Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ïîñëåäíèé «àâòîáèîãðàôè÷åñêèé» ðîìàí Ýëèîò «Ñàéëåñ Ìàðíåð: Òêà÷ èç Ðàâåëëà » - càìûé ïðåäìåòíûé èç åå «ñåëüñêèõ» ðîìàíîâ, ãåðîè êîòîðîãî æèâóò óáåäèòåëüíîé â ãëàçàõ ÷èòàòåëÿ æèçíüþ, èõ îêðóæàåò êîíêðåòíûé, óçíàâàåìûé ìèð

Àííîòàöèÿ: Âûøåäøèé â 1859 ðîìàí «Àäàì Áèä», íåîáûêíîâåííî ïîïóëÿðíûé è, âîçìîæíî, ëó÷øèé ïàñòîðàëüíûé ðîìàí â àíãëèéñêîé ëèòåðàòóðå, âûâåë Ýëèîò â ïåðâûé ðÿä âèêòîðèàíñêèõ ðîìàíèñòîâ.  «Àäàìå Áèäå» Äæîðäæ Ýëèîò ïèñàëà î âðåìåíàõ þíîñòè ñâîåãî îòöà (Àíãëèÿ êîíöà XVIII âåêà)

Àííîòàöèÿ: Ñîáðàíèå ñî÷èíåíèé àíãëèéñêîé ïèñàòåëüíèöû Äæîðäæ Ýëèîò (íàñòîÿùåå èìÿ Ìýðè Ýíí Ýâàíñ)

Àííîòàöèÿ: Ïåðåâîä äåñÿòîãî àíãëîÿçû÷íîãî èçäàíèÿ êíèãè, ñòàâøåé êëàññèêîé äëÿ ìîëåêóëÿðíûõ áèîëîãîâ âñåãî ìèðà, ñîäåðæèò ïîñëåäíèå äîñòèæåíèÿ â îáëàñòè ìîëåêóëÿðíîé áèîëîãèè è ìîëåêóëÿðíîé ãåíåòèêè, âêëþ÷àÿ ñòðóêòóðó ãåíîâ, ïîñëåäîâàòåëüíîñòè, îðãàíèçàöèþ è ýêñïðåññèþ. Èçäàíèå äîïîëíåíî íîâûìè ðàçäåëàìè, õîðîøî èëëþñòðèðîâàíî è ñòðóêòóðèðîâàíî, ÷òî ïîìîãàåò ñòóäåíòàì ëó÷øå îðèåíòèðîâàòüñÿ â îòäåëüíûõ òåìàõ.Äëÿ ñòóäåíòîâ, ñïåöèàëèçèðóþùèõñÿ â îáëàñòè ìîëåêóëÿðíîé ãåíåòèêè, ìîëåêóëÿðíîé áèîëîãèè, ãåííîé èíæåíåðèè, à òàêæå äëÿ àñïèðàíòîâ, ïðåïîäàâàòåëåé, íàó÷íûõ ñîòðóäíèêîâ.3-å èçäàíèå.

Àííîòàöèÿ: Àâòîð ýòîé êíèãè, çíàìåíèòûé äèðèæåð ñýð Äæîí Ýëèîò Ãàðäèíåð, ïðåäëàãàåò íàì îòïðàâèòüñÿ âìåñòå ñ íèì â óâëåêàòåëüíîå ïóòåøåñòâèå è ðàçãàäàòü òàèíñòâåííóþ ëè÷íîñòü Èîãàííà Ñåáàñòüÿíà Áàõà, â áóêâàëüíîì ñìûñëå íàðèñîâàòü åãî êðàñî÷íûé ïîðòðåò - îïèðàÿñü íå òîëüêî íà ñâîè îáøèðíûå ïîçíàíèÿ, íî è íà îïûò èñïîëíèòåëÿ, áîëåå ÷åì 50-ëåòíþþ ïðàêòèêó èíòåðïðåòàöèè áàõîâñêîé ìóçûêè. Êíèãà Ãàðäèíåðà - ýòî ãîëîâîêðóæèòåëüíûé ïîëåò íàä ëàíäøàôòàìè èñòîðèè, ðåëèãèè, ïñèõîëîãèè è ìóçûêè è â òî æå âðåìÿ - î÷åíü ëè÷íîå ïðèçíàíèå â ëþáâè ê âåëèêîìó êîìïîçèòîðó.

Àííîòàöèÿ: Ìýðè Ýíí Ýâàíñ, ïèñàâøàÿ ïîä ïñåâäîíèìîì "Äæîðäæ Ýëèîò", âîøëà â èñòîðèþ àíãëèéñêîé ëèòåðàòóðû êàê îäèí èç âûäàþùèõñÿ ìàñòåðîâ ïîçäíåâèêòîðèàíñêîãî ðîìàíà. Ðîìàí "Ìèäëìàð÷" - ãëàâíîå ïðîèçâåäåíèå ïèñàòåëüíèöû, ïîäëèííûé øåäåâð, â êîòîðîì íàøëè ñâîå îòðàæåíèå âñå ãëàâíûå èäåè, õàðàêòåðû è ñþæåòíûå õîäû àíãëèéñêîé ëèòåðàòóðû êîíöà 19 âåêà. Ìåñòî åãî äåéñòâèÿ - ïðîâèíöèàëüíûé ãîðîäîê â ñðåäíåé Àíãëèè ñî âñåìè åãî òàéíàìè è çàãàäêàìè, ñêðûâàþùèìèñÿ çà êðàñèâûìè ôàñàäàìè áëàãîóñòðîåííûõ äîìîâ. "Ïîñåòèâ" Ìèäëìàð÷, ÷èòàòåëü íàéäåò çäåñü äîñòàòî÷íî ðàçâëå÷åíèé äëÿ ñåðäöà è óìà: íåóäà÷íûå è ñ÷àñòëèâûå áðàêè, àôåðû ñ íàñëåäñòâîì, ëæèâûå ñâåòñêèå óñëîâíîñòè, èíòðèãàíû âñåõ ìàñòåé è äîáðîñåðäå÷íûå ïàñòûðè, èñòèííàÿ ëþáîâü è âåòðåíûå èçìåíû—

Àííîòàöèÿ: Âû ñ÷èòàåòå ñåáÿ çíàòîêîì ìèðîâîé ëèòåðàòóðû? Ñïîðèì, âàñ ïîòðÿñóò íîâûå íåîæèäàííûå ôàêòû, êîòîðûå âû íàéäåòå â ýòîé êíèãå?  íåé ñîáðàíà óíèêàëüíàÿ, îñòðîóìíàÿ è íåîæèäàííàÿ èíôîðìàöèÿ î ñàìûõ èçâåñòíûõ ïèñàòåëÿõ - îò Øåêñïèðà äî Íàáîêîâà, îò Îðóýëëà äî Ãåíðè Äæåéìñà. Âû çíàåòå, êòî íàïèñàë ñàìîå äëèííîå ïðåäëîæåíèå â èñòîðèè ëèòåðàòóðû? Êåì ðàáîòàëè ïèñàòåëè äî òîãî, êàê ñòàëè èçâåñòíûìè? Áîëåå 100 ïîòðÿñàþùèõ, îñòðîóìíûõ è óâëåêàòåëüíûõ ñõåì, ãðàôèêîâ è ðèñóíêîâ î ëèòåðàòóðå ðàññêàçûâàþò î âàøèõ ëþáèìûõ êíèãàõ è èõ àâòîðàõ

Àííîòàöèÿ: HarperCollins is proud to present its new range of best-loved, essential classics. `People glorify all sorts of bravery except the bravery they might show on behalf of their nearest neighbours.` An epic study of provincial life at a time when England was facing rapid industrialization and increasingly fluid social mobility, Eliot`s depiction of the small community of Middlemarch weaves an intricate web of different characters disparate lives as they strive to adapt to the changing world around them. Eliot was one of the first of her female contemporaries to write a novel that dealt with real-life issues and complex yet ordinary human life

Àííîòàöèÿ: This title includes introduction and notes by R.T. Jones, Honorary Fellow of the University of York. Although the shortest of George Eliot's novels, Silas Marner is one of her most admired and loved works. It tells the sad story of the unjustly exiled Silas Marner - a handloom linen weaver of Raveloe in the agricultural heartland of England - and how he is restored to life by the unlikely means of the orphan child Eppie. Silas Marner is a tender and moving tale of sin and repentance set in a vanished rural world and holds the reader's attention until the last page as Eppie's bonds of affection for Silas are put to the test

Àííîòàöèÿ: Íàñ ñ äåòñòâà ïðèó÷àëè, ÷òî îñíîâà âñåõ äîñòèæåíèé - óïîðíûé òðóä, ÷òî íóæíî ñòàâèòü ïåðåä ñîáîé àìáèöèîçíûå öåëè è íàïðÿãàòü âñå ñèëû äëÿ èõ äîñòèæåíèÿ. Àâòîð îïðîâåðãàåò ýòè îáùåïðèíÿòûå ïðåäñòàâëåíèÿ è íà ïðèìåðå òàêèõ âûäàþùèõñÿ ëè÷íîñòåé, êàê Ìàéêë Äæîðäàí, Éîãè Áåððà, Ðè÷àðä Áðýíñîí, Òàéãåð Âóäñ è ìíîãèõ äðóãèõ äåëàåò ïàðàäîêñàëüíûå âûâîäû. Óñåðäíî ðàáîòàòü ãîëîâîé - ïîëíàÿ ãëóïîñòü; ÷åìïèîíû, êàê ïðàâèëî, âîîáùå íè î ÷åì íå äóìàþò. Êëàññè÷åñêèå ìåòîäèêè äûõàíèÿ è ðåëàêñàöèè òîëüêî ïðåïÿòñòâóþò ðåêîðäàì; ñòðåññ - èñòî÷íèê ýíåðãèè è ìîùè. Íóæíî áûòü ñàìîóâåðåííûì, äàæå íàãëûì, ãîðäèòüñÿ ñâîèìè óñïåõàìè è íå âûèñêèâàòü â ñåáå íåäîñòàòêè. Åñëè ìå÷òàåòå ïîëíîñòüþ ðàñêðûòü ñâîè òàëàíòû è ìàêñèìàëüíî èñïîëüçîâàòü âîçìîæíîñòè ñâîåãî ìîçãà, ýòà êíèãà-äëÿ âàñ.

Àííîòàöèÿ: In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away? What will Silas do then? What could possibly comfort him for the loss of his only friend?

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented