Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Collins P., Hello I Must Be Going — — Y 2016

Hello, I Must Be Going! — âòîðîé ñòóäèéíûé àëüáîì áðèòàíñêîãî ïåâöà è êîìïîçèòîðà Ôèëà Êîëëèíçà. Âûïóùåí 1 íîÿáðÿ 1982 ãîäà.Íàçâàíèå äèñêà ïîçàèìñòâîâàíî ó ïåñíè àìåðèêàíñêîãî êîìåäèéíîãî êâèíòåòà Áðàòüÿ Ìàðêñ, çâó÷àùåé â ôèëüìå Animal Crackers.  ïîääåðæêó àëüáîìà áûë îðãàíèçîâàí îäíîèì¸ííûé ãàñòðîëüíûé òóð.Àëüáîì ñîäåðæèò êàâåð-âåðñèþ êîìïîçèöèè ãðóïïû The Supremes You Can—t Hurry Love, ñòàâøóþ îäíèì èç ñàìûõ çíàìåíèòûõ ñèíãëîâ Êîëëèíçà

Ñîäåðæàíèå: Ñîäåðæàíèå:I Don't Care Anymore; I Cannot Believe It's True; Like China; Do You Know, Do You Care?; You Can't Hurry Love; It Don't Matter To Me; Thru These Walls; Don't Let Him Steal Your Heart Away; The West Side; Why Can't It Wait Till Morning

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories for Study and Enjoyment — cop.1934

Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ñ., Ãîëîäíûå èãðû. ôàíòàñòè÷åñêèé ðîìàí — 2023 (Ãîëîäíûå èãðû: ñàãà-ëåãåíäà)

Ïåðâàÿ êíèãà ëåãåíäàðíîãî öèêëà «Ãîëîäíûå èãðû». Ëèòåðàòóðíàÿ îñíîâà îäíîèìåííîãî áëîêáàñòåðà ñ Äæåííèôåð Ëîóðåíñ â ãëàâíîé ðîëè. Äîáðî ïîæàëîâàòü â Ïàíåì, òîòàëèòàðíîå ãîñóäàðñòâî, ãäå êàæäûé ãîä âîò óæå 74 ðàçà ïðîõîäÿò Ãîëîäíûå èãðû — êðîâàâàÿ áîéíÿ, â êîòîðîé ñõîäÿòñÿ äâàäöàòü ÷åòûðå ïîäðîñòêà èç äâåíàäöàòè Äèñòðèêòîâ. È ïîáåäèòåëü áóäåò òîëüêî îäèí. Îáû÷íî ó÷àñòíèêîâ Èãð îïðåäåëÿåò ëîòåðåÿ. Îäíàêî Êèòíèññ Ýâåðäèí âûçûâàåòñÿ äîáðîâîëüöåì, ÷òîáû ñïàñòè ìëàäøóþ ñåñòðó, âûáðàííóþ èçíà÷àëüíî. Êèòíèññ ðîäîì èç Äèñòðèêòà-12, âûõîäöû èç íåãî îáû÷íî ñ÷èòàþòñÿ àóòñàéäåðàìè. Îäíàêî Êèòíèññ òâåðäî íàìåðåíà âûæèòü, ïîáåäèòü è âåðíóòüñÿ äîìîé—

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèñ Ó., Êèáåðñïîðò. Èãðû, äåíüãè, äâà êëèêà — 2022 (Èãðîâàÿ èíäóñòðèÿ. Êîìèêñû. Geek-êóëüòóðà)

Ïåðâûé èñ÷åðïûâàþùèé îáçîð ìíîãîìèëëèàðäíîé âñåëåííîé âèðòóàëüíûõ ñïîðòèâíûõ ñîñòÿçàíèé. Íåâàæíî, êòî òû: íóá èëè ãîñó, ðîäèòåëü áóäóùåãî ïðîãåéìåðà èëè áèçíåñìåí â ïîèñêàõ íîâûõ âîçìîæíîñòåé - êíèãà "Êèáåðñïîðò: èãðû, äåíüãè, äâà êëèêà" ðàññêàæåò îá ýòîì ôåíîìåíå ñî âñåõ ñòîðîí.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins S., The Ballad of Songbirds and Snakes — 2021

The Ballad of Songbirds and Snakes is a prequel to the original The Hunger Games trilogy, set 64 years before the events of the first novel... It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined -- every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute... and must weigh his need to follow the rules against his desire to survive no matter what it takes

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins S., The Hunger Games. [a novel] — 2021 (The Hunger Games. Book 1)

In the Ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. .Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to death before - and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ñ., Áàëëàäà î çìåÿõ è ïåâ÷èõ ïòèöàõ. [ôàíòàñòè÷åñêèé ðîìàí] — 2020 (Ãîëîäíûå èãðû: ñàãà-ëåãåíäà)

Íàñòóïàåò óòðî Æàòâû, êîãäà ñòàðòóþò Äåñÿòûå Ãîëîäíûå èãðû.  Êàïèòîëèè âîñåìíàäöàòèëåòíèé Êîðèîëàí Ñíîó ãîòîâèòñÿ èñïîëüçîâàòü ñâîþ åäèíñòâåííóþ âîçìîæíîñòü ñíèñêàòü ñëàâó è ïî÷åò. Åãî íåêîãäà ìîãóùåñòâåííàÿ ñåìüÿ ïåðåæèâàåò òðóäíûå âðåìåíà, è èõ ïîñëåäíÿÿ íàäåæäà — ÷òî Êîðèîëàí îêàæåòñÿ õèòðåå, ñîîáðàçèòåëüíåå è îáàÿòåëüíåå ñîïåðíèêîâ è ñòàíåò íàñòàâíèêîì òðèáóòà ïîáåäèòåëÿ. Íî ïîêà åãî øàíñû íè÷òîæíû, è âñ¸ ñêëàäûâàåòñÿ ïðîòèâ íåãî— Åìó äàþò óíèçèòåëüíîå çàäàíèå — îáó÷àòü äåâóøêó-òðèáóòà èç ñàìîãî áåäíîãî Äèñòðèêòà-12. Òåïåðü èõ ñóäüáû ñïëåòåíû íåðàçðûâíî - è êàæäîå ðåøåíèå, ïðèíÿòîå Êîðèîëàíîì, ïðèâåäåò ëèáî ê óäà÷å, ëèáî ê ïîðàæåíèþ. Ëèáî ê òðèóìôó, ëèáî ê êàòàñòðîôå. Êîãäà íà àðåíå íà÷èíàåòñÿ ñìåðòåëüíûé áîé, Ñíîó ïîíèìàåò, ÷òî èñïûòûâàåò ê îáðå÷åííîé äåâóøêå íåïîçâîëèòåëüíî òåïëûå ÷óâñòâà. Ñêîðî åìó ïðèäåòñÿ ðåøàòü, ÷òî âàæíåå: íåîáõîäèìîñòü ñëåäîâàòü ïðàâèëàì èëè æåëàíèå âûæèòü ëþáîé öåíîé?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ñ., Ãîëîäíûå èãðû: è âñïûõíåò ïëàìÿ — 2019 (Ýêñêëþçèâíîå ÷òåíèå íà àíãëèéñêîì ÿçûêå)

Âîïðåêè âñåìó, Êèòíèññ è Ïèòó óäàåòñÿ âûæèòü â áåçæàëîñòíûõ Ãîëîäíûõ Èãðàõ. Îäíàêî äåðçêàÿ âûõîäêà ñ ÿäîâèòûìè ÿãîäàìè, ïîçâîëèâøàÿ èì îáîèì âåðíóòüñÿ äîìîé, íå ïðîõîäèò áåññëåäíî. Âåäü åñëè îäíà ïðîñòàÿ äåâî÷êà ìîæåò áðîñèòü âûçîâ Êàïèòîëèþ, ÷òîáû çàùèòèòü ñâîèõ ëþáèìûõ, è óéòè íåâðåäèìîé... ×òî ìåøàåò îñòàëüíûì ñäåëàòü òî æå ñàìîå? Òåêñò ïðîèçâåäåíèÿ ñíàáæåí ãðàììàòè÷åñêèì êîììåíòàðèåì è ñëîâàðåì, â êîòîðûé âîøëè ÂÑÅ ñëîâà, ñîäåðæàùèåñÿ â òåêñòå. Áëàãîäàðÿ ýòîìó êíèãà ïîäîéäåò äëÿ ëþáîãî óðîâíÿ âëàäåíèÿ àíãëèéñêèì ÿçûêîì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., Heart And Science — 2018 (Original)

Wilkie Collins was an English novelist, playwright, and short story writer. His novels are often as concerned with social issues as they are with simple storytelling - but as more and more critics are suggesting, the best of them are as readable and thought-provoking today as they were when they first appeared. Of none is this more true than of his 1883 novel Heart and Science, which Collins himself placed alongside his masterpiece The Woman in White.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíñ Ï., Ðîæäåíèå Åâðîïû — 2016 (Èñòîðèÿ â îäíîì òîìå)

Êîíåö åâðîïåéñêèõ Òåìíûõ âåêîâ.Âðåìÿ áîðüáû öåðêâè è ñâåòñêîé âëàñòè çà ïåðâåíñòâî.Âðåìÿ âîçðîæäåíèÿ âåëèêîãî ãîðîäà-Âå÷íîãî Ðèìà è ðàñöâåòà êàòîëèöèçìà.Âðåìÿ ìîãóùåñòâà ïàï è ðàçäîðîâ êîðîëåé.Âðåìÿ,êîãäà ïðîèçîøëî ðîæäåíèå Åâðîïû-ïðåäòå÷è ñîâðåìåííîãî Çàïàäíîãî ìèðà.Îá ýòîì âðåìåíè,î õàîñå,â êîòîðîì âîçíèêëà îáùàÿ çàïàäíàÿ õðèñòèàíñêàÿ êóëüòóðà,è ðàññêàçûâàåò Ïîë Êîëëèíñ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

20 ëó÷øèõ ïîâåñòåé íà àíãëèéñêîì. original — 2014 (Èíîñòðàííûé ÿçûê: ó÷èìñÿ ó êëàññèêîâ) (Original)

Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Ñîäåðæàíèå: Wilkie Collins, Arthur Conan Doyle, Joseph Conrad, Charles Dickens, F. S. Fitzgerald, John Galsworthy, Washington Irving, Jerome K. Jerome, James Joyce, D. H. Lawrence, Jack London, H. P. Lovecraft, W. M. Thackeray, George Macdonald, Herman Melville, T. L. Peacock, E. A. Poe, R. L. Stevenson, Edward Bulwer Lytton, Oscar Wilde.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ä. Ñ., Îò õîðîøåãî ê âåëèêîìó. ïî÷åìó îäíè êîìïàíèè ñîâåðøàþò ïðîðûâ, à äðóãèå íåò... — 2013 (Äåëîâîé áåñòñåëëåð N 1 â ìèðå)

Êàê ïðåâðàòèòü ñðåäíþþ (÷èòàé - õîðîøóþ) êîìïàíèþ â âåëèêóþ? Íà ýòîò âîïðîñ îòâå÷àåò áåñòñåëëåð "Îò õîðîøåãî ê âåëèêîìó".  íåì Äæèì Êîëëèíç ïèøåò î ðåçóëüòàòàõ ñâîåãî øåñòèëåòíåãî èññëåäîâàíèÿ, â êîòîðîì êîìïàíèè, ñîâåðøèâøèå ïðîðûâ, ñðàâíèâàëèñü ñ òåìè, êîìó ýòî íå óäàëîñü. Ó âñåõ âåëèêèõ êîìïàíèé îáíàðóæèëèñü ñõîæèå ýëåìåíòû óñïåõà, à èìåííî äèñöèïëèíèðîâàííûå ëþäè, äèñöèïëèíèðîâàííîå ìûøëåíèå, äèñöèïëèíèðîâàííûå äåéñòâèÿ è ýôôåêò ìàõîâèêà.Áëàãîäàðÿ ýòîìó êîìïàíèè äîáèâàëèñü ôåíîìåíàëüíûõ ðåçóëüòàòîâ, ïðåâîñõîäÿùèõ ñðåäíèå ðåçóëüòàòû ïî îòðàñëè â íåñêîëüêî ðàç. Êíèãà áóäåò èíòåðåñíà ê ïðî÷òåíèþ ñîáñòâåííèêàì áèçíåñà, äèðåêòîðàì êîìïàíèé, äèðåêòîðàì ïî ðàçâèòèþ, êîíñóëüòàíòàì è ñòóäåíòàì, îáó÷àþùèìñÿ ïî ñïåöèàëüíîñòè "ìåíåäæìåíò"

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ï., Äàæå íå îøèáêà. Îòöîâñêîå ïóòåøåñòâèå â òàèíñòâåííóþ èñòîðèþ àóòèçìà — 2013

Êíèãà Ïîëà Êîëëèíçà, àìåðèêàíñêîãî ïèñàòåëÿ, æóðíàëèñòà è èñòîðèêà íàóêè, ñî÷åòàåò äðàìàòè÷åñêèé ðàññêàç î ñûíå-àóòèñòå è ñâîåãî ðîäà "íàó÷íûé äåòåêòèâ". Âñïîìèíàÿ ïîëóçàáûòûõ ãåíèåâ è èññëåäóÿ ìåäèöèíñêèå àðõèâû, ïèñàòåëü ñàì íà÷èíàåò ïîíèìàòü, çà÷åì ïîñâÿòèë ñâîþ æèçíü èçó÷åíèþ áèîãðàôèé òàëàíòëèâûõ ÷óäàêîâ, è â ñâîþ î÷åðåäü îáúÿñíÿåò ÷èòàòåëþ, ïî÷åìó âñå ýòè èñòîðèè âàæíû è äàæå íåîáõîäèìû äëÿ òîãî, ÷òîáû ïðîëèòü ñâåò íà ïðîáëåìó àóòèçìà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Woman in White — 2011 (Collins Classics)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ä. Ñ., Îò õîðîøåãî ê âåëèêîìó. ïî÷åìó îäíè êîìïàíèè ñîâåðøàþò ïðîðûâ, à äðóãèå íåò ... — 2010 (Äåëîâîé áåñòñåëëåð N 1 â ìèðå)

Êàê ïðåâðàòèòü ñðåäíþþ (÷èòàé - õîðîøóþ) êîìïàíèþ â âåëèêóþ? Íà ýòîò âîïðîñ îòâå÷àåò áåñòñåëëåð "Îò õîðîøåãî ê âåëèêîìó".  íåì Äæèì Êîëëèíç ïèøåò î ðåçóëüòàòàõ ñâîåãî øåñòèëåòíåãî èññëåäîâàíèÿ, â êîòîðîì êîìïàíèè, ñîâåðøèâøèå ïðîðûâ, ñðàâíèâàëèñü ñ òåìè, êîìó ýòî íå óäàëîñü. Ó âñåõ âåëèêèõ êîìïàíèé îáíàðóæèëèñü ñõîæèå ýëåìåíòû óñïåõà, à èìåííî äèñöèïëèíèðîâàííûå ëþäè, äèñöèïëèíèðîâàííîå ìûøëåíèå, äèñöèïëèíèðîâàííûå äåéñòâèÿ è ýôôåêò ìàõîâèêà.Áëàãîäàðÿ ýòîìó êîìïàíèè äîáèâàëèñü ôåíîìåíàëüíûõ ðåçóëüòàòîâ, ïðåâîñõîäÿùèõ ñðåäíèå ðåçóëüòàòû ïî îòðàñëè â íåñêîëüêî ðàç. Êíèãà áóäåò èíòåðåñíà ê ïðî÷òåíèþ ñîáñòâåííèêàì áèçíåñà, äèðåêòîðàì êîìïàíèé, äèðåêòîðàì ïî ðàçâèòèþ, êîíñóëüòàíòàì è ñòóäåíòàì, îáó÷àþùèìñÿ ïî ñïåöèàëüíîñòè "ìåíåäæìåíò"

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins S., Mockingjay. The Hunger Games Book 3 — 2010 (The Hunger Games)

Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she—s made it out of the bloody arena alive, she—s still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what—s worse, President Snow has made it clear that no one else is safe either. Not Katniss—s family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins—s groundbreaking Hunger Games trilogy promises to be one of the most talked about books of the year.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins S., Catching Fire. The Hunger Games Book 2 — 2009 (The Hunger Games)

Against all odds, Katniss has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol - a rebellion that Katniss and Peeta may have helped create.Much to her shock, Katniss has fueled an unrest she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying.In Catching Fire, the second novel in the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before...and surprising readers at every turn.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins S., The Hunger Games. The Hunger Games Book 1 — 2009 (The Hunger Games)

In the Ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to death before - and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The woman in white. stage 6 (2500 headwords) — 2008 (Oxford Bookworms Library)

The woman in white first appears at night on a lonely heath near London and is next seen at a grave-side in Cumberland. Who is she? Where has she come from, and what is her history? She seems alone and friendless, frightened and confused. And it seems she knows a secret - a secret that could bring ruin and shame to a man who will do anything to keep her silent. This famous mystery thriller by Wilkie Collins has suspense, excitement, romance, and a plot that twists and turns on every page.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîëëèíç Ä., Óáèéñòâåííî ïðåêðàñíàÿ. ðîìàí — 2008 (Ñåðèÿ ðîìàíîâ î Ëàêè Ñàíòàíäæåëî)

ßðêàÿ, ðîñêîøíàÿ è íåïðåâçîéäåííàÿ Äæåêè Êîëëèíç - îäíà èç ñàìûõ ïîïóëÿðíûõ ïèñàòåëüíèö â ìèðå - ñíîâà ðàäóåò ÷èòàòåëåé êíèãîé î ïðèêëþ÷åíèÿõ ñâîåé ëþáèìîé ãåðîèíè Ëàêè Ñàíòàíäæåëî... Òàê ÷òî ïðèãîòîâüòåñü ê çàõâàòûâàþùåìó ÷òåíèþ!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ