Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Jazz and Blues: Stars & Hits - The Ultimate Songbook Collection: arranged for Piano / Vocal / Guitar — 2009 (Stars & Hits)

Ñîäåðæàíèå: Alexander's Ragtime Band / Bessie SMITH. Begin The Beguine; Bewitched; Embraceable You; Love Walked In; Oh, Lady Be Good!; The Man I Love; Witchcraft / Ella FITZGERALD. Cheek To Cheek / Louis ARMSTRONG. Don't Let Me Be Misunderstood; I Put A Spell On You; Love Me Or Leave Me; Mood Indigo; My Baby Just Cares For Me; Ne Me Quitte Pas: (If You Go Away) / Nina SIMONE. Fascinatin' Rhythm / Jamie CULBUM. Home; Lost; Moondance / Michael BUBLE. I Get A Kick Out Of You; I've Got You Under My Skin / Frank SINATRA. I Got Rhythm / Liza MINELLI. I Happen To Like New York; Night And Day / Cole PORTER. I Love Paris / Lil O. Love For Sale / Aretha FRANKLIN. Miss Otis Regrets / Nat KING COLE. Mr. Bojangles / Sammy DAVIES jr. My Funny Valentine / Chet BAKER. 'Round Midnight / Carmen McRAE. Say It Isn`t So / Julie LONDON. Smoke Gets In Your Eyes / The PLATTERS. So In Love / Peggy LEE. Stormy Weather / Dinah WASHINGTON. The Lady Is A Tramp / Rosemary CLOONEY. The Look Of Love / Diana KRALL. What A Difference A Day Made / Sarah VAUGHN

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîðîòêèå ðàññêàçû äëÿ ÷òåíèÿ è îáñóæäåíèÿ. ó÷åáíîå ïîñîáèå äëÿ ó÷àùèõñÿ âûñøèõ è ñðåäíèõ ó÷åáíûõ çàâåäåíèé — 2010

Ïðåäëàãàåìîå ïîñîáèå, ñîñòàâëåííîå íà ìàòåðèàëå ðàññêàçîâ àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé, ñòàâèò ñâîåé öåëüþ ðàçâèòèå íàâûêîâ ÷òåíèÿ è óñòíîé ðå÷è. Ïîñîáèå ñîäåðæèò ìàòåðèàëû äëÿ àóäèðîâàíèÿ. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñòàðøèõ êëàññîâ øêîë ñ óãëóáëåííûì èçó÷åíèåì àíãëèéñêîãî ÿçûêà, ëèöåèñòîâ è ãèìíàçèñòîâ, ñòóäåíòîâ, ó÷àùèõñÿ êóðñîâ è ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àìåðèêàíñêàÿ ïîâåñòü Êíèãà 2 — 1991

 ñîñòàâ òîìà «Àìåðèêàíñêàÿ ïîâåñòü» (êíèãà âòîðàÿ) âõîäÿò ïÿòü ïðîèçâåäåíèé, ïðåäñòàâëÿþùèõ ðàçâèòèå æàíðà ïîâåñòè â ÑØÀ â XX âåêå. Ñðåäè ïèñàòåëåé, âêëþ÷åííûõ â ñáîðíèê - Ý. Óîðòîí, Ó. Ôîëêíåð, Äæ. Ñòåéíáåê è äð.

Ñîäåðæàíèå: Ýäèò Óîðòîí. Ñëèøêîì ðàííèé ðàññâåò. Ïåðåâîä A. Ñòàðöåâà (ñ. 6); Ýðñêèí Êîëäóýëë. Ñëó÷àé â èþëå. Ïåðåâîä Í. Äàðóçåñ (ñ. 55); Óèëüÿì Ôîëêíåð. Ñòàðèê. Ïåðåâîä À. Ìèõàëåâà (ñ. 172); Äæîí Ñòåéíáåê. Æåì÷óæèíà. Ïåðåâîä È. Âîëæèíîé (ñ. 270); Òðóìåí Êàïîòå. Çàâòðàê ó Òèôôàíè. Ïåðåâîä B. Ãîëûøåâà (ñ. 337); Êîììåíòàðèè À. Ñòàðöåâà (ñ. 407)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Êàãàíîâà À.Ô., English for Extra-mural Students. ïîñîáèå ïî àíãëèéñêîìó ÿçûêó äëÿ ñòàðøèõ êóðñîâ çàî÷íûõ îòä. èí-òîâ èíîñòð. ÿçûêîâ — 1980

Öåëü ïîñîáèÿ-äàëüíåéøåå ðàçâèòèå íàâûêîâ óñòíîé è ïèñüìåííîé ðå÷è, ðàñøèðåíèå ñëîâàðÿ è çàêðåïëåíèå ÿçûêîâûõ ñòðóêòóð, ÷òî äîñòèãàåòñÿ îïðåäåëåííîé ñèñòåìîé óïðàæíåíèé.  ïîñîáèå âêëþ÷åíû îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ àâòîðîâ ÕÕ â., ðàçíîîáðàçíûå ïî òåìàòèêå, ÿçûêó è ñòèëþ. Ïîñîáèå ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ çàî÷íûõ îòäåëåíèé èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî ñîâðåìåííîé àìåðèêàíñêîé ëèòåðàòóðå (1917-1941) — 1974

Õðåñòîìàòèÿ ÿâëÿåòñÿ ïðàêòè÷åñêèì ïîñîáèåì äëÿ ñòóäåíòîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è àìåðèêàíñêóþ ëèòåðàòóðó.  õðåñòîìàòèè ïðåäñòàâëåíû îòðûâêè èç ïðîèçâåäåíèé êðóïíûõ àìåðèêàíñêèõ ïðîçàèêîâ è ïîýòîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

50 Great American Short Stories — 1972

A brilliant,far-reaching collection of stories from Washington Irving to John Updike

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

American Satire. Satirical Short Stories and Essays — 1966

 íàñòîÿùåì ñáîðíèêå ñîáðàíû ñàòèðè÷åñêèå ïðîèçâåäåíèÿ àìåðèêàíñêèõ ïèñàòåëåé îò Áåíäæàìèíà Ôðàíêëèíà äî íàøèõ äíåé. Êàê èçâåñòíî,þìîðèñòè÷åñêàÿ è ñàòèðè÷åñêàÿ ñòðóÿ âñåãäà áûëè ñèëüíû â àìåðèêàíñêîé ëèòåðàòóðå. Íå ãîâîðÿ óæå î ïðîôåññèîíàëüíûõ þìîðèñòàõ è ñàòèðèêàõ,â ÑØÀ íå íàéäåòñÿ,ïîæàëóé,íè îäíîãî êðóïíîãî ïèñàòåëÿ,êîòîðûé áû â òîé èëè èíîé ñòåïåíè íå îòäàë äàíü ýòîìó æàíðó.Ïðè ðàçìåùåíèè ðàññêàçîâ â êíèãå ñîáëþäàëîñü äâà óñëîâèÿ:ïðåäñòàâèòåëü àâòîðîâ â õðîíîëîãè÷åñêîì ïîðÿäêå è â òàêîì æå ïîðÿäêå-ðàññêàçû,â òåõ ñëó÷àÿõ,êîãäà èçâåñòíà äàòà èõ ïåðâîãî íàïå÷àòàíèÿ.Êàæäîìó àâòîðó ïîñâÿùåíà íåáîëüøàÿ ñïðàâêà, â êîòîðîé ñîîáùàþòñÿ êðàòêèå ñâåäåíèÿ î íåì è î åãî òâîð÷åñòâå è óêàçàíû åãî îñíîâíûå ïðîèçâåäåíèÿ. Êíèãà ñíàáæåíà êîììåíòàðèåì ñ îáúÿñíåíèåì îòñóòñòâóþùèõ â àíãëî-ðóññêîì ñëîâàðå Ìþëëåðà ðåàëèé,íåêîòîðûõ èìåí è èñòîðè÷åñêèõ äàò,à òàêæå ïåðåâîäîì îñîáî òðóäíûõ äëÿ ïîíèìàíèÿ àíãëèéñêèõ ïðåäëîæåíèé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Needles B. E., Principles of accounting — 1993

PRINCIPLES OF ACCOUNTING continues to lead the market with balanced, flexible content supported by an array of integrated print and technology supplements. Designed for both majors and non-majors, the new edition focuses on the relevance of accounting in business with an emphasis on decision-making and analysis. Whether an instructor wants to present a user or procedural orientation, incorporate new instructional strategies, develop students' core competencies, or integrate the latest technology into the classroom, the 2005e Edition provides a total solution. The integrated text and technology program engages students in relevant issues and themes, from the Enron crisis--which led to a series of amendments in accounting law--to the controversy surrounding stock options. Case studies, accompanied by provocative questions, help build critical thinking skills and connect accounting to the real world of business.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Clinics in Liver desease. Coagulation and hemostasis in liver disease Volume 13. Number 1

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Caldwell E., The Bastard and Poor Fool — 1983

A REAL BASTARD!His mother gave birth to him on a hot August day in her carny tent. She cursed through her labor and would have killed the baby if the roustabouts hadn't tied her down.Until he ran away, Gene lived in a shanty with an old black woman. He knew his mother was a harlot, but he didn't know or care who his father was. No one knew...there had been too many men.He took love where he found it - at the carnival, the jail, the mill - and he killed when he felt like it. Published in 1930, Poor Fool was Erskine Caldwell's second novel. Like most of his fiction, it revolves around a gallery of grotesque characters motivated by the basest urges. The novel's central figure is Blondy Niles, a down-and-out boxer who exists at the very fringes of society. The garish nighttime world of bars and prostitutes, con men and petty crimes is the milieu in which he moves. When he is approached by Salty Banks to be an unwitting fall guy in a rigged boxing scheme, a calamitous chain of events is set in motion, and death is the inevitable result.Blondy is befriended by a good-hearted prostitute, Louise, but then comes under the powerful, mysterious spell of the gruesome Mrs. Boxx, an enormous, soulless woman who lures him to her house, which has been converted into the most primitive of abortion mills. Despite the terrible acts Mrs. Boxx oversees and that Blondy is compelled to participate in, he inexplicably finds himself unable - or unwilling - to leave this chamber of horror. Only with the help of Dorothy, Mrs. Boxx's younger, daughter, does he finally free himself from the clutches of this demonic, madwoman. Yet freedom proves elusive, for by the end of this surreal, phantasmagoric adventure, Blondy and everyone he cares for have come to a bloody end.Caldwell himself likened Poor Fool to a "diabolical dream." Written early in his career, it foreshadows many of the themes that were to characterize his later novels.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Caldwell T., Captains and the Kings — 1976

This is a great surging novel about the amassing of a colossal fortune , the political power that comes with it, and the operation of a curse laid on an Irish-American dynasty and the ruthless driving man who founded it. Joseph Francis Xavier Armagh was thirteen years old when he first saw America through a dirty porthole on the steerage deck of The Irish Queen. It was the early 1850's and he was a penniless immigrant, an orphan cast on a hostile shore to make a home for himself and his younger brother and infant sister. Some seventy years later, from his deathbed, Joseph Armagh last glimpsed his adopted land from the gleaming windows of a palatial estate. A multi-millionaire, one of the most powerful and feared men, Joseph Armagh had indeed found a home. CAPTAINS AND KINGS is the story of the price that was paid for it in the consuming, single-minded determination of a man clawing his way to the top; in the bitter-sweet bliss of the love of a beautiful woman; in the almost too-late enjoyment of extraordinary children; and in the curse which used the hand of fate to strike in the very face of success itself. Once again, Taylor Caldwell has looked into America's roistering past as a setting for a drama of the consequences of savage ambition - and its meaning then and now.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ