Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Nasreddin Ten Stories. Level 5 — 2007 (Early reads)

Nasreddin does and says some strange things. Why does he look for his key in the garden when he lost it in the house? Why does he weigh his cat? Why does he invite a beggar onto his roof? But perhaps Nasreddin is cleverer than we first think! Read this collection of ten amusing stories and decide

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Gascoigne J., The story of popular music — 2006 (Easyread. Level 2)

Learn about the most important musical styles in Europe and North America from the middle ages to today. Read about the history of the minstrels and troubadours, ragtime music, jazz, blues, rock, pop, rap, grunge and many more. It—s all here.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèé ñîíåò XVI-XIX âåêîâ — 1990

Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Ñîäåðæàíèå: Àâò.: Ò. Óàéåò, Ã. Ã. Ñåððåé, Ä. Ãàñêîéí, Äæ. Ôëåò÷åð-ñòàðøèé, Ý. Ñïåíñåð, Ó. Ðýëè, Ô. Ñèäíè, Ô. Ãðåâèëë, Ä. ×àïìåí, ×. Áåñò è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of English Verse — 1983

The penguin book of english verse.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Medieval and Renaissance Poets. Langland to Spenser — 1978 (Poets of the English Language)

The poetry in this volume represents that portion of the great poetry of Christendom that was written in English--at first in Middle English, but soon in our own tongue--from the fourteenth century through most of the sixteenth. Its beginnings in the Middle Ages have special meaningfulness for us today, when we are beset by the need to rediscover the unity that was then felt between man and society, feeling and intellect. In the development of allegory, particularly, we find one of its characteristic modes. Following on through these wide-ranging selections, we get an illuminating view of the pre-Shakespearean poetic temper, when verse was universally the popular medium for instruction and entertainment. In addition to Auden s brilliant introduction to the period, this volume contains a helpful guide to the poems in Middle English, and footnote glossaries of unfamiliar words.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ãàñêîéí Á., Âåëèêèå Ìîãîëû. ïîòîìêè ×èíãèñõàíà è Òàìåðëàíà — 2010 (Çàãàäêè äðåâíèõ íàðîäîâ)

 êíèãå ïîäðîáíî ðàññêàçûâàåòñÿ î ìíîãîâåêîâîì ïðàâëåíèè â Èíäèè îäíîé èç ñàìûõ èíòåðåñíûõ ìèðîâûõ äèíàñòèé - Âåëèêèõ Ìîãîëàõ, òþðêàõ, â ÷üèõ æèëàõ òåêëà êðîâü ×èíãèñõàíà, ïðè êîòîðûõ èìïåðèÿ äîñòèãëà çåíèòà ìîãóùåñòâà. Àâòîð, ïîëüçóÿñü ñâèäåòåëüñòâàìè õðîíèê, äíåâíèêàìè âëàñòèòåëåé, çàïèñÿìè äèïëîìàòîâ, óâëåêàòåëüíî ïîâåñòâóåò î öèâèëèçàöèè, â êîòîðîé ïåðåïëåëèñü ìóñóëüìàíñêèå òðàäèöèè, ðîñêîøü Ïåðñèè è óòîí÷åííîñòü èíäèéñêîé êóëüòóðû.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ