Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Êíèãà ïðåäñòàâëÿåò ñîáîé ñáîðíèê äåòåêòèâíûõ è ïðèêëþ÷åí÷åñêèõ ðàññêàçîâ èçâåñòíåéøèõ àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ÕIÕ-ÕÕ âåêîâ â àäàïòàöèè Ã.Ê.Ìàãèäñîí-Ñòåïàíîâîé.Òåêñò êàæäîãî ðàññêàçà ñíàáæåí êîììåíòàðèåì; óïðàæíåíèÿ íàïðàâëåíû íà îòðàáîòêó ëåêñèêè è ãðàììàòè÷åñêèõ ñòðóêòóð, à òàêæå ïðîâåðêó ïîíèìàíèÿ òåêñòà è ðàçâèòèå ðå÷åâûõ íàâûêîâ.Ñáîðíèê ïðåäíàçíà÷åí äëÿ ó÷àùèõñÿ 10-11 êëàññîâ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ I-II êóðñîâ íåÿçûêîâûõ âóçîâ

Àííîòàöèÿ: Êíèãà ïðåäñòàâëÿåò ñîáîé ñáîðíèê çàíèìàòåëüíûõ îñòðîñþæåòíûõ ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé: Ñ.Ìîýìà, À.Êîíàí Äîéëà, À.Êëàðêà è äð. Òåêñòû ñáîðíèêà àäàïòèðîâàíû â ñîîòâåòñòâèè ñ óðîâíåì âëàäåíèÿ ÿçûêîì "Advanced", ïðè ýòîì ñòðóêòóðà òåêñòîâ è àâòîðñêèé ñòèëü ìàêñèìàëüíî ñîõðàíåíû. Ðàññêàçû ñíàáæåíû óïðàæíåíèÿìè, íàïðàâëåííûìè íà ïðîâåðêó ïîíèìàíèÿ, îòðàáîòêó ëåêñèêè è ãðàììàòè÷åñêèõ ñòðóêòóð, ðàçâèòèå íàâûêîâ îáùåíèÿ, à òàêæå ïîñòðàíè÷íûì êîììåíòàðèåì è ñëîâàðåì. Ïîñîáèå ïðåäíàçíà÷åíî äëÿ ó÷àùèõñÿ ñòàðøèõ êëàññîâ ñðåäíèõ øêîë, ãèìíàçèé, ëèöååâ, ñòóäåíòîâ I-II êóðñîâ íåÿçûêîâûõ âóçîâ, à òàêæå øèðîêîãî êðóãà ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: ÓÌÊ «Ñåìüÿ è äðóçüÿ» («Family and Friends») ñîäåðæèò óíèêàëüíóþ ìåòîäèêó îáó÷åíèÿ ãðàììàòèêå è ôîðìèðîâàíèÿ îñíîâíûõ ÿçûêîâûõ íàâûêîâ, â ò.÷. çàäàíèÿ íà ïîñòàíîâêó ïðàâèëüíîãî àíãëèéñêîãî ïðîèçíîøåíèÿ è íà âñåñòîðîííþþ ïðîâåðêó çíàíèé. ÓÌÊ ôîðìèðóåò íàâûêè, íåîáõîäèìûå ïðè ñäà÷å ÃÈÀ è ÅÃÝ, è ðàçâèâàåò ñîöèàëüíûå êîìïåòåíòíîñòè ó÷àùèõñÿ. Ó÷åáíîå ïîñîáèå â ðàâíîé ñòåïåíè ïîäõîäèò äëÿ îáó÷åíèÿ äåòåé ñ ðàçëè÷íûì òèïîì âîñïðèÿòèÿ: âèçóàëüíûì, àóäèàëüíûì è êèíåñòåòè÷åñêèì. ÓÌÊ èìååò ÷åòûðå óðîâíÿ ñëîæíîñòè, ñîîòâåòñòâóþùèå óðîâíÿì åâðîïåéñêîé ÿçûêîâîé øêàëû (A1 — Beginner, A2 — Elementary), è ÷åòêóþ ïîíÿòíóþ ñòðóêòóðó. Ñ ÓÌÊ «Ñåìüÿ è äðóçüÿ» ëåãêî ðàáîòàòü è ïðåïîäàâàòåëþ, è ó÷àùèìñÿ

Àííîòàöèÿ: Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Àííîòàöèÿ: Sherlock Holmes is the greatest detective of them all. He sits in his room, and smokes his pipe. He listens, and watches, and thinks. He listens to the steps coming up the stairs; he watches the door opening - and he knows what question the stranger will ask. In these three of his best stories, Holmes has three visitors to the famous flat in Baker Street - visitors who bring their troubles to the only man in the world who can help them.

Àííîòàöèÿ: Dartmoor. A wild, wet place in the south-west of England. A place where it is easy to get lost, and to fall into the soft green earth which can pull the strongest man down to his death. A man is running for his life. Behind him comes an enormous dog - a dog from his worst dreams, a dog from hell. Between him and a terrible death stands only one person - the greatest detective of all time, Sherlock Holmes.

Àííîòàöèÿ: The restless, questing intellect of Sir Arthur Conan Doyle spurred him far beyond the ingenious puzzles tie constructed for Sherlock Holmes. In The Lost World, Doyle, a devotee of the occult and fantastic tales of adventure and discovery, introduces his readers to Professor Challenger, an eccentric paleontologist, on his suspense-filled search for prehistoric creatures in the wilds of the Amazon. Professor Challenger's doughty troupe includes a skeptical colleague, Professor Summerlee, the cool-headed, plucky sportsman Lord John Roxton, and the narrator, the intrepid reporter Edward Malone. When their bridge to civilization collapses, the explorers find themselves marooned among dinosaurs and savage ape-people.Originally published in 1912, this imaginative fantasy unfolds with humor and a good-natured satirical eye for pedantry. Fans of Arthur Conan Doyle will delight in this rare gem, as will dinosaur fanciers and adventure storv ficionados.

Àííîòàöèÿ: Ó÷åáíèê ïî óïðàâëåíèþ áèçíåñîì êîìïàíèè, êîòîðûé âû äåðæèòå â ðóêàõ, ÿâëÿåòñÿ íàèáîëåå ïîëíûì è óäîáíûì äëÿ èçó÷åíèÿ èç âñåõ ðàíåå èçäàâàâøèõñÿ. Íå ñëó÷àéíî ïåðâîå åãî èçäàíèå óäîñòîèëîñü çâàíèÿ "Ëó÷øèé ó÷åáíèê ïî ìåíåäæìåíòó â Åâðîïå". Àâòîðû ðàññìàòðèâàþò âñå îñíîâíûå àñïåêòû ñîâðåìåííîãî ñòðàòåãè÷åñêîãî óïðàâëåíèÿ áèçíåñîì è ìàðêåòèíãîì: ñòðàòåãè÷åñêîå ðûíî÷íîå óïðàâëåíèå, êîíêóðåíòíûå ñòðàòåãèè, ñîçäàíèå óñïåøíîé òîðãîâîé ìàðêè, êîììóíèêàòèâíûå ñòðàòåãèè, öåíîîáðàçîâàíèå, âûâåäåíèå êîìïàíèè èç êðèçèñà. Íå íàâÿçûâàÿ ñâîèõ âçãëÿäîâ, àâòîðû ïðåäëàãàþò ïðàêòè÷åñêîå ðóêîâîäñòâî, íåîáõîäèìîå äëÿ ïðèíÿòèÿ ðåøåíèé â îáëàñòè ìàðêåòèíãà è ðàçðàáîòêè ñòðàòåãèé. ×åòâåðòîå èçäàíèå ýòîé êíèãè - ïîñëåäíåå, â êîòîðîì ïðèíÿë ó÷àñòèå Ïèòåð Äîéëü. Âñå ãëàâû îáíîâëåíû è äîïîëíåíû ñ ó÷åòîì çàäà÷è ñîçäàíèÿ æèçíåñïîñîáíîé êîìïàíèè â óñëîâèÿõ äèíàìè÷íî èçìåíÿþùåéñÿ âíåøíåé ñðåäû áèçíåñà, íîâûõ òåíäåíöèé â ñîâðåìåííîì ìàðêåòèíãå. Êíèãà áóäåò ïîëåçíà êàê ñòóäåíòàì, èçó÷àþùèì ýêîíîìè÷åñêèå äèñöèïëèíû, òàê è ïðîôåññèîíàëàì-ïðàêòèêàì âñåõ óðîâíåé ìåíåäæìåíòà.

Àííîòàöèÿ: Ñáîðíèê ïðèêëþ÷åí÷åñêèõ è äåòåêòèâíûõ ðàññêàçîâ ñîäåðæèò àäàïòèðîâàííûå ïðîèçâåäåíèÿ àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé XIX-XX âåêîâ. Êíèãà ðàññ÷èòàíà íà ó÷àùèõñÿ ñòàðøèõ êëàññîâ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ I-II êóðñîâ íåÿçûêîâûõ âóçîâ. Ïîñëå êàæäîãî ðàññêàçà ïðèâîäÿòñÿ óïðàæíåíèÿ, íàïðàâëåííûå íà îâëàäåíèå ëåêñèêîé, ãðàììàòèêîé è ðàçâèòèå íàâûêîâ îáùåíèÿ. Êíèãà ñîäåðæèò àíãëî-ðóññêèé ñëîâàðü.

Àííîòàöèÿ: This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on. Within these pages you will find G.K. Chesterton's Mr. Pond, Ernest Bramah's blind detective, Max Carrados, Craifg Kennedy, 'the American Sherlock Holmes' and further tales by Charles Dickens, Wilkie Collins, Rudyard Kipling and A.C. Doyle.

Àííîòàöèÿ: ...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Àííîòàöèÿ: Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ, Äæåðîì Ê. Äæåðîì, Àðòóð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Àííîòàöèÿ: Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of the great storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader. All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H. G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Àííîòàöèÿ: Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of thegreat storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader.All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H.G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Àííîòàöèÿ: The book tells the story of ten-year-old Paddy Clarke, who sees everything but understands less and less. Roddy Doyle has become an explorer of the deepest places of the heart, of love and hain and loss.

Àííîòàöèÿ: Êíèãà ñîäåðæèò àäàïòèðîâàííûå íîâåëëû áðèòàíñêèõ è àìåðèêàíñêèõ êëàññèêîâ è óïðàæíåíèÿ íà ðàçâèòèå ÿçûêîâîé è êîììóíèêàòèâíîé êîìïåòåíöèè. Ðåêîìåíäóåòñÿ äëÿ èñïîëüçîâàíèÿ â ñðåäíèõ è âûñøèõ ó÷åáíûõ çàâåäåíèÿõ äëÿ èçó÷åíèÿ àìåðèêàíñêîãî âàðèàíòà àíãëèéñêîãî ÿçûêà íà ñðåäíåì ýòàïå, à òàêæå äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: In His Last Bow, Conan Doyle's notorious literary detective reminisces on his life as an investigator with the help of his trusty companion Dr John Watson. This collection features classic mysteries such as "The Adventure of Wisteria Lodge" and "The Adventure of the Bruce-Partington Plans", as well as the title story, a gripping spy thriller and epilogue on the wartime service of Sherlock Holmes.This collection of stories, published together for the first time in 1917, is an essential addition for collectors and fans of the escapades of Holmes and Watson, known and loved the world over

Àííîòàöèÿ: Ïðîèçâåäåíèÿ ñáîðíèêà, ïðèíàäëåæàùèå ïåðó èçâåñòíûõ àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé (Ñ. Ìîýì, À. Êîíàí-Äîéëü, À. Êëàðê), çàíèìàòåëüíû è îñòðîñþæåòíû, ýìîöèîíàëüíû. ×èòàòåëÿ, íåñîìíåííî, ïðèâëåêóò ýòè ðàññêàçû, ïîñâÿù¸ííûå ìàëîèçó÷åííûì ÿâëåíèÿì ÷åëîâå÷åñêîé ïñèõèêè - òåëåïàòèè, ãèïíîçó, ñàìîâíóøåíèþ è ò. ä. Òåêñò ðàññêàçîâ ïîäâåðãñÿ ñîêðàùåíèÿì è àäàïòàöèè, îäíàêî ïðè ýòîì ñòðóêòóðà òåêñòà, ñòèëü àâòîðîâ ìàêñèìàëüíî ñîõðàíåíû. Êíèãà ïðåäíàçíà÷åíà äëÿ ó÷àùèõñÿ ñòàðøèõ êëàññîâ øêîë ðàçíûõ òèïîâ, íî ìîæåò ïðåäñòàâëÿòü èíòåðåñ è äëÿ òåõ, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: Holmes and Watson are faced with their most terrifying case yet. The legend of the devil-beast that haunts the moors around the Baskerville families home warns the descendants of that ancient clan never to venture out in those dark hours when the power of evil is exalted. Now, the most recent Baskerville, Sir Charles, is dead and the footprints of a giant hound have been found near his body. Will the new heir meet the same fate?

Àííîòàöèÿ: The Adventures of Sherlock Holmes brings together twelve of the master detective's most celebrated cases. What is the secret of the speckled band that brings death in its wake? What terrible villainy is going on behind the respectable facade of the houseat Copper Beeches? How has a priceless diamond found its way into the gullet of a goose` Why does an envelope containing five orange pips inspire such terror in its recipients? And what of the clever and beautiful Irene Adler, Who proves more than a matchfor the famous detective? For the eagle - eyed Cherlock Holmes no challenge is too great. Aided by his faithful friend Dr Watson he uses his razor - sharp wit and remarkable powers of deduction to solve the seemingly unsolvable.