñòü - ýòî ñîâîêóïíîñòü âðîæäåííûõ è íåèçìåííûõ ÷åðò õàðàêòåðà, à äëÿ äîñòèæåíèÿ óñïåõà íóæíî òî÷íî îïðåäåëèòü åå òèï. Íî ðåçóëüòàòû òåñòîâ çàãîíÿþò íàñ â íåíóæíûå ðàìêè. Ïîëó÷àåòñÿ ñàìîñáûâàþùååñÿ ïðîðî÷åñòâî: ìû ñëåäóåì îïðåäåëåííîìó íàáîðó øàáëîíîâ, è áóäóùåå ñòðîèòñÿ îò ïðîøëîãî.Íà ñàìîì äåëå ëè÷íîñòü ïîñòîÿííî ìåíÿåòñÿ: ñåãîäíÿ âû íå òàêîé, êàê ãîä íàçàä. Ïðè ýòîì ÿðëûê, êîòîðûé âû íà ñåáÿ íàâåøèâàåòå, îãðàíè÷èâàåò âàøè âîçìîæíîñòè. Åñëè áû íå îí, âû îðèåíòèðîâàëèñü áû íà êîíêðåòíûå îáñòîÿòåëüñòâà è öåëè. êíèãå çàäàþòñÿ âîïðîñû, êîòîðûå çàñòàâëÿþò çàäóìàòüñÿ î ñâîåé ëè÷íîñòè è î áóäóùåì, êîòîðîå âû âûáèðàåòå ñàìè. Àâòîð ïðèâîäèò ïðèìåðû òîãî, êàê ëþäè ïîëíîñòüþ ìåíÿëè ñâîþ æèçíü, õîòÿ êàçàëîñü, ÷òî îíà áûëà ïðåäîïðåäåëåíà îáñòîÿòåëüñòâàìè.Äëÿ êîãî ýòà êíèãà?Äëÿ òåõ, êòî õî÷åò ðàçâèâàòüñÿ è ñîâåðøåíñòâîâàòüñÿ âíå çàâèñèìîñòè îò âîçðàñòà è óðîâíÿ îáðàçîâàíèÿ. Äëÿ òåõ, êòî ãîòîâ ó÷èòüñÿ íîâîìó è ìåíÿòüñÿ â òå÷åíèå âñåé æèçíè. Äëÿ òåõ, êòî õî÷åò äîáèâàòüñÿ íîâûõ âûñîò â êàðüåðå è ëè÷íîé æèçíè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy T., A Laodicean — 2018 (Original)

Thomas Hardy (1840-1928) was an English novelist and poet. The daughter of a wealthy railway magnate, Paula Power inherits De Stancy Castle, an ancient castle in need of modernization. She commissions George Somerset, a young architect, to undertake the work. Somerset falls in love with Paula but she, the Laodicean of the title, is torn between his admiration and that of Captain De Stancy, whose old-world romanticism contrasts with Somerset's forward-looking attitude.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy T., Tess of the d Urbervilles. Stage 6 — 2016 (Oxford bookworms library) (Classics)

A pretty young girl has to leave home to make money for her family. She is clever and a good worker; but she is uneducated and does not know the cruel ways of the world. So, when a rich young man says he loves her, she is careful - but not careful enough. He is persuasive, and she is overwhelmed. It is not her fault, but the world says it is. Her young life is already stained by men's desires, and by death.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy-Gould J., Chocolate — 2011 (Oxford bookworms library) (Factfiles)

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. You can drink it, and you can cook with it. You can even make buildings, dresses, and hats out of it. You can give it to somebody as a present, or you can buy it for yourself. And of course you can eat it. Dark chocolate, milk chocolate, white chocolate, chocolates with gold on the outside - everybody loves chocolate. Follow its story, from the forests of Central America hundreds of years ago, through Africa, Europe, and the United States, to the growing markets of India and China. Perhaps you need a little something to eat while you read.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy-Gould J., Marco Polo and the Silk Road. stage 2(700 headwords) — 2010 (Oxford bookworms library) (Factfiles)

For a child in the great city of Venice in the thirteenth century, there could be nothing better than the stories of sailors. There were stories of strange animals, wonderful cities, sweet spices, and terrible wild deserts where a traveller could die. One young boy listened, waited, and dreamed. Perhaps one day his father and uncle would return. Perhaps he too could travel with them to great markets in faraway places. For young Marco Polo, later the greatest traveller of his time, a dangerous, exciting world was waiting...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy-Gould J., Deserts. stage 1(400 headwords) — 2009 (Oxford bookworms library) (Factfiles)

Look at a desert, and what do you see? Nothing much - just a hot, flat, dry place, with lots of sand, and no animals or people. But look again. There are deserts with mountains, and deserts with snow. There are millions of people - some live in towns, and some move across the desert all the time. There are plants that live for hundreds of years, and animals that can sleep for months under the ground, When you look closely, the desert is a wonderful place, full of exciting things...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy T., Far from the Madding Crowd. stage 5 — 2008 (Oxford Bookworms Library) (Classics)

Bathsheba Everdene is young, proud, and beautiful. She is an independent woman and can marry any man she chooses - if she chooses. In fact, she likes her independence, and she likes fighting her own battles in a man's world. But it is never wise to ignore the power of love. There are three men who would very much like to marry Bathsheba. When she falls in love with one of them, she soon wishes she had kept her independence. She learns that love brings misery, pain, and violent passions that can destroy lives...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

100 Favorite English and Irish Poems — 2006

Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bloom H., The Best Poems of the English Language — 2004

The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories from the Nineteenth Century — 2000 (Wordsworth classics)

Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of thegreat storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader.All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H.G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãàðäè Ò.,  êðàþ ëåñîâ. Òýññ èç ðîäà ä'Ýðáåðâèëëåé. ÷èñòàÿ æåíùèíà, ïðàâäèâî èçîáðàæåííàÿ. ðîìàíû. ïåðåâîäû ñ àíãëèéñêîãî. Èçáðàííûå ïðîèçâåäåíèÿ Òîì 2 — 1989

Âî âòîðîé òîì "Èçáðàííûõ ïðîèçâåäåíèé" Ò. Ãàðäè âêëþ÷åíû ðîìàíû: " êðàþ ëåñîâ" (1887) è "Òåññ èç ðîäà ä`Ýðáåðâèëëåé" (1891)

Ñîäåðæàíèå:  êðàþ ëåñîâ / ïåðåâîä À. Ñåðãååâà (ãë. I-XXV) è Ì. Ëèòâèíîâîé (ãë. XXVI-XLVIII); Òåññ èç ðîäà ä`Ýðáåðâèëëåé / ïåðåâîä À. Êðàâöîâîé; Êîììåíòàðèè Í. Äåìóðîâîé è Ì. Ãîðäûøåâñêîé

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãàðäè Ò., Âîçâðàùåíèå íà ðîäèíó. Ìýð Êýñòåðáðèäæà. Èñòîðèÿ ÷åëîâåêà ñ õàðàñòåðîì. ðîìàíû. ïåðåâîäû ñ àíãëèéñêîãî. Èçáðàííûå ïðîèçâåäåíèÿ Òîì 1 — 1988

 ïåðâûé òîì èçáðàííûõ ïðîèçâåäåíèé àíãëèéñêîãî ïèñàòåëÿ Òîìàñà Ãàðäè (1840—1928) âîøëè äâà ðîìàíà èç òàê íàçûâàåìîãî óýññåêñêîãî öèêëà: «Âîçâðàùåíèå íà ðîäèíó» (1878) à «Ìýð Êýñòåðáðèäæà» (1886)

Ñîäåðæàíèå: Òîìàñ Ãàðäè, ïðîçàèê è ïîýò / Í. Äåìóðîâà; Ðîìàíû: Âîçâðàùåíèå íà ðîäèíó / ïåðåâîä Î. Õîëìñêîé; Ìýð Êýñòåðáðèäæà / ïåðåâîä À. Êðèâöîâîé (ãë. I-VII) è Ì. Êëÿãèíîé-Êîíäðàòüåâîé (ãë. VIII-XLV); Êîììåíòàðèè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãàðäè Ò., Òýññ èç ðîäà ä—Ýðáåðâèëëåé. ×èñòàÿ æåíùèíà, ïðàâäèâî èçîáðàæåííàÿ. ðîìàí — 1987 (Êëàññèêè è ñîâðåìåííèêè. Çàðóáåæíàÿ ëèòåðàòóðà)

 ðîìàíå àíãëèéñêîãî ïèñàòåëÿ-ðåàëèñòà Òîìàñà Ãàðäè (1840—1928) «Òýññ èç ðîäà ä—Ýðáåðâèëëåé» (1891) ðàññêàçàíà èñòîðèÿ êðåñòüÿíêè, êîòîðóþ áîðüáà çà ñâîå ñ÷àñòüå ïðèâîäèò ê ïðåñòóïëåíèþ è ãèáåëè íà ýøàôîòå. Îáðàç Òýññ — îäèí èç ñàìûõ ïîýòè÷íûõ â àíãëèéñêîé ëèòåðàòóðå. Òîìàñ Ãàðäè âûäåëÿåòñÿ ñðåäè ïèñàòåëåé-ñîâðåìåííèêîâ ñòðàñòíîñòüþ è ãëóáèíîé ñîöèàëüíûõ îáëè÷åíèé, ãëóáîêèì äåìîêðàòèçìîì. Åãî òâîð÷åñòâî âûñîêî öåíèë Ì. Ãîðüêèé

Ñîäåðæàíèå: Èç ïðåäèñëîâèé àâòîðà ê ðîìàíó "Òýññ èç ðîäà ä—Ýðáåðâèëëåé" / ïåðåâîä È. Ãóðîâîé; Òýññ èç ðîäà ä—Ýðáåðâèëëåé / ïåðåâîä À. Êðèâöîâîé; Ïðèìå÷àíèÿ Ì. Ãîðäûøåâñêîé

Ïîäðîáíàÿ èíôîðìàöèÿ

The Christmas Reader — 1986

The wonderful anthology of verse and prose, short stories, reminiscences and diary entries, ranging from the traditional to the subversive, the whimsical to the sinister, the ironic to the tragic. Exquisitely illustrated with black and white drawings from many periods, The Christmas Reader is a perfect source-book for reading aloud to family and friends.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Hardy T., Jude the Obscure — 1984 (The Penguin English library)

In 1895 Hardy s final novel, the great tale of Jude The Obscure, sent shockwaves of indignation rolling across Victorian England. Hardy had dared to write frankly about sexuality and to indict the institutions of marriage, education, and religion. But he had, in fact, created a deeply moral work. The stonemason Jude Fawley is a dreamer; his is a tragedy of unfulfilled aims. With his tantalizing cousin Sue Bridehead, the last and most extraordinary of Hardy s heroines, Jude takes on the world and discovers, tragically, its brutal indifference. The most powerful expression of Hardy's philosophy, and a profound exploration of man's essential loneliness, Jude The Obscure is a great and beautiful book. His style touches sublimity.

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of English Verse — 1983

The penguin book of english verse.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ