Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: In Hollywood, fame can be found on every corner and behind any door. You just have to know where to look for it. Nineteen-year-old Madison Parker made a name for herself as best frenemy of nice-girl-next-door Jane Roberts on the hot reality show L.A. Candy. Now Madison's ready for her turn in the spotlight and she'll stop at nothing to get it. Sure, she's the star of a new show, but with backstabbing friends and suspicious family members trying to bring her down, Madison has her work cut out for her. Plus, there's a new nice girl in "reality" town—aspiring actress Carmen Price, the daughter of Hollywood royalty—and she's a lot more experienced at playing the fame game... When the camera's start rolling, whose star will shine brighter? Filled with characters both familiar and new, Lauren Conrad's series about the highs and lows of being famous delivers Hollywood gossip and drama at every turn.

Àííîòàöèÿ:  êíèãå îïèñàíî ìíîæåñòâî íîâûõ âîçìîæíîñòåé Adobe Photoshop CC, òàêèõ êàê óäàëåíèå îáúåêòîâ ñ ïîìîùüþ îáíîâëåííîãî èíñòðóìåíòàðèÿ Content-Aware Fill (Çàëèâêà ñ ó÷åòîì ñîäåðæèìîãî), ñîçäàíèå ìåñòî çàïîëíèòåëåé ñ ïîìîùüþ íîâîãî èíñòðóìåíòà Frame (Êàäð), ñîçäàíèå ñèììåòðè÷íûõ îðíàìåíòîâ, èñïðàâëåíèå îøèáîê ñ ïîìîùüþ îáíîâëåííîé ôóíêöèè Undo (Îòìåíèòü), ýêîíîìèÿ âðåìåíè çà ñ÷åò óïðîùåíèÿ òðàíñôîðìàöèè (ìàñøòàáèðîâàíèå è âðàùåíèå ñëîåâ) è èñïîëüçîâàíèå îáíîâëåííîãî ãëàâíîãî ýêðàíà.  èçäàíèå âêëþ÷åíà äîïîëíèòåëüíàÿ èíôîðìàöèÿ î âîçìîæíîñòÿõ ïðîãðàììû Photoshop è ëó÷øèõ ñïîñîáàõ ðàáîòû ñ íåé. Âû îñâîèòå ýôôåêòèâíûå ìåòîäû ðàáîòû ñ ôîòîãðàôèÿìè, îðãàíèçàöèè èõ õðàíåíèÿ è ïîêàçà, à òàêæå íàó÷èòåñü îïòèìèçèðîâàòü ôîòî äëÿ ïóáëèêàöèè â Èíòåðíåòå

Àííîòàöèÿ: Joseph Conrad's first novel Almayer's Folly is a tale of personal tragedy as well as a broader meditation on the evils of colonialism. Set in the lush jungle of Borneo in the late 1800s, it tells of the Dutch merchant Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Conrad established in Almayer's Folly the themes of betrayal, isolation, and colonialism that he would explore throughout the rest of his life and work.

Àííîòàöèÿ: Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Àííîòàöèÿ: Ïàðòèçàíñêîìó ìàðêåòèíãó íå ó÷àò íà çàíÿòèÿõ ïî ìàðêåòèíãó, î íåì íå ïèøóò â îáû÷íûõ ó÷åáíèêàõ, åãî íå ïðèìåíÿþò â ðåêëàìíûõ àãåíòñòâàõ, è îí íåèçâåñòåí áîëüøèíñòâó âàøèõ êîíêóðåíòîâ - òåì è õîðîø, óâåðåí Äæåé Ëåâèíñîí. Ýòî èçäàíèå - êíèãà —1 ïî ïàðòèçàíñêîìó ìàðêåòèíãó. Åñëè âàø áþäæåò íà ìàðêåòèíã èñ÷èñëÿåòñÿ òûñÿ÷àìè ðóáëåé, à íå ìèëëèîíàìè, îáÿçàòåëüíî ïðî÷òèòå åå

Àííîòàöèÿ: This novel exposes the myth behind colonisation whilst exploring the three levels of darkness that the protagonist, Marlow, encounters--the darkness of the Congo wilderness, the darkness of the European's cruel treatment of the natives, and the unfathomable darkness within every human being for committing heinous acts of evil. Conrad himself was exposed to the brutality of European attitudes in the Congo when he worked as a captain of a steamboat on the Congo river. Conrad, as shown through this novella, was disgusted by the cruelty, futility, and lust for ivory. This is a profound, thought provoking novel that challenges the reader to question their own morals and values to "The Horror" the novel exposes them to

Àííîòàöèÿ: Harper Collins is proud to present its new range of best-loved, essential classics. 'They swarmed numerous like locusts, industrious like ants, thoughtless like a natural force, pushing on blind and orderly and absorbed, impervious to sentiment, to logic -- to terror, too, perhaps

Àííîòàöèÿ: In TV star Lauren Conrad's delicious, entertaining novel about young Hollywood, the lies are only as sweet as the people telling them. Jane Roberts is a bona fide celebrity - she is treated like a queen, has couture clothes and starlet looks. She also has the tabloid scandals, fake friends and relentless paparazzi. Now that Jane has survived her first season on the air, she has learned a few things. Most importantly: Hollywood is full of people trying to use you - especially her former friend and current co-star, Madison Parker. So Jane is trying to surround herself with the people she knows love her for her. Like Scarlett, her best friend since childhood. And Caleb, her high school boyfriend who happens to be back in Los Angeles for the next few months. Sure, after a recent - and very public - love-life implosion, Jane is on a break from boys. But that does not mean she can't spend time with Caleb. They are just friends. She and Braden are also now friends after they lived through a horrible photo scandal. Well, maybe not, but a little drama never hurt anyone! too badly. Full of the ripped-from-real-life plot twists that Lauren's fans love, SUGAR AND SPICE is another great page-turner in this juicy teen series

Àííîòàöèÿ: Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Àííîòàöèÿ: Âíèìàíèþ ÷èòàòåëåé ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò äâàäöàòè èçáðàííûõ ðàññêàçîâ èçâåñòíûõ àìåðèêàíñêèõ ïèñàòåëåé. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè â íåì.

Àííîòàöèÿ: This specially commissioned selection of Conrad's matchless short stories includes such favourites as Youth, a modern epic of the sea; The Secret Sharer, a thrilling psychological drama; An Outpost of Progress a blackly comic prelude to Heart of Darkness; Amy Foster, a moving story of a shipwrecked, alienated Pole; and The Lagoon and Karain, two exotic, exciting Malay tales. Il Conde and The Tale are subtle portrayals of bewildered outrage; An Anarchist and The Informer are sardonic depictions of revolutionaries and Prince Roman is a tale of magnificent, doomed heroism set in Conrad's native Poland during the new to Conrad's work and those familiar with his novels will delight in this wide-ranging collection.

Àííîòàöèÿ: Jim, the first mate aboard the Patna, dreams youthful dreams of heroism and of the daring act that will prove his courage. But when the Patna, on a night crossing of the Arabian Sea, collides with a mysterious obstacle, Jim panics and jumps free. This single act of cowardice drives him to self-enforced exile as a white trader in the remote tropical outpost of Patusan. Jim's search for redemption and his dramatic bid to vindicate his romantic ideals are the stuff of a magnificently vivid and subtle novel. With "Heart of Darkness", "Nostromo" and "The Secret Agent", "Lord Jim" ranks among Joseph Conrad's masterpieces

Àííîòàöèÿ: This novel exposes the myth behind colonisation whilst exploring the three levels of darkness that the protagonist, Marlow, encounters--the darkness of the Congo wilderness, the darkness of the European's cruel treatment of the natives, and the unfathomable darkness within every human being for committing heinous acts of evil. Conrad himself was exposed to the brutality of European attitudes in the Congo when he worked as a captain of a steamboat on the Congo river. Conrad, as shown through this novella, was disgusted by the cruelty, futility, and lust for ivory. This is a profound, thought provoking novel that challenges the reader to question their own morals and values to "The Horror" the novel exposes them to

Àííîòàöèÿ:  ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Àííîòàöèÿ: Das Nachschlagewerk enthalt Grundbegriffe der Elektronik, Mikroelektronik und der Funktechnik in exakter und leichtverstandlicher Form.

Àííîòàöèÿ: Wahrend der Arbeit an Worterbuch bot sich zwar immer wieder Gelegenheit, das Manuskript nach neuesten Gesichtspunkten zu verandern, aber sicher werden sich dennoch nach dem Erscheinen des Buches recht bald verschiedene Lucken und Mangel herausstellen.

Àííîòàöèÿ: Funfzehn Erzahlungen von Buchner, Heine und Hebbel bis zu Keller, Fontane und Hauptmann erganzen innerhalb der Reihe "Die Welt erzahlt" die fruher erschiedenen Bucher "Deutschland erzahlt - von Arthur Schnitzler bis Uwe Johnson" (Bd.500) und "Deutschland erzahlt - von Goethe bis Tieck" (Bd.738). Dieser Band enthalt beispielhafte Erzahlungen aus der Periode des sogenannten "poetischen Realismus". Dieser Abschnitt der deutschen Literaturgeschichte ist zugleich die grosse Zeit der Novelle; sie ist darum in dieser Sammlung besonders reich vertreten.