Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Îäíî èç ñàìûõ ïîïóëÿðíûõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû, ñî÷åòàþùåå â ñåáå ïðîñòîòó äåòñêîé ñêàçêè ñ ïðè÷óäëèâîé èãðîé ëîãè÷åñêèõ ãîëîâîëîìîê, ïðèãëàøàþùåå ÷èòàòåëÿ â óâëåêàòåëüíîå ïóòåøåñòâèå, ïîëíîå òàéí è íåîæèäàííûõ îòêðûòèé, àäàïòèðîâàíî â íàñòîÿùåì èçäàíèè ïî ìåòîäó Èëüè Ôðàíêà

Àííîòàöèÿ:  êíèãå ïðåäñòàâëåíà ïîâåñòü Ëüþèñà Êýððîëëà (1832-1898) î íîâûõ ïðèêëþ÷åíèÿõ ïîëþáèâøåéñÿ ÷èòàòåëÿì ãåðîèíè. Òåêñò ïðîèçâåäåíèÿ àäàïòèðîâàí (áåç óïðîùåíèÿ òåêñòà îðèãèíàëà) ïî ìåòîäó Èëüè Ôðàíêà

Àííîòàöèÿ: Óâèäåâ îäíàæäû ñòðàííîãî áåëîãî êðîëèêà ñ êàðìàííûìè ÷àñàìè, Àëèñà òóò æå ñëåäóåò çà íèì. Âåäü åé íåîáõîäèìî óçíàòü, çà÷åì êðîëèêó íóæíû êàðìàííûå ÷àñû? Êóäà âåäåò êðîëè÷üÿ íîðà? È ãëàâíîå: ÷åì âîðîí ïîõîæ íà ïèñüìåííûé ñòîë? Òåêñò ïðîèçâåäåíèé àäàïòèðîâàí è ñîïðîâîæäàåòñÿ ñëîâàðåì. Ïðåäíàçíà÷àåòñÿ äëÿ íà÷èíàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê (óðîâåíü Elementary).

Àííîòàöèÿ: Ëüþèñ Êýððîëë, íàñòîÿùåå èìÿ ×àðëüç Äîäæñîí, — àíãëèéñêèé ïèñàòåëü, ìàòåìàòèê, ëîãèê, ôèëîñîô, äèàêîí è ôîòîãðàô.  èçäàíèå âîøëè äâå ïîâåñòè-ñêàçêè "Àëèñà â Ñòðàíå ÷óäåñ" (1865) è "Àëèñà â Çàçåðêàëüå" (1871). Íåïîäðàæàåìûé àâòîðñêèé ñòèëü ïîâåñòâîâàíèÿ, ïóòåøåñòâèÿ â ôàíòàñòè÷åñêèå ìèðû ñ ïðè÷óäëèâûìè ãåðîÿìè è ïî ñåé äåíü çàõâàòûâàþò íå òîëüêî þíûõ, íî è âçðîñëûõ ÷èòàòåëåé.

Àííîòàöèÿ:  ñáîðíèê âîøëè èçáðàííûå ïðîèçâåäåíèÿ àíãëèéñêîãî ïèñàòåëÿ Ëüþèñà Êýððîëëà, ïðèíåñøèå åìó ñëàâó íàðÿäó ñî ñêàçêàìè îá Àëèñå, - "Îõîòà íà Óãàäà", "Òðè ãîëîñà", "Ôîòîñú¸ìêà Ãàéàâàòû", "Çàòÿíóâøååñÿ ñâàòîâñòâî" è äðóãèå - â ïåðåâîäàõ è ñ êîììåíòàðèÿìè ëèíãâèñòà è ïåðåâîä÷èêà, äîêòîðà ôèëîëîãè÷åñêèõ íàóê Ä.È.Åðìîëîâè÷à. Íåêîòîðûå ïðîèçâåäåíèÿ âïåðâûå ïóáëèêóþòñÿ â ïîëíîé îðèãèíàëüíîé âåðñèè è â ïðîôåññèîíàëüíîì ïåðåâîäå íà ðóññêèé ÿçûê.  ðàçäåë "Ïðèëîæåíèå" âêëþ÷åíû îáðàçöû òâîð÷åñòâà ìàñòåðîâ àíãëèéñêîé ïîýçèè íîíñåíñà Ý.Ëèðà è À.Ìèëíà. Âñå ëèòåðàòóðíûå òåêñòû íàïå÷àòàíû â êíèãå ïàðàëëåëüíî íà àíãëèéñêîì è ðóññêîì ÿçûêàõ.

Àííîòàöèÿ:  êíèãå òåêñò ïðîèçâåäåíèÿ íà ÿçûêå îðèãèíàëà ïîâòîðÿåòñÿ äâàæäû: ñíà÷àëà ñ ëåêñèêî-ãðàììàòè÷åñêèì êîììåíòàðèåì è äîñëîâíûì ïåðåâîäîì íåêîòîðûõ ôðàç, çàòåì áåç êàêèõ-ëèáî ïîäñêàçîê. Íà÷èíàþùèì èçó÷àòü ÿçûê ðåêîìåíäóåòñÿ ñíà÷àëà îçíàêîìèòüñÿ ñ êîììåíòèðîâàííûì òåêñòîì, à çàòåì ïåðåõîäèòü ê îðèãèíàëüíîìó. Òåì æå, êòî óæå èìååò îïûò ÷òåíèÿ íà èíîñòðàííîì ÿçûêå, ëó÷øå ïîñòóïàòü íàîáîðîò: ÷èòàòü òåêñò áåç êîììåíòàðèåâ è ïîäñêàçîê, ïðè íåîáõîäèìîñòè çàãëÿäûâàÿ â àäàïòèðîâàííûé âàðèàíò äëÿ êîíòðîëÿ ïîíèìàíèÿ ïðî÷èòàííîãî. ×åðåç íåêîòîðîå âðåìÿ îáó÷àþùèéñÿ ñìîæåò ñâîáîäíî ÷èòàòü íà ÿçûêå îðèãèíàëà, áåç çóáðåæêè çàïîìíèò ìíîãèå ñëîâà è âûðàæåíèÿ è ïðèâûêíåò ê ïðàâèëàì óïîòðåáëåíèÿ ãðàììàòè÷åñêèõ êîíñòðóêöèé â åñòåñòâåííûõ óñëîâèÿõ ôóíêöèîíèðîâàíèÿ ÿçûêà. Êíèãà ÿâëÿåòñÿ îòëè÷íûì ó÷åáíûì ïîñîáèåì äëÿ âñåõ, êòî èçó÷àåò èíîñòðàííûé ÿçûê, íåçàâèñèìî îò óðîâíÿ âëàäåíèÿ èì.

Àííîòàöèÿ: "Àëèñà â Çàçåðêàëüå" Ëüþèñà Êýððîëëà â ôîðìàòå êíèãè è àóäèîäèñêà çàèíòåðåñóåò âñåõ, êòî èçó÷àåò àíãëèéñêèé ÿçûê. Íåàäàïòèðîâàííûé òåêñò ïîðàäóåò ÷èòàòåëÿ íåïîäðàæàåìûì àíãëèéñêèì þìîðîì è òîíêîé èãðîé ñëîâ, êîòîðîé ñëàâèòñÿ Ëüþèñ Êýððîëë. Ïàðàëëåëüíûé ïåðåâîä íà ðóññêèé ïîäñêàæåò, êàê ïåðåâîäèòü "íåïåðåâîäèìûå" øóòêè è èäèîìû. ×èòàÿ è ñëóøàÿ òåêñòû íà àíãëèéñêîì ÿçûêå, âû óëó÷øèòå ñâîè íàâûêè ÷òåíèÿ è âîñïðèÿòèÿ íà ñëóõ èíîÿçû÷íîé ðå÷è.Äëÿ óãëóáëåíèÿ çíàíèé àíãëèéñêîãî è îáëåã÷åíèÿ ïîíèìàíèÿ òåêñòà ïðåäëàãàþòñÿ óïðàæíåíèÿ è ñëîâàðü. Êíèãà áóäåò èíòåðåñíà è ïîëåçíà øêîëüíèêàì, àáèòóðèåíòàì, ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: Ëèòåðàòóðíûé øåäåâð Ëþèñà Êýððîëëà "Îõîòà íà Ñíàðêà" áîëåå ñòà ëåò ïðåáûâàë â òåíè äâóõ "Àëèñ", à ñîâðåìåííèêè ïèñàòåëÿ ñ÷èòàëè ýòó ïîýìó "áðåäîâûì è áåçâðåäíûì ïîëåòîì ôàíòàçèè". Íûíåøíèå èññëåäîâàòåëè òâîð÷åñòâà Êýððîëëà òðàêòóþò ýòî ïðîèçâåäåíèå êàê òðèóìô ìàñòåðà íîíñåíñà, çíàìåíóþùèé óõîä îò ðåàëüíîé äåéñòâèòåëüíîñòè, êàê ñþððåàëèñòè÷åñêóþ ïîýìó îá ýêçèñòåíöèàëüíîé àãîíèè.

Àííîòàöèÿ: In Carroll's sequel to Alice's Adventures in Wonderland, Alice once again finds herself in a bizarre and nonsensical place when she passes through a mirror and enters a looking-glass world where nothing is quite as it seems. From her guest appearance as a pawn in a chess match to her meeting with Humpty Dumpty, Through the Looking Glass follows Alice on her curious adventure and shows Carroll's great skill at creating an imaginary world full of the fantastical and extraordinary.

Àííîòàöèÿ: Ïðåêðàñíàÿ ñêàçêà î ïóòåøåñòâèè è âîëøåáíûõ ïðèêëþ÷åíèÿõ äåâî÷êè Àëèñû. Ýòà êíèãà òðóäíî ïåðåâîäèìà íà äðóãèå ÿçûêè. Îíà âñÿ ïîñòðîåíà íà èãðå ñëîâ, íà èñïîëüçîâàíèè àíãëèéñêèõ íàðîäíûõ ïîñëîâèö, ïîãîâîðîê, ñ÷èòàëîê, ñòèõîòâîðåíèé è ïåñåíîê, çíàêîìûõ ñ äåòñòâà êàæäîìó áðèòàíñêîìó øêîëüíèêó. Èçäàíèå ðàññ÷èòàíî íà ó÷àùèõñÿ îáùåîáðàçîâàòåëüíûõ øêîë, ãèìíàçèé è êîëëåäæåé, óãëóáëåííî èçó÷àþùèõ àíãëèéñêèé ÿçûê

Àííîòàöèÿ: The two 'Alice' books are masterpieces of carefree nonsense for children and also embody layers of satire and allusion and mathematical, linguistic, and philosophical jokes. This new edition explores their complex status and the many interpretations of them, taking account of the most recent research and critical opinion.'But I don't want to go among mad people,' Alice remarked. 'Oh, you can't help that,' said the Cat. 'We're all mad here.' The 'Alice' books are two of the most translated, most quoted, and best-known books in the world, but what exactly are they? Apparently delightful, innocent fantasies for children, they are also complex textures of mathematical, linguistic, and philosophical jokes. Alice's encounters with the White Rabbit, the Cheshire-Cat, the King and Queen of Hearts, the Mad Hatter, Tweedledum and Tweedledee and many other extraordinary characters have made them masterpieces of carefree nonsense, yet they also appeal to adults on a quite different level. Layers of satire, allusion, and symbolism about Victorian culture and politics, as well as revelations about the intricate subconscious problems of their author, add to their fascination and make them impossible to classify. This new edition explores the phenomenal range of reference, and the paradoxical appeal of two of the most inventive books in world literature. It also includes an episode removed by Carroll from the proofs of Through the Looking-Glass, called 'The Wasp in a Wig'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more

Àííîòàöèÿ: Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Àííîòàöèÿ: "I wish I could get through into looking-glass house," Alice said. "Let's pretend that the glass has gone soft and... Why, I do believe it has! It's turning into a kind of cloud!" A moment later Alice is inside the looking-glass world. There she finds herself part of a great game of chess, travelling through forests and jumping across brooks. The chess pieces talk and argue with her, give orders and repeat poems... It is the strangest dream that anyone ever had...

Àííîòàöèÿ: Famed for his Alice in Wonderland and Through the Looking Glass, Lewis Caroll produced comic verse, puzzles and much more, all of which are included in this complete illustrated collection.

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: Lewis Carroll (Charles Lutwidge Dodgson) is famed for his magical stories, Alice in Wonderland and Through the Looking-Glass, here illustrated throughout the inner pages by Sir John Tenniel's much loved drawings. However, inspired by the insatiable Victorian appetite for party games, tricks and conundrums, this eccentric and polymathical Englishman also wrote many other works of a humorous, witty, whimsical and nonsensical nature such as the mock-heroic nonsense verse 'The Hunting of the Snark', as well as dozens of other verses, stories, acrostics and puzzles, all of which are included in this volume. Oxford scholar, Church of England Deacon, University Lecturer in Mathematics and Logic, academic author of learned theses, gifted pioneer of portrait photography, colourful writer of imaginative genius and yet a shy and pedantic man, Lewis Carroll stands pre-eminent in the pantheon of inventive literary geniuses.

Àííîòàöèÿ: This work is a selection of Carroll's works, and includes "Alice's Adventures in Wonderland" and its sequel "Through the Looking Glass". Also included are some of the author's miscellaneous pieces of work

Àííîòàöèÿ: On an ordinary summer's afternoon, Alice tumbles down a hole and an extraordinary adventure begins. In a strange world with even stranger characters, she meets a grinning cat and a rabbit with a pocket-watch, joins a mad tea-party and plays croquet with the Queen! Lost in this fantasy land, Alice finds herself growing more and more curious by the minute...

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.

Àííîòàöèÿ: A selection of Carroll's works, which includes "Alice`s Adventures in Wonderland" and its sequel, "Through the Looking-Glass". Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness, there is meaning everywhere