Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Conrad J., Almayer s Folly. a story of an Eastern river — 2018

Joseph Conrad's first novel Almayer's Folly is a tale of personal tragedy as well as a broader meditation on the evils of colonialism. Set in the lush jungle of Borneo in the late 1800s, it tells of the Dutch merchant Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Conrad established in Almayer's Folly the themes of betrayal, isolation, and colonialism that he would explore throughout the rest of his life and work.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

20 ëó÷øèõ ïîâåñòåé íà àíãëèéñêîì. original — 2014 (Èíîñòðàííûé ÿçûê: ó÷èìñÿ ó êëàññèêîâ) (Original)

Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Ñîäåðæàíèå: Wilkie Collins, Arthur Conan Doyle, Joseph Conrad, Charles Dickens, F. S. Fitzgerald, John Galsworthy, Washington Irving, Jerome K. Jerome, James Joyce, D. H. Lawrence, Jack London, H. P. Lovecraft, W. M. Thackeray, George Macdonald, Herman Melville, T. L. Peacock, E. A. Poe, R. L. Stevenson, Edward Bulwer Lytton, Oscar Wilde.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Aciman A., Twitterature. The World's Greatest Books. Retold Through Twitter — 2009

Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Idea of Literature. The Foundations of English Criticism — 1979

Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Within the Tides — 1978 (Penguin Modern Classics)

From "The Planter of Malata": "Here we don't consider him a monster," said the newspaper man looking at his visitor thoughtfully. "Probably not. You are used to see his face and to see other faces. I don't know how it is that, when I come to town, the appearance of the people in the street strike me with such force. They seem so awfully expressive." "And not charming." "Well -- no. Not as a rule. The effect is forcible without being clear. . . ." This volume also includes "The Partner," "The Inn of the Two Witches," and "Because of the Dollars."

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., The Rescue — 1978

Civil war rages between the native tribes of the Malay straits. Captain Tim Wingard sides with the Rajah Hassim. But as is the case with so much in the Far East, nothing is quite straightforward and events unfold by indirection. An English yacht blunders into this confusion and runs aground. When Wingard goes aboard to offer assistance, the crew gives him insolence, not gratitude. He prepares to leave...then sees a woman. She captivates him, literally holds him spellbound. It is a spell that soon wrecks all his hopes and leads to the failure of the important cause to which he is bound.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., The Portable Conrad — 1976

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèé ñ Äæîçåôîì Êîíðàäîì. Àâàíïîñò ïðîãðåññà — 2016 (Ìåòîä îáó÷àþùåãî ÷òåíèÿ Èëüè Ôðàíêà)

Èìÿ Äæîçåôà Êîíðàäà ñòîèò â îäíîì ðÿäó ñ èìåíàìè âåëèêèõ ïðåäñòàâèòåëåé àíãëèéñêîãî íåîðîìàíòèçìà - Ñòèâåíñîíà è Êèïëèíãà. Îäíî èç ñàìûõ èçâåñòíûõ ïðîèçâåäåíèé ïèñàòåëÿ - äðàìàòè÷íîå ïîâåñòâîâàíèå î äâóõ åâðîïåéöàõ, âîëåþ ñóäåá îêàçàâøèõñÿ îòðåçàííûìè îò öèâèëèçàöèè ïîñðåäè òàèíñòâåííîãî è ïóãàþùåãî "÷åðíîãî êîíòèíåíòà", - àäàïòèðîâàíî â íàñòîÿùåì èçäàíèè ïî ìåòîäó Èëüè Ôðàíêà: ñíàáæåíî òðàíñêðèïöèåé, äîñëîâíûì ïåðåâîäîì íà ðóññêèé ÿçûê è íåîáõîäèìûì ëåêñèêî-ãðàììàòè÷åñêèì êîììåíòàðèåì, áåç óïðîùåíèÿ òåêñòà îðèãèíàëà. Óíèêàëüíîñòü ìåòîäà çàêëþ÷àåòñÿ â òîì, ÷òî çàïîìèíàíèå ñëîâ è âûðàæåíèé ïðîèñõîäèò çà ñ÷åò èõ ïîâòîðÿåìîñòè, áåç çàó÷èâàíèÿ è íåîáõîäèìîñòè èñïîëüçîâàòü ñëîâàðü. Äëÿ øèðîêîãî êðóãà ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àíãëèéñêîé êóëüòóðîé

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Heart of Darkness — 2013 (Collins Classics)

This novel exposes the myth behind colonisation whilst exploring the three levels of darkness that the protagonist, Marlow, encounters--the darkness of the Congo wilderness, the darkness of the European's cruel treatment of the natives, and the unfathomable darkness within every human being for committing heinous acts of evil. Conrad himself was exposed to the brutality of European attitudes in the Congo when he worked as a captain of a steamboat on the Congo river. Conrad, as shown through this novella, was disgusted by the cruelty, futility, and lust for ivory. This is a profound, thought provoking novel that challenges the reader to question their own morals and values to "The Horror" the novel exposes them to

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., The Secret Agent — 2012 (Collins Classics)

Harper Collins is proud to present its new range of best-loved, essential classics. 'They swarmed numerous like locusts, industrious like ants, thoughtless like a natural force, pushing on blind and orderly and absorbed, impervious to sentiment, to logic -- to terror, too, perhaps

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Lord Jim — 1981 (Charnwood Large Type)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Chance. A Tale in Two Parts — 1975 (Penguin Modern Classics)

Chance was Conrad's first commercial success after nearly twenty years as a writer, & his first novel to have a happy ending. It tells the story of Flora de Barral, the abandoned daughter of a bankrupt tycoon, & her long struggle to find happiness & dignity.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Stephen Crane. A Collection of Critical Essays — 1967 (Twentieth Century Views)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

James H., Imaginative Litterature:Selections from the Twentieth Century. Vol.I. Great Books V.59

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., The Nigger of the Narcissus. Typhoon and Other Stories — 1983

THE NIGGER OF THE 'NARCISSUS' contaons, more than anything else he wrote, the essence of his experience at sea and of his views on the practical conduct of life. In THE NIGGER the author uses the Kipling touch in his description of life in the forecastle of a sailing-ship-'a fragment detached from the earth...like a small planet'. Dominating the scene is the figure of Allistoun, the vessel's master.Typhoon is the long short story in which the unimaginative Captain MacWhirr fights a steamship through a violent Pacific storm with a boat-load of cowering coolies. In the same volume are FALK (later described by the author as 'an episode in the story of my first command'), ARMY FOSTER, and TOMORROW

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Twixt Land and See — 1982 (Penguin Modern Classics)

New texts of Joseph Conrad's modern classic 'The Secret Sharer' and of two other tales appear in this edition of 'Twixt Land and Sea with numerous words, sentences, and entire paragraphs restored from Conrad's manuscripts and typescripts. Written while he was working on Under Western Eyes, these stories, when collected together in 1912, marked the turning point in Conrad's professional fortunes that Chance would soon confirm. Published for the first time as Conrad meant them to be, these authoritative texts are accompanied by a new Introduction that discusses their sources, composition, and publication, and their reception up to our time. The Notes explain nautical, geographical, and historical references and are supplemented by diagrams, maps, and other illustrations. A textual essay and apparatus examine the revisions, excisions, divisions, and censorship the tales underwent, which till now have been reflected in editions unduly trusted by countless readers.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Lord Jim. a tale — 1983 (Penguin Modern Classics)

Jim, the first mate aboard the Patna, dreams youthful dreams of heroism and of the daring act that will prove his courage. But when the Patna, on a night crossing of the Arabian Sea, collides with a mysterious obstacle, Jim panics and jumps free. This single act of cowardice drives him to self-enforced exile as a white trader in the remote tropical outpost of Patusan. Jim's search for redemption and his dramatic bid to vindicate his romantic ideals are the stuff of a magnificently vivid and subtle novel. With "Heart of Darkness", "Nostromo" and "The Secret Agent", "Lord Jim" ranks among Joseph Conrad's masterpieces

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Tales of Unrest — 1983

We knew him in those unprotected days when we were content to hold in our hands our lives and our property. None of us I believe has any property now and I hear that many negligently have lost their lives; but I am sure that the few who survive are not yet so dim-eyed as to miss in the befogged respectability of their newspapers the intelligence of various native risings in the Eastern Archipelago.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Conrad J., Lord Jim. a tale — 1994 (Penguin Popular Classics)

Jim, the first mate aboard the Patna, dreams youthful dreams of heroism and of the daring act that will prove his courage. But when the Patna, on a night crossing of the Arabian Sea, collides with a mysterious obstacle, Jim panics and jumps free. This single act of cowardice drives him to self-enforced exile as a white trader in the remote tropical outpost of Patusan. Jim's search for redemption and his dramatic bid to vindicate his romantic ideals are the stuff of a magnificently vivid and subtle novel. With "Heart of Darkness", "Nostromo" and "The Secret Agent", "Lord Jim" ranks among Joseph Conrad's masterpieces

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ