Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Orhester-Parade. [Âûï. 2]: Moon River — [1983]

Ñîäåðæàíèå: Sunny; Chanson d'amour; Trumpet Blues; Guantanamera; Winchester Cathedral; Summertime; Popcorn; Blueberry Hill; Indian Lady; Moon River è äð.

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Jubileum Benko Dixieland Band — [1979]

Ñîäåðæàíèå: Tin Roof Blues / W. Melrose - L. Roppolo. Ñoney Island Washboard / W.H. Durand. Ja Da / B. Carleton. Red Lady / P. Laine. I Can't Give You Anything But Love My Baby / J. McHugh - D. Fields. St.James Infirmary Blues / J. Primrose. Edison And The Chewing Gum / J. Nagy

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Ôèëä Ä., 18 íîêòþðíîâ äëÿ ôîðòåïèàíî. ñîñòàâëåíèå, ðåäàêöèÿ è ïðåäèñëîâèå Ô. Ëèñòà. [ïåðåâîä ñ àíãëèéñêîãî, ìóçûêàëüíûé ðåäàêòîð è íîòîãðàôèê À. Ñêðèïêî] — 2022

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Ïîäðîáíàÿ èíôîðìàöèÿ

Ôèëäèíã Õ., Äíåâíèê Áðèäæèò Äæîíñ — 2019 (Ñîâðåìåííûé áåñòñåëëåð: áèëèíãâà)

 ýòîì èçäàíèè ÷èòàòåëÿì ïðåäëàãàþòñÿ íåàäàïòèðîâàííûé îðèãèíàëüíûé òåêñò è êëàññè÷åñêèé ïåðåâîä ïåðâîãî ðîìàíà Õåëåí Ôèëäèíã î ïðèêëþ÷åíèÿõ íåïðåäñêàçóåìîé Áðèäæèò Äæîíñ."Äíåâíèê Áðèäæèò Äæîíñ" áûë ïðèçíàí Ëó÷øåé êíèãîé Âåëèêîáðèòàíèè (1998) è áûñòðî çàâîåâàë ïîïóëÿðíîñòü âî âñåì ìèðå, âåäü ÷óâñòâà è ðàçìûøëåíèÿ ãåðîèíè ïîíÿòíû è ñîçâó÷íû ìèëëèîíàì æåíùèí!Íåóíûâàþùàÿ Áðèäæèò Äæîíñ ðåøàåò âçÿòü æèçíü â ñâîè ðóêè è íåâåðîÿòíî èñêðåííå è çàáàâíî ïèøåò î òîì, êàê îíà ïûòàåòñÿ ïðåóñïåòü, ïîõóäåòü, íàéòè ïîäõîäÿùåãî ìóæ÷èíó è âîîáùå ñòàòü óâåðåííîé â ñåáå,óñïåøíîé è— ñ÷àñòëèâîé. ×òåíèå ðîìàíà â îðèãèíàëå ïîçâîëèò çíà÷èòåëüíî óñîâåðøåíñòâîâàòü çíàíèå àíãëèéñêîãî,à ïåðåâîä íà ðóññêèé ÿçûê ïîìîæåò ðàçðåøèòü âîçíèêàþùèå ïî õîäó ÷òåíèÿ âîïðîñû è òðóäíîñòè.Äëÿ óãëóáëåíèÿ çíàíèé àíãëèéñêîãî è îáëåã÷åíèÿ ïîíèìàíèÿ òåêñòà ïðåäëàãàþòñÿ óïðàæíåíèÿ è êîììåíòàðèè.Êíèãà áóäåò èíòåðåñíà è ïîëåçíà âñåì, êòî çíàåò è èçó÷àåò àíãëèéñêèé ÿçûê ñ ïðåïîäàâàòåëåì èëè ñàìîñòîÿòåëüíî.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Fielding H., Amelia. part I — 2018

Henry Fielding (1707 - 1754) was an English novelist and dramatist known for his rich, earthy humour and satirical prowess. "Amelia" is a sentimental novel of a young couple's struggles against adversity. It tells a story of Amelia and Captain William Booth after they are married. The novel contains many allusions to classical literature and focuses on the theme of marriage and feminine intelligence.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Fielding H., Bridget Jones s baby. The diaries — 2016

Before motherhood, before marriage, Bridget, with biological clock ticking very, very loudly, finds herself unexpectedly pregnant at the eleventh hour: a joyful pregnancy which is dominated, however, by a crucial but terribly awkward guestion - who is father?

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Ïîäðîáíàÿ èíôîðìàöèÿ

Fielding H., Bridget Jones s baby — 2016

Before motherhood, before marriage, Bridget, with biological clock ticking very, very loudly, finds herself unexpectedly pregnant at the eleventh hour: a joyful pregnancy which is dominated, however, by a crucial but terribly awkward guestion - who is father?

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13 great horror stories. ñomplete and unabridged — 2010 (English)

 êíèãó âîøëè òðèíàäöàòü òùàòåëüíî îòîáðàííûõ ðàññêàçîâ-òðèëëåðîâ ïîïóëÿðíûõ àíãëèéñêèõ è àìåðèêàíñêèõ àâòîðîâ. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è æåëàþùèõ óñîâåðøåíñòâîâàòüñÿ â íåì.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Field M., Improve Your Written English. master the essentials of grammar, punctuation and spelling and write with greater confidence — 2009

Written in short, accessible sections, this book explains the basics of writing good English. It includes punctuation, sentence construction and spelling. You will learn how to adopt different tasks, such as writing a report, essay or short story. There are also chapters on letter writing, filling in forms and constructing job applications.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Ñáîðíèê ðàññêàçîâ àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé. (àäàïòèðîâàíî) — 2001 (Àäàïòèðîâàííîå ÷òåíèå íà àíãëèéñêîì ÿçûêå äëÿ øêîëüíèêîâ)

Ñáîðíèê ñîäåðæèò àäàïòèðîâàííûå ðàññêàçû àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé î äåòÿõ è ïîäðîñòêàõ, èõ øêîëüíîé æèçíè, äðóæáå è îòíîøåíèÿõ ñ ðîäèòåëÿìè.

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Fielding H., Bridget Jones: The Edge of Reason — 1999

The Wilderness Years are over! But not for long. At the end of "Bridget Jones's Diary", Bridget hiccuped off into the sunset with man-of-her-dreams Mark Darcy. Now, in "The Edge of Reason", she discovers what it is like when you have the man of your dreams actually in your flat and he hasn't done the washing-up, not just the whole of this week, but ever.Lurching through a morass of self help-book theories and mad advice from Jude and Shazzer, struggling with a boyfriend-stealing ex friend with thighs like a baby giraffe, an 8ft hole in the living-room wall, a mother obsessed with boiled-egg peelers, and a builder obsessed with large reservoir fish, Bridget embarks on a spiritual epiphany, which takes her from the cappuccino queues of Netting Hill to the palm- and magic-mushroom-kissed shores of...

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Ïîäðîáíàÿ èíôîðìàöèÿ

Fielding H., Tom Jones. level 6 — 1999

Tom Jones isn't a bad guy, but boys just want to have fun. Nearly two and a half centuries after its publication, the adventures of the rambunctious and randy Tom Jones still makes for great reading. I'm not in the habit of using words like bawdy or rollicking, but if you look them up in the dictionary, you should see a picture of this book. Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury Tom Jones is widely regarded as one of the first and most influential English novels. It is certainly the funniest. Tom Jones, the hero of the book, is introduced to the reader as the ward of a liberal Somerset squire. Tom is a generous but slightly wild and feckless country boy with a weakness for young women. Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Fielding H., Bridget Jones s Diary. a novel — 1997

In the course of the year recorded in Bridget Jones's Diary, Bridget confides her hopes, her dreams, and her monstrously fluctuating poundage, not to mention her consumption of 5277 cigarettes and "Fat units 3457 (approx.) (hideous in every way)." In 365 days, she gains 74 pounds. On the other hand, she loses 72! There is also the unspoken New Year's resolution-the quest for the right man. Alas, here Bridget goes severely off course when she has an affair with her charming cad of a boss. But who would be without their e-mail flirtation focused on a short black skirt? The boss even contends that it is so short as to be nonexistent.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Fielding H., Bridget Joness Diary — 1996

In the course of the year recorded in Bridget Jones's Diary, Bridget confides her hopes, her dreams, and her monstrously fluctuating poundage, not to mention her consumption of 5277 cigarettes and "Fat units 3457 (approx.) (hideous in every way)." In 365 days, she gains 74 pounds. On the other hand, she loses 72! There is also the unspoken New Year's resolution-the quest for the right man. Alas, here Bridget goes severely off course when she has an affair with her charming cad of a boss. But who would be without their e-mail flirtation focused on a short black skirt? The boss even contends that it is so short as to be nonexistent

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Ïîäðîáíàÿ èíôîðìàöèÿ

Îò ôàêòà ê âûìûñëó — 1987

 ñáîðíèê âîøëè îïèñàíèÿ êàê ïîäëèííûõ,òàê è âûìûøëåííûõ ïóòåøåñòâèé,ïðèíàäëåæàùèå ïåðó èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé XVIII âåêà:Ä.Äåôî,Ã.Ôèëäèíãà,Ì.Ìîíòýãþ,Ë.Ñòåðíà è äð.Îíè çíàêîìÿò ÷èòàòåëåé ñ áûòîì è íðàâàìè Áðèòàíèè,Ôðàíöèè,Ãåðìàíèè,Àâñòðèè,Òóðöèè è äð.ñòðàí â XVIII âåêå è äàþò ïðåäñòàâëåíèå î ðàçâèòèè ëèòåðàòóðíûõ âêóñîâ è ñòèëåé ýïîõè.Èçäàíèå ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì è êîììåíòàðèÿìè ê òåêñòó

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From Fact to Fiction — 1987

 ñáîðíèê âîøëè îïèñàíèÿ êàê ïîäëèííûõ, òàê è âûìûøëåííûõ ïóòåøåñòâèé, ïðèíàäëåæàùèõ ïåðó èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé XVIII âåêà. Îíè çíàêîìÿò ÷èòàòåëåé ñ áûòîì è íðàâàìè Áðèòàíèè, Ôðàíöèè, Ãåðìàíèè, Àâñòðèè, Òóðöèè è äð. ñòðàí â XVIII âåêå è äàþò ïðåäñòàâëåíèå î ðàçâèòèè ëèòåðàòóðíûõ âêóñîâ è ñòèëåé ýïîõè. Èçäàíèå ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì è êîììåíòàðèÿìè ê òåêñòó.

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Ïîäðîáíàÿ èíôîðìàöèÿ

From Fact to Fiction — 1987

 ñáîðíèê âîøëè îïèñàíèÿ êàê ïîäëèííûõ, òàê è âûìûøëåííûõ ïóòåøåñòâèé, ïðèíàäëåæàùèå ïåðó àíãëèéñêèõ ïèñàòåëåé XVIII âåêà: Äåôî, Ôèëäèíãà, Ìîíòýãþ, Ñòåðíà è äð. Îíè çíàêîìÿò ÷èòàòåëÿ ñ áûòîì è íðàâàìè Áðèòàíèè, Ôðàíöèè, Ãåðìàíèè, ðàçâèòèè ëèòåðàòóðíûõ âêóñîâ è ñòèëåé ýïîõè.

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Ïîäðîáíàÿ èíôîðìàöèÿ

The Idea of Literature. The Foundations of English Criticism — 1979

Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

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Fielding H., Joseph Andrews — 1977 (The Penguin English Library)

Joseph Andrews refuses Lady Booby's advances, she discharges him, and Joseph and his old tutor, Parson Adams (one of the great comic figures of literature), sets off to visit his sweetheart, Fanny. Along the way, they meet with a series of adventures in which, through their own innocence and honesty, they expose the hypocrisy and affectation of others.

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Ïîäðîáíàÿ èíôîðìàöèÿ