Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé
Ïðîñòîé ïîèñê
Ðàñøèðåííûé ïîèñê
Ïðîñòîé ïîèñê
Ðàñøèðåííûé ïîèñê
Íàéäåíî ïå÷àòíûõ èçäàíèé: 117
Ïîèñêàòü êíèãè â ýëåêòðîííîì âèäå
2014
Ïàâëåíêî Á.Ì., Çîëîòûå õèòû ïîä ãèòàðó : Áåçíîòíûé ìåòîä îáó÷åíèÿ — 2014 (Ëþáèìûå ìåëîäèè)
Ñîäåðæàíèå: Ãðóïïà êðîâè: Ìè ìèíîð, Ïåðåìåí!: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Êèíî" / Â. Öîé; ×òî òàêîå îñåíü: Ìè ìèíîð, Ïðîñâèñòåëà: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "ÄÄÒ" / Þ. Øåâ÷óê; Áåñïå÷íûé àíãåë: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Àðèÿ" / Golden Earring, Ñë. Ì. Ïóøêèíîé; Ïîòåðÿííûé ðàé: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Àðèÿ" / Ñ. Òåðåíòüåâ, Ñë. Ì. Ïóøêèíîé; ß ñâîáîäåí: Ìè ìèíîð: èç ðåïåðòóàðà Âàëåðèÿ Êèïåëîâà / Â. Êèïåëîâ, Ñë. Ì. Ïóøêèíîé è Â. Êèïåëîâà; ß õî÷ó áûòü ñ òîáîé: Ëÿ ìèíîð. Êðûëüÿ: Ìè ìèíîð: èç ðåïåðòóàðà Â. Áóòóñîâà / Â. Áóòóñîâ, Ñë. È. Êîðìèëüöåâà; Äåâóøêà ïî ãîðîäó: Ëÿ ìèíîð / Â. Áóòóñîâ; Ñêàæè: Ñè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Ñïëèí" / À. Âàñèëüåâ; Ãîðüêî!: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Àëèñà" / Ê. Êèí÷åâ; Ïîêà-ïîêà: Ñîëü ìèíîð: èç ðåïåðòóàðà ãðóïïû "Àãàòà Êðèñòè" / Ã. Ñàìîéëîâ; Öâåòû: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Òàíöû ìèíóñ" / Â. Ïåòêóí; Êàòìàíäó: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Êðåìàòîðèé" / À. Ãðèãîðÿí; Ìîñò ÷åðåç âå÷íîñòü: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Ïèëîò" / È. ×åðò; Ðàéîíû-êâàðòàëû: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Çâåðè" / Ð. Áèëûê; Ìàñêà: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Êîðîëü è Øóò" / Ì. Ãîðøåíåâ, Ñë. À. Êíÿçåâà; Äåìîáèëèçàöèÿ: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Ñåêòîð Ãàçà" / Þ. Êëèíñêèõ; Ñî÷è: Ñîëü ìèíîð: èç ðåïåðòóàðà ãðóïïû "Ëÿïèñ Òðóáåöêîé" / Ñ. Ìèõàëê; Yesterday: (Â÷åðà): Äî ìàæîð: èç ðåïåðòóàðà ãðóïïû "Beatles" ("Áèòëç") / Äæ. Ëåííîí; Love me Òender (Ëþáè ìåíÿ íåæíî): Ñîëü ìàæîð: èç ðåïåðòóàðà Ý. Ïðåñëè / Ý. Ïðåñëè è Â. Ìýòñîí; Ïîâîðîò: Ëÿ ìàæîð. Çà òåõ, êòî â ìîðå: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Ìàøèíà âðåìåíè" / À. Ìàêàðåâè÷; Äûì ñèãàðåò ñ ìåíòîëîì: Ëÿ ìèíîð: èç ðåïåðòóàðà ãðóïïû "Íåíñè" / À. Áîíäàðåíêî, Ñë. À. Êîñòåíêî; Ïîçîâè ìåíÿ òèõî ïî èìåíè: Ìè ìèíîð: èç ðåïåðòóàðà ãðóïïû "Ëþáý": èç òåëåñåðèàëà "Óáîéíàÿ ñèëà" / È. Ìàòâèåíêî, Ñë. Â. Ïåëåíÿãðÿ; Çèìíèé ñîí: Ìè ìèíîð: èç ðåïåðòóàðà Àëñó / À. Øåâ÷åíêî; Êîãäà âåñíà ïðèäåò: Ìè ìèíîð: èç êô "Âåñíà íà Çàðå÷íîé óëèöå" / Á. Ìîêðîóñîâ, Ñë. À. Ôàòüÿíîâà; Ñòàðûé êëåí: Ìè ìèíîð: èç êô "Äåâ÷àòà" / À. Ïàõìóòîâà, Ñë. Ì. Ìàòóñîâñêîãî; Òðè ãîäà òû ìíå ñíèëàñü: Ëÿ ìèíîð: èç ðåïåðòóàðà Ì. Áåðíåñà / Í. Áîãîñëîâñêèé, Ñë. À. Ôàòüÿíîâà; Ñòàðàÿ ìåëüíèöà: Ìè ìèíîð: èç ðåïåðòóàðà È. Íèêîëàåâà / È. Íèêîëàåâ, Ñë. Ï. Æàãóíà; Ìàëèíîâûé çâîí: Ðå ìèíîð / À. Ìîðîçîâ, Ñë. À. Ïîïåðå÷íîãî; Âñå äëÿ òåáÿ!: Ìè ìèíîð: èç ðåïåðòóàðà Ñ. Ìèõàéëîâà / Ñ. Ìèõàéëîâ; Ñíåãèðè: Ìè ìèíîð: èç ðåïåðòóàðà Ñ. Òðîôèìîâà / Ñ. Òðîôèìîâ; Âåçè ìåíÿ, èçâîç÷èê!: Ëÿ ìèíîð: èç ðåïåðòóàðà À. Íîâèêîâà / À. Íîâèêîâ; Êàê çäîðîâî: Ëÿ ìèíîð: èç ðåïåðòóàðà Î. Ìèòÿåâà / Î. Ìèòÿåâ; Âèíîãðàäíàÿ êîñòî÷êà: Ëÿ ìèíîð: èç ðåïåðòóàðà Á. Îêóäæàâû / Á. Îêóäæàâà; Äîìîâîé: Ëÿ ìèíîð: Øóòî÷íàÿ ïåñíÿ: íåèçâ. àâò.; ß ïîìíþ òîò âàíèíñêèé ïîðò: Ðå ìèíîð: ìóç è ñë.: íàð.; Òåìíàÿ íî÷ü: Ëÿ ìèíîð: èç êô "Äâà áîéöà" / Í. Áîãîñëîâñêèé, Ñë. Â. Àãàòîâà; ß âñòðåòèë âàñ: Ñîëü ìèíîð: Ðîìàíñ / Ìóç. íåèçâ. àâò. Ñë. Ô. Òþò÷åâà,
2014
Ãîëäñòîóí Ä., Ïî÷åìó Åâðîïà? — 2014
Àííîòàöèÿ:  Ðîññèè ñòàëè ÷àùå îáû÷íîãî ïîìèíàòü Åâðîïó.Íå îòäåëüíî âçÿòûå ñòðàíû èëè ëþäåé, íî Åâðîïó êàê öåëîñòíîñòü.Îò ìèíèñòðà êóëüòóðû ñëûøèì:ìîë,Ðîññèÿ íå Åâðîïà,ó íå¸ îñîáûé ïóòü è îòäåëüíûå öåííîñòè.Ðóññêèå èíòåëëèãåíòû ëîãè÷íî èçóìèëèñü:äà îò÷åãî æå ó íàñ äîëæíû áûòü êàêèå-òî îñîáåííûå îòäåëüíûå öåííîñòè?Äëÿ ñîòåí ãðàæäàí Óêðàèíû âîïðîñ áûòü åé ñ Åâðîïîé èëè ñ îñîáåííûìè öåííîñòÿìè ñòàë ïðè÷èíîé ÷óäîâèùíîé ãèáåëè.Âûðàæåíèå «åâðîïåéñêèå öåííîñòè» ñòàëî òàêîé æå ïðîïàãàíäèñòñêîé ëîæüþ,êàê ïðåæäå-«èìïåðèÿ çëà». Àáñòðàêòíûé íàáîð çâóêîâ,êàê âñòàðü,ñîòðÿñàåò âîçäóõ è óíîñèò æèçíè êîíêðåòíûõ èç ïëîòè è êðîâè ëþäåé.È âñ¸-òàêè,ïî÷åìó,êàìåíü ïðåòêíîâåíèÿ,íàïðèìåð,íå "àìåðèêàíñêèå öåííîñòè"?Íå ÿïîíñêèå èëè,÷òî àêòóàëüíåå, êèòàéñêèå?Ñîöèîëîã è èñòîðèê Äæåê Ãîëäñòîóí îáúÿñíèë,÷òî åù¸ äâà âåêà íàçàä âîïðîñ ïðîèñõîæäåíèÿ è âîñòðåáîâàííîñòè öåííîñòåé âîâñå íå áûë î÷åâèäíûì.Ñ åãî òî÷êè çðåíèÿ, âîçâûøåíèå Åâðîïû â ðåçóëüòàòå ñòå÷åíèÿ èñòîðè÷åñêèõ îáñòîÿòåëüñòâ ÿâëåíèå,ñêîðåå âñåãî,âðåìåííîå.Åâðîïåéñêèå ðåöåïòû óæå äàâíî òâîð÷åñêè ïåðåðàáîòàíû,òàê ÷òî ÷åðåç êîðîòêèé ïðîìåæóòîê âðåìåíè ïðîãðåññèâíûå ãîëîâû ïîâåðíóòñÿ ñîâñåì â èíîì íàïðàâëåíèè.È ìèð ïîéä¸ò èíûì ïóò¸ì.Ñ ëþáåçíîãî ðàçðåøåíèÿ èçäàòåëüñòâà Èíñòèòóòà Ãàéäàðà,ìû ïóáëèêóåì îòðûâîê èç êíèãè «Ïî÷åìó Åâðîïà?...»
2014
Ãîëäñóîðòè À., Ïàäåíèå Çàïàäà. ìåäëåííàÿ ñìåðòü Ðèìñêîé èìïåðèè — 2014
Àííîòàöèÿ: Ðèìñêàÿ èìïåðèÿ íå ïàëà â îäíî÷àñüå, ïîä êîïüÿìè âàðâàðîâ â 476 ã. — îêîí÷àòåëüíûé êîëëàïñ çíàìåíîâàë ñîáîé ëèøü ôèíàëüíóþ ñöåíó ìíîãîëåòíåé òðàãåäèè.Ïî ìíåíèþ Àäðèàíà Ãîëäñóîðòè, ïåðâûå ïðèçíàêè ðàçëîæåíèÿ èìïåðèè ïîÿâèëèñü óæå ïðè ïðîñâåù¸ííîì ïðàâëåíèè «èìïåðàòîðà-ôèëîñîôà» Ìàðêà Àâðåëèÿ.î ïî÷åìó ïðîöåññ ðàçðóøåíèÿ íå îñòàíîâèëñÿ? È ÷òî ïîñëóæèëî ïðè÷èíîé ãèáåëè ãîñóäàðñòâà — áåçäàðíîñòü èìïåðàòîðîâ, ñìåíà ðåëèãèè, âñåñèëüíàÿ êîððóïöèÿ, ñòðàõ ïîçäíåðèìñêèõ ïðàâèòåëåé ïåðåä ñîöèàëüíûìè ðåôîðìàìè? ïîèñêàõ îòâåòîâ íà ýòè âîïðîñû Àäðèàí Ãîëäñóîðòè ïðèâëåêàåò ñàìûå ñîâðåìåííûå íàõîäêè èññëåäîâàòåëåé èñòîðèè ïîçäíåãî Ðèìà — ñâèäåòåëüñòâà êàê äîêóìåíòàëüíûå, òàê è àðõåîëîãè÷åñêèå
2013
Goldstein Ì., Un mariage et cinq celibataires — 2013
Àííîòàöèÿ: Beth Evans a vu les choses en grand : elle organise un somptueux mariage dans la baie de Chesapeake. Tenue correcte exigee et cavalier de mise. Pourtant Hannah, Vicki, Rob, Joe et Nancy font savoir qu—ils ne viendront pas accompagnes a la reception, pour cause de— celibat. Ces joyeux trouble-fetes vont faire contre mauvaise fortune bon c?ur, retrouver leurs amis, boire a outrance, se dehancher sur la piste de danse, et se montrer indifferents a la pression sociale qui pousse leurs amis a se marier et a fonder une famille. Ces celibataires a la derive — dans leur vie comme sur le plan de table —, vont se reveler de loin les convives les plus attachants—
2011
Goldstein B., English unlimited. C1. advancedself-study pack (Workbook with DVD-ROM) — 2011 (Cambridge)
Àííîòàöèÿ: English Unlimited is a six-level goals-based course for adults. Centred on purposeful, real-life objectives, it prepares learners to use English independently for global communication. Through universal topics and activities, and a focus on intercultural competence as a 'fifth skill', this international coursebook helps learners become more sensitive, more effective communicators. Teaching natural, dependable language, and with CEF goals at its core, it brings real life into the classroom and gives learners the skills and strategies to communicate confidently outside it. Explore sections provide the extra ingredients for enhancing communicative ability, from further development of speaking skills to independent learning strategies. The e-Portfolio DVD-ROM enables learners to create a 'can-do' record of their work and progress. It also provides reference tools and a vocabulary trainer.
2010
2009
Ãîëüäîíè Ê., Èìïðåñàðèî èç Ñìèðíû — 2009
Àííîòàöèÿ: Ýòà êíèãà çíàêîìèò ñ ïüåñîé âåëèêîãî èòàëüÿíñêîãî äðàìàòóðãà Êàðëî Ãîëüäîíè - "Èìïðåñàðèî èç Ñìèðíû", - âïåðâûå ïåðåâåäåííîé íà ðóññêèé ÿçûê Ãåííàäèåì Êèñåëåâûì. Òåïåðü ðóññêîÿçû÷íûé ÷èòàòåëü ñìîæåò ïî äîñòîèíñòâó îöåíèòü ýòî ñî÷èíåíèå, íàïîëíåííîå ñòðàñòüþ, îòêðîâåííûìè øóòêàìè è ëþáîâüþ - ê ëþäÿì íà ïîäìîñòêàõ è â çðèòåëüíîì çàëå. Äâà èçâåñòíûõ ôèëîëîãà - Êàðìåëî Àëüáåðòè è Ìèõàèë Àíäðååâ â ñâîèõ ñòàòüÿõ ïèøóò î ðîëè, êîòîðóþ Êàðëî Ãîëüäîíè ñûãðàë â èñòîðèè ðàçâèòèÿ åâðîïåéñêîãî òåàòðà.
2008
Goldman M., Oilopoly. Putin, power and the rise of the new Russia — 2008
Àííîòàöèÿ: Financially crippled and besieged by political crises following the fall of the Soviet Union, it looked as if Russia's days as a superpower had come and gone. That it should recover and go on to accumulate the world's third-largest holdings of foreign currency reserves in less than a decade is thing short of an ecomic miracle. Oilopoly is the riveting tale of this dramatic resurgence, bringing to light the far-reaching and politically troubling implications of Russia's new-found dominance in global energy markets. A story of oil and gas, corruption and naked power, Oilopoly traces the rise of the Russian oil ecomy from its origins in the nineteenth century right through to Vladimir Putin's determined efforts to rein in the oil oligarchs, re-nationalize Russia's industries, and pay off its international debt. Charting Putin's astounding success in transforming the country into the world's largest oil producer, Marshall Goldman argues that Russia has rapidly evolved into a new breed of
2005
Golden A., Memoirs of a Geisha — 2005
Àííîòàöèÿ: According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume-it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia-and an M.A. in English-he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.
2004
Goldsworthy A. K., In the name of Rome. the men who won the Roman Empire — 2004
Àííîòàöèÿ: Adrian Goldsworthy has received wide acclaim for his exceptional writing on the Roman Empire--including high praise from the acclaimed military historian and author John Keegan-- and here he offers a new perspective on the Empire by focusing on its greatest generals, including Scipio Africanus, Marius, Pompey, Caesar, and Titus. Each chapter paints a fascinating portrait of a single general, offering in-depth insight into his leadership skills and victories, as well as each one's pioneering strategies, many of which are still used today. In the process, this absorbing, reader-friendly history tells the complete story of Roman warfare, from the bitter struggle with Carthage in the third century BC to the last desperate attempt to win back the Western Empire in the sixth century AD. The Roman army was one of the most effective fighting forces in history.
2003
Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)
Àííîòàöèÿ: Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ, Äæåðîì Ê. Äæåðîì, Àðòóð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.
2001
2001
Ãîëäèíã Ó., Äâîéíîé ÿçûê. ðîìàí — 2001 (Çàðóáåæíàÿ ïðîçà XX âåêà)
Àííîòàöèÿ: "Äâîéíîé ÿçûê" - ïîñëåäíåå ïðîèçâåäåíèå Óèëüÿìà Ãîëäèíãà. Ïðîèçâåäåíèå îáìàí÷èâî "èñòîðè÷íîå", îáìàí÷èâî "óïðîùåííîå äëÿ âîñïðèÿòèÿ". Îäíàêî èñòîðèÿ äåëüôèéñêîé ïèôèè, áîëåçíåííî è îñòðî ïûòàþùåéñÿ îñîçíàòü ñâîå ìåñòî â ìèðå è ñâîé ïóòü âî âðåìåíè è ïðîñòðàíñòâå, ïðèòÿãèâàåò ÷èòàòåëÿ òî÷íî ñòðàííûé ìàãíèò. Ïðèòÿãèâàåò - è óäåðæèâàåò â ìèêðîêîñìå òåêñòà. Ïîòîìó ÷òî - ìîæåò, è åñòü ïðîðîêè â ñâîåì îòå÷åñòâå, íî æðåáèé ïðèçíàííûõ - òÿæåëåå ñóäüáû ãîíèìûõ...
1998
1998
1997
1997
Golden A., Memoirs of a Geisha — 1997
Àííîòàöèÿ: In this literary tour de force, novelist Arthur Golden enters a remote and shimmeringly exotic world. For the protagonist of this peerlessly observant first novel is Sayuri, one of Japan's most celebrated geisha, a woman who is both performer and courtesan, slave and goddess. We follow Sayuri from her childhood in an impoverished fishing village, where in 1929, she is sold to a representative of a geisha house, who is drawn by the child's unusual blue-grey eyes. From there she is taken to Gion, the pleasure district of Kyoto. She is nine years old. In the years that follow, as she works to pay back the price of her purchase, Sayuri will be schooled in music and dance, learn to apply the geisha's elaborate makeup, wear elaborate kimono, and care for a coiffure so fragile that it requires a special pillow
1996
Golding W., Lord of the Flies — 1996
Àííîòàöèÿ: William Golding's compelling story about a group of very ordinary small boys marooned on a coral island has become a modern classic. At first, it seems as though it's all going to be great fun; but the fun before long becomes furious and life on the island turns into a nightmare of panic and death. As ordinary standards of behavior collapse, the whole world the boys know collapses with them - the world of cricket and homework and adventure stories - another world is revealed beneath, primitive and terrible. Lord of the Flies remains as provocative today as when it was 1st published in 1954, igniting passionate debate with its startling, brutal portrait of human nature. Though critically acclaimed, it was largely ignored upon its initial publication. Yet soon it became a cult favorite among both students and literary critics who compared it to J.D. Salinger's "The Catcher in the Rye" in its influence on modern thought and literature. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies has established itself as a classic.
1990
XIe-XIVe siecles. Art FMR Section 4. Tome I — 1990
Ñîäåðæàíèå: Le voile se d™chire / Georges Duby; Le Divisament dou monde. Marco des Merveilles / Cesare Segre; Reliquaires. Les corps ™loquents / Bella Bessard, Giovanni Mariotti; Les chim˜res de Notre-Dame. L—ombre des monstres / Salomon Resnik; La Haggadah de Barcelone. La nuit du pain azyme / David Goldstein; Aquamaniles. L—art et l—eau / Peter Bloch, Giorgio Manganelli; Le Livre des animaux. Mille et une bštes / Erminio Caprotti; La chapelle des Scrovegni. Optime pinxit Giottus / Giorgio Bonsanti; Le manuscrit des Manesse. El™gances courtoises / Ewald M. Vetter, Maria Vittoria Molinari, Peter Wapnewski; Le triptyque des Embriachi Venite, adoremus / Gian Alberto Dell—Acqua, Jean de Hildesheim; Andrea Pisano. Le mažtre de la porte / Enzo Carli; Liber astrologiae. Le miroir des astres / Marie-Th™r˜se Gousset, El™mire Zolia; Benedetto Antelami. L—almanach paysan / Arturo Carlo Quintavalle; Annexes
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