Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ïðèêîâàííûé ê èíâàëèäíîìó êðåñëó ãåíèàëüíûé êðèìèíàëèñò Ëèíêîëüí Ðàéì âìåñòå ñî ñâîåé ó÷åíèöåé è ïîìîùíèöåé Àìåëèåé Ñàêñ ðàññëåäóþò íåîáû÷íîå äåëî: ïîñëå íåóäàâøåãîñÿ ïîêóøåíèÿ íàåìíûé óáèéöà ïðîäîëæàåò ïðåñëåäîâàòü ñòàðøåêëàññíèöó èç Ãàðëåìà. Êòî è çà÷åì îõîòèòñÿ íà îáû÷íóþ øêîëüíèöó, êîòîðàÿ ïèøåò êóðñîâóþ î ñâîåì ïðåäêå — áûâøåì ðàáå ×àðëüçå Ñèíãëòîíå, áîðîâøåìñÿ çà ïðàâà àôðîàìåðèêàíöåâ? Åäèíñòâåííàÿ çàöåïêà, îñòàâëåííàÿ íà ìåñòå ïîêóøåíèÿ, — äâåíàäöàòàÿ êàðòà Òàðî «Ïîâåøåííûé». Âìåñòå ñî ñâîåé êîìàíäîé Ðàéì è Ñàêñ ïûòàþòñÿ ïðîñ÷èòàòü î÷åðåäíîé øàã íàåìíèêà è âìåñòå ñ òåì âûÿñíÿþò, ÷òî æå ñëó÷èëîñü èþëüñêîé íî÷üþ 1868 ãîäà, êîãäà Ñèíãëòîí áûë àðåñòîâàí. Êàêóþ ìó÷èòåëüíóþ òàéíó îí ñêðûâàë?

Àííîòàöèÿ: She calls herself Rune. She lives a downtown life and works running errands for a couple of documentary filmmakers. At twenty-one, she`s nowhere, and that`s not where she wants to be. So, armed with a borrowed Betacam, she embarks on a freelance career of making movies herself

Àííîòàöèÿ: "Keller's Adjustment," by Lawrence Block: Block returns to everyone's favorite hitman, Keller, from his bestsellers The Hit Man and The Hit List. In the Aftermath of 9/11, Keller is questioning his life and the choices he's made, dealing out philosophy and murder on a meandering road trip from one end of the America to the other. "Forever" by Jeffery Deaver: Talbot Simms is an unusual cop. He's a statistician with the Westbrook County Sheriff's Department. When wealthy county residents begin killing themselves one after another, Simms begins to believe that there is something more at play. And what he discovers will change his life . . . forever

Àííîòàöèÿ: Àìåðèêàíñêîå ïðàâèòåëüñòâî ñòàâèò ïåðåä Ðàéìîì ïðàêòè÷åñêè íåâûïîëíèìóþ çàäà÷ó, íî êðèìèíàëèñò âìåñòå ñî ñâîåé íàïàðíèöåé Àìåëèåé îïðåäåëÿåò ìåñòîíàõîæäåíèå ãðóçîâîãî êîðàáëÿ, êîòîðûé ïåðåâîçèò äâàäöàòü ïÿòü íåëåãàëüíûõ èììèãðàíòîâ èç Êèòàÿ.