Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Òèòö Ñ., ßçûê îðãàíèçàöèé. Èíòåðïðåòàöèÿ ñîáûòèé è ñîçäàíèå çíà÷åíèé — 2008

"ßçûê îðãàíèçàöèé" - ýòî êíèãà îá èíòåðåñíåéøåì ïðîöåññå ñîçäàíèÿ çíà÷åíèé â îðãàíèçàöèÿõ, êîòîðûé ñîñòàâëÿåò îñíîâó óïðàâëåíèÿ, ëèäåðñòâà, êîðïîðàòèâíîé êóëüòóðû, ëîÿëüíîñòè, ðåøåíèÿ ïðîáëåì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Grady W., The Penguin Book of Canadian Short Stories — 1984

The short story has developed into Canada s healthiest and most versatile literary genre. Several Canadian novelists - Morley Callaghan and Hugh Garner, for example - are better known abroad for their short stories than for their novels. And many of Canada s best authors write virtually nothing but short stories: Mavis Gallant, Norman Levine, Alice Munro, W.D. Valgardson, and others.

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Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Canadian Verse — 1977

This book presents itself as a survey, from the first to the latest, of English-Canadian poetry. The book differs from previous Penguin Anthology, the earlier poets more solidly represented, the periods better balanced. This revised edition, coinciding with Canada's own Centennial, presents a surney of the work done in English by Canadian poets during the past one hundred years.

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Ïîäðîáíàÿ èíôîðìàöèÿ

50 contes et histoires enchantées — 1980

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Ïîäðîáíàÿ èíôîðìàöèÿ

Êîýí Ð., Â ïîãîíå çà Ñîëíöåì. Ñêàçàíèå î çâåçäå, äàþùåé íàì æèçíü — 2013

Ðè÷àðä Êîýí — ÷åëîâåê ðàçíîñòîðîííèé. Âî-ïåðâûõ, îí ïóáëèöèñò, êîòîðîãî ñ óäîâîëüñòâèåì ïå÷àòàþò New York Times, Guardian, Observer, The Daily Telegraph è äðóãèå àâòîðèòåòíûå èçäàíèÿ. Âî-âòîðûõ, îí îñíîâàòåëü ñîáñòâåííîãî èçäàòåëüñòâà Richard Cohen Books, ñïåöèàëèçèðóþùåãîñÿ íà êà÷åñòâåííîì íîí-ôèêøíå. Íàêîíåö, îí ÷åòûðåõêðàòíûé ó÷àñòíèê áðèòàíñêîé îëèìïèéñêîé ñáîðíîé ñàáëèñòîâ (ôåõòîâàíèå íà ñàáëÿõ). Êðîìå òîãî, ñ 2004 ãîäà îí ÷èòàåò ëåêöèè â Êèíãñòîíñêîì óíèâåðñèòåòå. Åãî ñòàâøàÿ áåñòñåëëåðîì êíèãà —Â ïîãîíå çà Ñîëíöåì— îòâåòèò íà ëþáîé âîïðîñ î Ñîëíöå, êîòîðûé âû êîãäà-ëèáî õîòåëè çàäàòü, íî íå çíàëè, êîìó.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Cohen M., Histoire d une langue: le francais. (des lointaines origines a nos jours) — 1987

Considere par tous les specialistes comme un ouvrage de reference, Histoire d'une langue, le francais, publie en 1947, a ete reimprime jusqu'en 1974. Il etait epuise depuis d elongues annees. L'edition presente est une reprise de l'edition de 1967, la derniere a avoir ete revue et mise a jour par l'auteur.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Davau M., Dictionnaire du francais vivant — 1978 (Dictionnaire Bordas)

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Ïîäðîáíàÿ èíôîðìàöèÿ

Arnold P., Le livre des jeux — 1986

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Ïîäðîáíàÿ èíôîðìàöèÿ

Êîýí Ã., Èñòîðèÿ ðûöàðñòâà âî Ôðàíöèè. ýòèêåò, òóðíèðû, ïîåäèíêè — 2010 [ò.å. 2009]

Àâòîð â ñâîåé êíèãå ïîäðîáíî èññëåäóåò ïîíÿòèå è ïðîèñõîæäåíèå ðûöàðñòâà,åãî êîäåêñ è òðàäèöèè,ìîðàëüíûå êà÷åñòâà è ïðîôåññèîíàëèçì ñðåäíåâåêîâîãî ðûöàðÿ.Îñîáî óäåëåíî âíèìàíèå ðîëè ðûöàðñòâà êàê èíñòèòóòà ôåîäàëüíîãî îáùåñòâà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

The Worlds Best One Hundred Detective Stories. In ten volumes. Vol.7 — 1929

 äàííîì ñáîðíèêå âíèìàíèþ ÷èòàòåëÿ ïðåäñòàâëåíû ëó÷øèå äåòåêòèâíûå ðàññêàçû âñåìèðíî èçâåñòíûõ àâòîðîâ.

Ñîäåðæàíèå: Ñîäåðæ. ïðîèçâåäåíèÿ àâò.:Octavus Roy Cohen, Edmund Snell, R. Austin Freeman, Thomas W. Hanshew, George Barton, William B. Maxwell

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Ïîäðîáíàÿ èíôîðìàöèÿ

Cohen M., Murs. Anamneses — 1979

Recueil de po˜mes brefs sur les murs, ™chos de souvenirs, symboles d'enfermement ou espaces de libert™.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Êîýí Ä., Ñòàðòàï â Ñåòè — 2011

Ýòà êíèãà — ðåàëüíûå êåéñû îò ñòàðòàïåðîâ, ïðîøåäøèõ ïðîãðàììó TechStars, êîìïàíèè — 1 â ðåéòèíãå àìåðèêàíñêèõ áèçíåñ-àêñåëåðàòîðîâ. Ïðåäïðèíèìàòåëè-ïðàêòèêè íà ñâîåì îïûòå ðàññêàçûâàþò î òîì, êàê ðàáîòàòü ñ èäåÿìè; êàê ñîçäàâàòü è ñîâåðøåíñòâîâàòü ïðîäóêò; êàê ñîçäàâàòü öåííîñòü äëÿ ïîòðåáèòåëÿ, ÷òîáû ïîëó÷àòü ñ íåãî ðåàëüíûå äåíüãè; êàê ñîáðàòü êîìàíäó; êàê íàéòè èíâåñòîðà è ôèíàíñèðîâàíèå (è ñòîèò ëè âîîáùå ýòî äåëàòü). Ïðàêòè÷åñêè âñå ñòàðòàïû îò ôîðìóëèðîâàíèÿ èäåè äî âûïóñêà ãîòîâîãî ïðîäóêòà ïðîõîäÿò îäèí è òîò æå ïóòü. Âñå øàãè íà ýòîì ïóòè âàæíû, à ïðîïóñê èëè íåâåðíîå âûïîëíåíèå òîãî èëè èíîãî ýòàïà ìîæåò ïîãóáèòü âñå äåëî. ×òîáû óâåðåííî âûâåñòè ñâîé ïðîäóêò íà ðûíîê è èìåòü âûñîêèå øàíñû íà óñïåõ, íåîáõîäèìî îçíàêîìèòüñÿ ñ îïûòîì òåõ, êòî óæå îñóùåñòâèë ÷òî-òî ïîäîáíîå. Êíèãà îðèåíòèðîâàíà íà ìåíåäæåðîâ ñòàðòàïîâ è íà÷èíàþùèõ ïðåäïðèíèìàòåëåé

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîãåí Ã., Òåîðèÿ îïûòà Êàíòà — 2012 (Ôèëîñîôñêèå òåõíîëîãèè)

Êíèãà - ïåðâûé ïåðåâîä íà ðóññêèé ÿçûê ôóíäàìåíòàëüíîé ðàáîòû Ã.Êîãåíà, ïîñâÿùåííûé àíàëèçó êîðåííûõ ïðîáëåì êàíòîâñêîé òðàíñöåíäåíòàëüíîé ôèëîñîôèè: îáúåêòèâíîñòè. àïðîðíîñòè, âåùè â ñåáå, ïðîñòðàíñòâà, âðåìåíè, êàòåãîðèé è äð.Äàííàÿ ðàáîòà åùå ïðè æèçíè àâòîðà âûäåðæàëà òðè èçäàíèÿ (1871, 1885, 1918)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîýí Ì., Èãðû äëÿ ðàçóìà è ïàìÿòè. [Òðåíàæåð íà êàæäûé äåíü] — 2011 (Ñàì ñåáå ïñèõîëîã)

Íàäîåëî çàâÿçûâàòü óçåëêè è ðèñîâàòü êðåñòèêè íà ðóêå? Äðóçüÿ è áëèçêèå îáèæàþòñÿ íà âàøó çàáûâ÷èâîñòü? Âðåìÿ ðàáîòàòü íàä ñîáîé! Âñåãî çà ìåñÿö âû ñìîæåòå óëó÷øèòü ñâîþ ïàìÿòü è ðàçâèòü ìîçã, âåäü äëÿ êàæäîãî äíÿ ïðèäóìàíà ñâîÿ, îñîáåííàÿ èãðà. Ýòî î÷åíü âåñåëî, ïîïðîáóéòå!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîýí Ä., Ñòàðòàï â Ñåòè — 2013

"Ñòàðòàï â Ñåòè: Ìàñòåð-êëàññû óñïåøíûõ ïðåäïðèíèìàòåëåé" Ýòà êíèãà - ðåàëüíûå êåéñû îò ñòàðòàïåðîâ, ïðîøåäøèõ ïðîãðàììó TechStars, êîìïàíèè — 1 â ðåéòèíãå àìåðèêàíñêèõ áèçíåñ-àêñåëåðàòîðîâ. Ïðåäïðèíèìàòåëè-ïðàêòèêè íà ñâîåì îïûòå ðàññêàçûâàþò î òîì, êàê ðàáîòàòü ñ èäåÿìè; êàê ñîçäàâàòü è ñîâåðøåíñòâîâàòü ïðîäóêò; êàê ñîçäàâàòü öåííîñòü äëÿ ïîòðåáèòåëÿ, ÷òîáû ïîëó÷àòü ñ íåãî ðåàëüíûå äåíüãè; êàê ñîáðàòü êîìàíäó; êàê íàéòè èíâåñòîðà è ôèíàíñèðîâàíèå (è ñòîèò ëè âîîáùå ýòî äåëàòü). Ïî÷åìó êíèãà äîñòîéíà ïðî÷òåíèÿ Ïðàêòè÷åñêè âñå ñòàðòàïû îò ôîðìóëèðîâàíèÿ èäåè äî âûïóñêà ãîòîâîãî ïðîäóêòà ïðîõîäÿò îäèí è òîò æå ïóòü. Âñå øàãè íà ýòîì ïóòè âàæíû, à ïðîïóñê èëè íåâåðíîå âûïîëíåíèå òîãî èëè èíîãî ýòàïà ìîæåò ïîãóáèòü âñå äåëî. ×òîáû óâåðåííî âûâåñòè ñâîé ïðîäóêò íà ðûíîê è èìåòü âûñîêèå øàíñû íà óñïåõ, íåîáõîäèìî îçíàêîìèòüñÿ ñ îïûòîì òåõ, êòî óæå îñóùåñòâèë ÷òî-òî ïîäîáíîå. Äëÿ êîãî ýòà êíèãà Êíèãà îðèåíòèðîâàíà íà ìåíåäæåðîâ ñòàðòàïîâ è íà÷èíàþùèõ ïðåäïðèíèìàòåëåé. Êòî àâòîð Äýâèä Êîýí è Áðýä Ôåëä - ñîçäàòåëè TechStars, áèçíåñ-àêñåëåðàòîðà äëÿ ïðîåêòîâ, íàõîäÿùèõñÿ íà ðàííåì ýòàïå ðàçâèòèÿ. Öåëü TechStars - ïåðåäàòü íàêîïëåííûé îïûò âåäåíèÿ áèçíåñà íà÷èíàþùèì ïðåäïðèíèìàòåëÿì. Èç 1800 ñòàðòàïîâ TechStars åæåãîäíî îòáèðàåò òîëüêî 30 êîìàíä. Îêîëî 150 èíâåñòîðîâ è ëó÷øèõ ïðåäïðèíèìàòåëåé ïëàíåòû, çàíèìàþùèõñÿ èíòåðíåò-êîììåðöèåé, ïîìîãàþò èì ðåàëèçîâàòü èõ ïðîåêòû.  2011 ã. TechStars çàíÿë ïåðâîå ìåñòî â ïðåñòèæíîì ðåéòèíãå áèçíåñ-àêñåëåðàòîðîâ ÑØÀ, ñîñòàâëåííîì DFJ Mercury è Kellogg School of Management

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Pratchett T., The Science of Discworld IV: Judgement Day — 2014

The fourth book in the Science of Discworld series, and this time around dealing with THE REALLY BIG QUESTIONS, Terry Pratchett's brilliant new Discworld story Judgement Day is annotated with very big footnotes (the interleaving chapters) by mathematician Ian Stewart and biologist Jack Cohen, to bring you a mind-mangling combination of fiction, cutting-edge science and philosophy. Marjorie Daw is a librarian, and takes her job - and indeed the truth of words - very seriously. She doesn't know it, but her world and ours - Roundworld - is in big trouble. On Discworld, a colossal row is brewing. The Wizards of Unseen University feel responsible for Roundworld (as one would for a pet gerbil). After all, they brought it into existence by bungling an experiment in Quantum ThaumoDynamics. But legal action is being brought against them by Omnians, who say that the Wizards'god-like actions make a mockery of their noble religion. As the finest legal brains in Discworld (a zombie and a priest) gird their loins to do battle - and when the Great Big Thing in the High Energy Magic Laboratory is switched on - Marjorie Daw finds herself thrown across the multiverse and right in the middle of the whole explosive affair. As God, the Universe and, frankly, Everything Else is investigated by the trio, you can expect world-bearing elephants, quantum gravity in the Escher-verse, evolutionary design, eternal inflation, dark matter, disbelief systems - and an in-depth study of how to invent a better mousetrap.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ñþðïðèçû ôîðòóíû. àìåðèêàíñêèå íîâåëëû ñ óïðàæíåíèÿìè (Ó÷åáíûå ïîñîáèÿ çàðóáåæíûõ àâòîðîâ. àíãëèéñêèé ÿçûê)

Êíèãà ñîäåðæèò íîâåëëû àìåðèêàíñêèõ àâòîðîâ è óïðàæíåíèÿ ðàçâèòèå ÿçûêîâîé è êîììóíèêàòèâíîé êîìïåòåíöèè. Ðåêîìåíäóåòñÿ äëÿ èñïîëüçîâàíèÿ â ñðåäíèõ è âûñøèõ ó÷åáíûõ çàâåäåíèÿõ äëÿ èçó÷åíèÿ àìåðèêàíñêîãî âàðèàíòà àíãëèéñêîãî ÿçûêà íà ñòàðøåì ýòàïå, à òàêæå äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Cohen D., Diana.Death of Goddess — 2004

An investigation into the real events of the night of the 31st of August 1997 - the night Diana died. 00.23 a.m. August 31st 1997. The Mercedes driven by Henri Paul in which Princess Diana, Dodi Al Fayed and Trevor Rees-Jones were travelling crashes into a pillar in the Alma tunnel in the centre of Paris, killing Paul, Dodi and Diana and seriously injuring Rees Jones. That much is certain. But little else. Many people suspected conspiracy from the start. The Establishment dismissed the idea as paranoid. Six years on it is obvious that the true and full story what happened on the night Diana died has not been told. Now, psychologist and filmmaker David Cohen comes closer to telling what really happened that tragic night than anyone ever has. He is the first person to gain access to and take evidence from the French investigation report, and reveals for the first time much that has been deliberately concealed. He discloses why the Mercedes was taking the wrong route to Dodis flat. He uncovers incriminating information about the owner of the infamous white Fiat Uno from French security sources. He reveals Henri Pauls true role on behalf of MI6. Here, for the first time, Cohen reveals startlingly new evidence surrounding the events of that fateful night, and ask s questions which the recently opened enquiry into the accident will have to address Îïèñàíèå: Aims to tell what really happened that tragic night when Princess Diana died. This work discloses why the Mercedes was taking the wrong route to Dodi`s flat. It uncovers incriminating information about the owner of the infamous white Fiat Uno from French security sources. It reveals evidence surrounding the events of that fateful night.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Grossman D., A Horse Walks into a Bar — 2016

In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of standup. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as the awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, teetering between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood - his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring; his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth - where Lazar witnessed what became the central event of Dov's childhood - Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival. A beautiful performance by Grossman (jokes in questionable taste included).

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîýí Ð., Ïèñàòü êàê Òîëñòîé. òåõíèêè, ïðèåìû è óëîâêè âåëèêèõ ïèñàòåëåé — 2018

◦Êîýí îòïðàâëÿåòñÿ âìåñòå ñ ÷èòàòåëÿìè ê Àéðèñ ̸ðäîê çà ìóäðûì ñîâåòîì, êàê íà÷àòü ðîìàí; ê Ñàëìàíó Ðóøäè — çà ïðîíèöàòåëüíûì ðóêîâîäñòâîì, êàê ïðèäóìàòü íåíàäåæíîãî ðàññêàç÷èêà; ê Ðåäüÿðäó Êèïëèíãó — çà óêëîí÷èâûìè óêàçàíèÿì, êàê ñîçäàòü çàïîìèíàþùèõñÿ âòîðîñòåïåííûõ ïåðñîíàæåé, è ê Ëüâó Òîëñòîìó — çà ïîìîùüþ ìàñòåðà â äåëå ïðåîáðàçîâàíèÿ ëè÷íîãî îïûòà â âûìûøëåííîå èñêóññòâî. Äàæå òå ÷èòàòåëè, êòî íå èìååò íàìåðåíèé ïèñàòü ðîìàí, áóäóò íàñëàæäàòüñÿ âîçìîæíîñòüþ ïðèñîåäèíèòüñÿ ê ñâîèì ëþáèìûì àâòîðàì çà ðàáî÷èì ñòîëîì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ