Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: A selection of Carroll's works, which includes "Alice`s Adventures in Wonderland" and its sequel, "Through the Looking-Glass". Through wordplay, parody and logical and philosophical puzzles, Carroll engenders a variety of sub-texts, teasing, ominous or melancholy. For all the surface playfulness, there is meaning everywhere

Àííîòàöèÿ: Alice`s second set of adventures takes her into a world even curiouser than Wonderland. She finds herself caught up in the great looking-glass chess game and sets off to become a queen. It isn`t as easy as she thinks: at every step she is hindered by nonsense characters who crop up and insist on reciting poems

Àííîòàöèÿ:  èçäàíèè ïðåäñòàâëåíû ïîä îäíèì ïåðåïëåòîì êëàññè÷åñêàÿ äåòñêàÿ ïîâåñòü-ñêàçêà àíãëèéñêîãî ïèñàòåëÿ Ëüþèñà Êýððîëëà â îðèãèíàëå è åå ïåðåâîä-ïåðåñêàç, ïðèíàäëåæàùèé ïåðó èçâåñòíîãî ðóññêî-àìåðèêàíñêîãî ïèñàòåëÿ, êëàññèêà ÕÕ âåêà Âëàäèìèðà Íàáîêîâà.

Àííîòàöèÿ: Àíãëèÿ-ñòðàíà,ïîðîäèâøàÿ âåëèêóþ ïëåÿäó þðèñòîâ, êëàññèêîâ ìèðîâîé ëèòåðàòóðû.Òðàäèöèè,çàëîæåííûå Øåêñïèðîì,Ôèëäèíãîì,Ñòåðíîì,Äèêêåíñîì,ïðîäîëæàþò è ðàçâèâàþò àíãëèéñêèå þìîðèñòû XIX-XX ñòîëåòèé:Äæåðîì Ê.Äæåðîì, Ã.Ê.×åñòåðòîí, Õ.Áåëëîê, Äæ.Ìèêåø è äðóãèå, ñ òâîð÷åñòâîì êîòîðûõ è ïîçíàêîìèò äàííûé ñáîðíèê.Èçäàíèå ïðåäíàçíà÷åíî êàê âëàäåþùèì àíãëèéñêèì ÿçûêîì, òàê è èçó÷àþùèì åãî

Àííîòàöèÿ:  ñáîðíèê âîøëè íàèáîëåå èçâåñòíûå îáðàçöû øèðîêî ðàñïðîñòðàíåííîãî â àíãëî-àìåðèêàíñêîé ëèòåðàòóðíîé òðàäèöèè æàíðà ïàðîäèè. ×èòàòåëü ïîçíàêîìèòñÿ êàê ñ ïàðîäèÿìè íà òâîð÷åñòâî èçâåñòíûõ ïèñàòåëåé- Äèêêåíñà, Êóïåðà, Ëîíãôåëëî, Ãîëñóîðñè è äð., òàê è ñ ïàðîäèÿìè íà îòäåëüíûå ëèòåðàòóðíûå æàíðû - äåòåêòèâ, ñåíòèìåíòàëüíûé ðîìàí, ëèòåðàòóðîâåä÷åñêóþ ñòàòüþ è ïð. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: The fifth volume of Poets of the English Language brings together the most representative poets of two latter-day groups. In style and craftsmanship the poetry of the last half of the nineteenth century and first part of the twentieth extended, developed, and refined the discoveries of the early Romantics.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Alice's second adventure takes her through the looking glass to a place even curiouser than Wonderland. She finds herself caught up in the great looking glass chess game and sets off to become a queen. It isn't as easy as she expects: at every step she is hindered by nonsense characters who crop up and insist on reciting poems. Some of these poems, such as "The Walrus and The Carpenter" and "Jabberwocky" are as famous as the Alice stories themselves. Macmillan was the original publisher of Alice in 1865 and is proud to remain true to the vision of its creators. Every bit as iconic are Sir John Tenniel's remarkable illustrations, perfectly capturing the combination of the ordinary and the extraordinary at the heart of Wonderland.

Àííîòàöèÿ: There, on top of the mushroom, was a large caterpillar, smoking a pipe. After a while the Caterpillar took the pipe out of its mouth and said to Alice in a slow, sleepy voice, 'Who are you?'. What strange things happen when Alice falls down the rabbit-hole and into Wonderland! She has conversations with the Caterpillar and the Cheshire Cat, goes to the Mad Hatter's tea party, plays croquet with the King and Queen of Hearts...

Àííîòàöèÿ: Êíèãà çíàêîìèò ÷èòàòåëÿ ñ òâîð÷åñòâîì èçâåñòíîãî àíãëèéñêîãî ïèñàòåëÿ Ëüþèñà Êýððîëëà. Åãî áåññìåðòíàÿ ñêàçêà"Àëèñà â Çàçåðêàëüå" ÿâëÿåòñÿ ïðîäîëæåíèåì "Ïðèêëþ÷åíèé Àëèñû â Ñòðàíå ×óäåñ". Äåâî÷êà Àëèñà, ïîïàâ ïî òó ñòîðîíó çåðêàëà, îêàçûâàåòñÿ â ñêàçî÷íîé ñòðàíå, ãäå åå æäåò ìíîãî èíòåðåñíûõ, çàáàâíûõ, à ïîðîé è îïàñíûõ âñòðå÷. Òåêñò êíèãè àäàïòèðîâàí, ñíàáæåí ïîñòðàíè÷íûì êîììåíòàðèåì, óïðàæíåíèÿìè è àíãëî-ðóññêèì ñëîâàðåì. Ïîñîáèå ìîæåò áûòü èñïîëüçîâàíî êàê íà óðîêàõ àíãëèéñêîãî ÿçûêà, òàê è â êà÷åñòâå óâëåêàòåëüíîãî ÷òåíèÿ.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå ïî ÷òåíèþ íà àíãëèéñêîì ÿçûêå äëÿ ñðåäíåé øêîëû ñîäåðæèò àóòåíòè÷íûå òåêñòû è óïðàæíåíèÿ äëÿ ó÷àùèõñÿ íà îñíîâå àäàïòèðîâàííûõ íîñèòåëÿìè ÿçûêà êíèã äëÿ ÷òåíèÿ ñåðèè Longman Classics. Øèðîêèé âûáîð óïðàæíåíèé ïîçâîëèò ïðåïîäàâàòåëþ ó÷èòûâàòü ïðè îáó÷åíèè èíäèâèäóàëüíûå îñîáåííîñòè ó÷àùèõñÿ è óäåëÿòü îñîáîå âíèìàíèå ðàçâèòèþ ó íèõ ñïîñîáíîñòè ê ñàìîñòîÿòåëüíîé ðàáîòå. Ïîñîáèå îðèåíòèðîâàíî íà ôîðìèðîâàíèå ó ó÷àùèõñÿ ñâîáîäíîãî âëàäåíèÿ ÿçûêîì â öåëîì, âî âçàèìîñâÿçè ìåæäó îòäåëüíûìè íàâûêàìè (÷òåíèå, ïîíèìàíèå íà ñëóõ, ïèñüìåííàÿ è óñòíàÿ ðå÷ü).

Àííîòàöèÿ: Ïàðàëëåëüíûé òåêñò íà àíãëèéñêîì è ðóññêîì ÿçûêàõ.Ïðåäëàãàåìûé êîìïëåêò èç êíèãè è àóäèîäèñêà ïîìîæåò âàì óñîâåðøåíñòâîâàòü çíàíèå àíãëèéñêîãî ÿçûêà. Âû ñìîæåòå ïîçíàêîìèòüñÿ ñ ïðèêëþ÷åíèÿìè âñåìè ëþáèìîé ãåðîèíè çíàìåíèòîé ñêàçêè Ëüþèñà Êýððîëëà íà ÿçûêå îðèãèíàëà è óëó÷øèòü íàâûêè ÷òåíèÿ, ñðàâíèâàÿ àíãëèéñêèé òåêñò ñ ðóññêèì ïåðåâîäîì. Äëÿ îáëåã÷åíèÿ ïîíèìàíèÿ òåêñòà è ñîâåðøåíñòâîâàíèÿ çíàíèé àíãëèéñêîãî ïðåäëàãàþòñÿ óïðàæíåíèÿ è ñëîâàðü.Àóäèîäèñê ñ çàïèñüþ îðèãèíàëüíîãî òåêñòà, îñóùåñòâëåííûé íîñèòåëåì ÿçûêà, ïîìîæåò ðàçâèòü íàâûêè âîñïðèÿòèÿ íà ñëóõ àíãëèéñêîé ðå÷è. Òàêæå âû ñìîæåòå ïðîñëóøàòü ñêàçêó è íà ðóññêîì ÿçûêå â êëàññè÷åñêîì ïåðåâîäå è ñîïîñòàâèòü àíãëèéñêóþ è ðóññêóþ âåðñèè.Êíèãà ïðåäíàçíà÷åíà ñòàðøèì øêîëüíèêàì, àáèòóðèåíòàì, ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.Ñëîâàðü, óïðàæíåíèÿ, êîììåíòàðèè Å.Â. Êàðïåíêî.

Àííîòàöèÿ: Weary of her storybook, one "without pictires or conversations," the young and imaginitive Alice follows a hasty hare underground - to come face-to-face with some of the strangest adventures and most fantastic characters in all of literature. The Ugly Duchess, the Mad Hatter, the weeping Mock Turtle, the diabolical Queen of Hearts, the Cheshire Cat - each more eccentric than the last - could only have come from that master of sublime nonsense, Lewis Carroll. In penning this brilliant burlesque of children's literature, this farcical satire of rigid Victorian society, this arresting parody of the fears, anxieties, and complexities of growing up, Carroll was one of the few adult writers to enter successfully the children's world of make-believe, where the impossible becomes possible, the unreal, real, and where the heights of adventure are limited only by the depths of imagination.

Àííîòàöèÿ: Ïðèêëþ÷åíèÿ Àëèñû â Ñòðàíå ÷óäåñ è â Çàçåðêàëüå íà íåìåöêîì ÿçûêå.

Àííîòàöèÿ: When Trough the Looking glass was published in 1871, readers were as delighted with that book as they were with Lewis Carroll's first masterpiece, Alice's Adventures in Wonderland. In the topsy-turvy world that lies beyond the looking-glass, Alice meets such fantastical characters as Tweedledum and Tweedledee, Humpty Dumpty, and the Jabberwock. For over 120 years John Tenniel's superb illustrations have been the perfect complement to Lewis Carroll's timeless story. This is the first edition of Looking-glass to reproduce Tenniel's exquisite drawings from engravings taken directly from the original woodblocks. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible. The pictures for the first edition of Looking-glass were created by transferring the artist's drawings to woodblocks. These original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during the printing process, and over time, many of the fine lines in Tenniel's pictures simply vanished. The original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault. Now, for the first time, engravings from these woodblocks have been used to produce a deluxe gift edition. At last, readers can see the Looking-glass that Carroll and Tenniel had originally intended.

Àííîòàöèÿ: On an ordinary summer`s afternoon, Alice tumbles down a hole and an extraordinary adventure begins. In a strange world with even stranger characters, she meets a rabbit with a pocket watch, joins a Mad Hatter`s Tea Party, and plays croquet with the Queen! Lost in this fantasy land, Alice finds herself growing more and more curious by the minute...With a wonderfully inspiring introduction by Chris Riddell, "Alice`s Adventures in Wonderland" is one of the twelve brilliant classic stories being relaunched in "Puffin Classics".

Àííîòàöèÿ: For over half a century, Martin Gardner has established himself as one of the world's leading authorities on Lewis Carroll. His Annotated Alice, first published in 1960, has over half a million copies in print around the world and is highly sought after by families and scholars alike -- for it was Gardner who first decoded the wordplay and the many mathematical riddles that lie embedded in Carroll's two classic stories: Alice's Adventures in Wonderland and Through the Looking Glass.Forty years after this groundbreaking publication, Norton is proud to publish the Definitive Edition of The Annotated Alice, a work that combines the notes of Gardner's 1960 edition with his 1990 update, More Annotated Alice, as well as additional new discoveries and updates drawn from Gardner's encyclopedic knowledge of the texts. Illustrated with John Tenniel's classic and beloved art -- along with many recently discovered Tenniel pencil sketches -- The Annotated Alice will be Gardner's most beautiful and enduring tribute to Carroll's masterpieces yet

Àííîòàöèÿ: Ôàíòàñòè÷åñêàÿ ñêàçêà àíãëèéñêîãî ïèñàòåëÿ 19 â. Ë.Êýððîëëà íàïèñàíà ëåãêèì, äîñòóïíûì ÿçûêîì è ìîæåò áûòü èñïîëüçîâàíà äëÿ ÷òåíèÿ óæå íà ìëàäøèõ êóðñàõ íåÿçûêîâûõ âóçîâ.