Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Áèîãðàôèÿ, íàïèñàííàÿ ïåðâûì íåçàâèñèìûì èñòîðèêîì, äîïóùåííûì ê àðõèâó Àéí Ðýíä. Ïèñàòåëü, ôèëîñîô, îíà çàâîåâàëà áåñêîíå÷íóþ ïðåäàííîñòü ïî÷èòàòåëåé òåì, ÷òî ïðîïîâåäîâàëà âåðó â ÷åëîâåêà. Èìåííî åé ìû îáÿçàíû ìûñëüþ, ÷òî áèçíåñ - áëàãîðîäíîå ïðèçâàíèå, ñïîñîáíîå çàäåéñòâîâàòü ñàìûå ïîòàåííûå ñïîñîáíîñòè ÷åëîâå÷åñêîãî äóõà.

Àííîòàöèÿ: Êíèãà äîêòîðà ìåäèöèíñêèõ íàóê Äýâèäà Áåðíñà «Òåðàïèÿ íàñòðîåíèÿ» — ìèðîâîé áåñòñåëëåð.  íåé îí îáúÿñíèë, êàê íàøè ìûñëè îïðåäåëÿþò ÷óâñòâà è êàê ñ ïîìîùüþ êîãíèòèâíî-ïîâåäåí÷åñêîé òåðàïèè ñïðàâèòüñÿ ñ áåñïîêîéñòâîì, ÷óâñòâîì âèíû, íèçêîé ñàìîîöåíêîé è äðóãèìè «÷åðíûìè äûðàìè» äåïðåññèè. Ïåðåä âàìè íîâîå, äîïîëíåííîå èçäàíèå ýòîé êëàññè÷åñêîé ðàáîòû. Êíèãà ïîìîæåò ðàçîáðàòüñÿ â ñåáå, âûÿâèòü ïåðâûå ñèìïòîìû äåïðåññèè è ïîáåäèòü íåãàòèâíûå ìûñëè. Àâòîð íå ïðèçûâàåò îòêàçàòüñÿ îò àíòèäåïðåññàíòîâ. Íàîáîðîò, îí ãîâîðèò, ÷òî â çàâèñèìîñòè îò ñòåïåíè äåïðåññèè â íåêîòîðûõ ñëó÷àÿõ áåç êîíñóëüòàöèè âðà÷à è íàçíà÷åíèÿ ìåäèêàìåíòîâ íå îáîéòèñü. Ðàçðàáîòàííûé äîêòîðîì Áåðíñîì îïðîñíèê äëÿ èçìåðåíèÿ íàñòðîåíèÿ ïîìîæåò îïðåäåëèòü íàëè÷èå äåïðåññèâíîãî ñîñòîÿíèÿ è îöåíèòü ñòåïåíü åãî òÿæåñòè, à òàêæå ïîíÿòü, íóæíà ëè âàì ïðîôåññèîíàëüíàÿ ïîìîùü.

Àííîòàöèÿ: Ñîâðåìåííûé ìèð ïîïðîñòó íåìûñëèì áåç èñïîëüçîâàíèÿ ðàñïðåäåëåííûõ ñèñòåì. Äàæå ó ïðîñòåéøåãî ìîáèëüíîãî ïðèëîæåíèÿ åñòü API, ÷åðåç êîòîðûé îíî ïîäêëþ÷àåòñÿ ê îáëà÷íîìó õðàíèëèùó. Áðåíäàí Á¸ðíñ, àâòîðèòåòíåéøèé ñïåöèàëèñò ïî îáëà÷íûì òåõíîëîãèÿì è Kubernetes, èçëàãàåò â ýòîé íåáîëüøîé ðàáîòå àáñîëþòíûé ìèíèìóì, íåîáõîäèìûé äëÿ ïðàâèëüíîãî ïðîåêòèðîâàíèÿ ðàñïðåäåëåííûõ ñèñòåì. Ýòà êíèãà îïèñûâàåò íåóñòàðåâàþùèå ïàòòåðíû ïðîåêòèðîâàíèÿ ðàñïðåäåëåííûõ ñèñòåì. Îíà ïîìîæåò âàì íå òîëüêî ñîçäàâàòü òàêèå ñèñòåìû ñ íóëÿ,íî è ýôôåêòèâíî ïåðåîáîðóäîâàòü óæå èìåþùèåñÿ.

Àííîòàöèÿ: Milkman is extraordinary. I've been reading passages aloud for the pleasure of hearing it. It's frightening, hilarious, wily and joyous all at the same time.' - Lisa McInerney, author of The Glorious Heresies. In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

Àííîòàöèÿ:  ýòîì óíèêàëüíîì ñáîðíèêå âû íàéäåòå ëó÷øèå ïðîèçâåäåíèÿ ìàñòåðîâ áðèòàíñêîé ïîýçèè, à òàêæå èõ êëàññè÷åñêèå ïåðåâîäû íà ðóññêèé ÿçûê, âûïîëíåííûå ðîññèéñêèìè ïîýòàìè. Íåàäàïòèðîâàííûå òåêñòû ïîçâîëÿò ÷èòàòåëÿì â ïîëíîé ìåðå îöåíèòü ïðîèçâåäåíèÿ âåëèêèõ ïîýòîâ, à êëàññè÷åñêèå ïåðåâîäû ïîìîãóò ðàçðåøèòü âîçíèêàþùèå ïî õîäó ÷òåíèÿ âîïðîñû è òðóäíîñòè è íàó÷èòüñÿ ïåðåâîäèòü ñàìûå ñëîæíûå ôðàçû è îáðàçû. ×èòàÿ è ñëóøàÿ âåëèêîëåïíóþ ïîýçèþ íà àíãëèéñêîì ÿçûêå, îáðàùàÿñü ê ïðåêðàñíûì ïåðåâîäàì, âû óëó÷øèòå ñâîè íàâûêè ÷òåíèÿ è âîñïðèÿòèÿ íà ñëóõ èíîÿçû÷íîé ðå÷è.Êíèãà áóäåò èíòåðåñíà è ïîëåçíà øêîëüíèêàì, àáèòóðèåíòàì, ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Àííîòàöèÿ: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century.To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels. Charles Arrowby has determined to spend the rest of his days in hermit-like contemplation. He buys a mysteriously damp house on the coast,far from the heady world of the theatre where he made his name, and there he swims in the sea,eats revolting meals and writes his memoirs

Àííîòàöèÿ: Fourteen of the best-loved and best-known of Burns`s poems are here available in a single pocket-sized volume with a Scots glossary and some of the poet`s own notes. From Tam o` Shanter to My Love is Like a Red Red Rose to To a Haggis - here is the essential Burns

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.