Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Harris J. C., The tales of uncle Remus. [êíèãà äëÿ ÷òåíèÿ íà àíãëèéñêîì ÿçûêå — 2014 (English. Classical literature)

"Ñêàçêè äÿäþøêè Ðèìóñà" - ñîáèðàòåëüíîå íàçâàíèå ðÿäà ñêàçîê àìåðèêàíñêîãî ïèñàòåëÿ Äæîýëÿ Õàððèñà, îñíîâàííûõ íà íåãðèòÿíñêîì ôîëüêëîðå, îáúåäèíåííûõ ðàññêàç÷èêîì äÿäþøêîé Ðèìóñîì. Èñòîðèè, â îñíîâíîì ñîáðàííûå íåïîñðåäñòâåííî èç àôðî-àìåðèêàíñêîãî ôîëüêëîðà, áûëè ðåâîëþöèîííûìè â èñïîëüçîâàíèè äèàëåêòîâ, ïåðñîíàæåé æèâîòíûõ è îïèñàíèè ïåéçàæåé.  ïðåäëàãàåìîé âíèìàíèþ ÷èòàòåëåé êíèãå ïðèâîäèòñÿ òåêñò â îáðàáîòêå Äæóëèóñà Ëåñòåðà, êîòîðûé ñäåëàë åãî áîëåå ïîíÿòíûì ñîâðåìåííîìó ÷èòàòåëþ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Cambridge History of English Romantic Literature — 2009 (The New Cambridge History of English Literature)

The Romantic period was one of the most creative, intense and turbulent periods of English literature, an age marked by revolution, reaction, and reform in politics, and by the invention of imaginative literature in its distinctively modern form. This History presents an engaging account of six decades of literary production around the turn of the nineteenth century. Reflecting the most up-to-date research, the essays are designed both to provide a narrative of Romantic literature, and to offer new and stimulating readings of the key texts. One group of essays addresses the various locations of literary activity - both in England and, as writers developed their interests in travel and foreign cultures, across the world. A second set of essays traces how texts responded to great historical and social change. With a comprehensive bibliography, timeline and index, this volume will be an important resource for research and teaching in the field.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Chandler R., The big sleep. stage 4 — 2008 (Oxford bookworms library. Crime & mystery)

General Sternwood has four million dollars, and two young daughters, both pretty and both wild. He's an old, sick man, close to death, but he doesn't like being blackmailed. So he asks private detective Philip Marlowe to get the blackmailer off his back. Marlowe knows the dark side of life in Los Angeles well, and nothing much surprises him. But the Sternwood girls are a lot wilder than their old father realizes. They like men, drink, drugs - and it's not just a question of blackmail.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Russian Short Stories from Pushkin to Buida — 2005 (Penguin Classics)

From the reign of the Tsars in the early 19th century to the collapse of the Soviet Union and beyond, the short story has long occupied a central place in Russian culture. Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Chandler R., Zegnaj, laleczko — 1985

Ïîäðîáíàÿ èíôîðìàöèÿ

Nineteenth Century American Short Stories — 1978

Íîâåëëû, âêëþ÷åííûå â êíèãó, ïðåäñòàâëÿþò áîëüøîé èíòåðåñ äëÿ èçó÷åíèÿ àìåðèêàíñêîé ëèòåðàòóðû è àíãëèéñêîãî ÿçûêà â åãî àìåðèêàíñêîì âàðèàíòå. Ñáîðíèê ñíàáæåí ïðåäèñëîâèåì è êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Êíèãà ðàññ÷èòàíà íà ñòóäåíòîâ óíèâåðñèòåòîâ è èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ, íà âñåõ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àìåðèêàíñêîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

×àíäëåð Ä., Ñòà÷êà â çåëåíîé äîëèíå. ðîìàí — 1975

Ïîäðîáíàÿ èíôîðìàöèÿ

Adventures in American Literature — 1938

This new edition of Adventures in American Literature is one of five books which make up the ADVENTURES series for the senior high school. The editors have put their best thought and effort into this revision. They have consulted numerous teachers who have been teaching the text, and have received many valuable suggestions as to pruming weakness and preserving strength

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Chandler R., The Little Sister — 2010

Her name is Orfamay Quest and she`s come all the way from Manhattan, Kansas, to find her missing brother Orrin. Or leastways that`s what she tells PI Philip Marlowe, offering him a measly twenty bucks for the privilege. But Marlowe`s feeling charitable - though it`s not long before he wishes he wasn`t so sweet.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Óíãåð Ð., UX-äèçàéí. ïðàêòè÷åñêîå ðóêîâîäñòâî ïî ïðîåêòèðîâàíèþ îïûòà âçàèìîäåéñòâèÿ — 2011 (Ïðîôåññèîíàëüíî) (Ïðàêòè÷åñêîå ðóêîâîäñòâî)

Êíèãà ïðåäëàãàåò ïîäðîáíûå îïèñàíèÿ îñíîâíûõ ìåòîäèê è ïðîöåäóð, ñâÿçàííûõ ñ ïðîåêòèðîâàíèåì îïûòà âçàèìîäåéñòâèÿ, è âìåñòå ñ òåì íàãëÿäíî ïîêàçûâàåò, êàê UX-ïðîåêòèðîâàíèå âñòðàèâàåòñÿ â îáùèé êîíòåêñò ïðîåêòà ïî ðàçðàáîòêå âåá-ñàéòà èëè ïðèëîæåíèÿ. Ãëàâû, ïîñâÿùåííûå ïîäãîòîâêå êîììåð÷åñêîãî ïðåäëîæåíèÿ, ýêîñèñòåìå ïðîåêòà, ïîèñêîâîé îïòèìèçàöèè, òåñòèðîâàíèþ äèçàéíà, ïðîâåäåíèþ ñîâåùàíèé î÷åð÷èâàþò ïðàêòè÷åñêè âåñü ñïåêòð íàâûêîâ, íåîáõîäèìûõ UX-ïðîåêòèðîâùèêó, ïîïóòíî ïðåäëàãàÿ ìíîæåñòâî öåííûõ ðåêîìåíäàöèé. Èäåàëüíûé áàëàíñ öåëîñòíîñòè, ïîñëåäîâàòåëüíîñòè è ïðàêòè÷íîñòè äåëàåò ýòó êíèãó íåçàìåíèìîé êàê äëÿ òåõ, êòî òîëüêî çíàêîìèòñÿ ñ ïðîåêòèðîâàíèåì îïûòà âçàèìîäåéñòâèÿ, òàê è äëÿ îïûòíûõ UX-ïðîåêòèðîâùèêîâ. Ñ ñóòüþ è îñíîâàìè UX-ïðîåêòèðîâàíèÿ ñìîãóò îçíàêîìèòüñÿ è òå, êòî êàêèì-ëèáî îáðàçîì âîâëå÷åí â ñîçäàíèå âåá-ñàéòîâ èëè ïðîãðàììíûõ ïðèëîæåíèé ëèáî ïðîñòî çàèíòåðåñîâàëñÿ ýòîé íîâîé è áóðíî ðàçâèâàþùåéñÿ äèñöèïëèíîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Nineteenth Century American Short Stories — 1970

Íîâåëëû, âêëþ÷åííûå â êíèãó, ïðåäñòàâëÿþò áîëüøîé èíòåðåñ äëÿ èçó÷åíèÿ àìåðèêàíñêîé ëèòåðàòóðû è àíãëèéñêîãî ÿçûêà â åãî àìåðèêàíñêîì âàðèàíòå. Ñáîðíèê ñíàáæåí ïðåäèñëîâèåì è êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Êíèãà ðàññ÷èòàíà íà ñòóäåíòîâ óíèâåðñèòåòîâ è èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ, íà âñåõ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ àìåðèêàíñêîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Chandler R., Farewell,My Lovely — 1992

Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Der rote Seidenschal. Geschichten um die beruhmtesten Detektive der Weltliteratur — cop.1987

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Chandler R., Volume one. The Chandler Collection — 1983

In everything that can be called high art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man... He must be the best man in his world and a good enough man for any world. He is a relatively poor man or he would not be a detective at all. He is a common man or he would not go among common people. He has a sense of character, or he would not know his job. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks, that is with rude wit, a lively sense of the grotesque, a disgust for sham and a contempt for pettiness.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

World Omnibus of Science Fiction — 1986

From China to Chile, Africa to North America -- science fiction from all four corners of the globe and beyond.... Each story in this volume is dramatically different, vividly 'other'. The mystery of the disappearing lunatics, a clever computer crime, a semi-anthropological legend from Japan, erotic fantasy...the choice is yours: spoil yourself with this galactic confection -- as delicious as it is diverse.

Ñîäåðæàíèå: The Half-wit of Xeenemuende/J.Nesvadba (Czechoslovakia)/Alter Ego/H.Correa (Chile)/A Perfect Marriage/A.Carneiro (Brazil)/The Legend of the PaperSpaceship/T.Yano (Japan)/Small World/B.Shaw (Great Britain)/The Whore of Babylon/L.Zeldis (Iarael)/Cost of Living/R.Sheckley (U.S.A.)/Night Broadcast/I.Hobana (Romania)/A Perfect Christmas Evening/K.Fialkowski(Poland)/A Meeting in Georgestown/J.Bing (Norway)/Victims of Time/B.S.Rao (India)/Myxomatosis Forte/B.Martensson (Sweden)/BCO Equipment/K.M.Armer (West Germany)/Six Matches/A.&B.Strugatsky (U.S.S.R.)/The Ring/G.Hudec (Yogoslavia)/"Oh, Lenore!" Came the Echo/C.M.Federici (Uruguay)/Quo Vadis, Francisco?/L.Aldani (Italy)/Forward, Mankind!/L.Dilov (Bulgaria)/The Mirror Image of the Earth/Z.Wenguang (China)/The New Prehistory/R.Robetez-Cortes (Colombia)/Equality/Q.K.Yu (Singapore)/Rising Sun/P.Lengyel (Hungary)/The Lens/A.van Ewyck (Holland)/Progenitor/P.Curval (France)/The Cage/B.Chandler (Australia)/An Imaginary Journey to the Moon/V.Sabah (Ghana)/

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ