Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ein Mord in der Louvre und Hinweise in Da Vinci Gemade fahren zu der Entdeckung einer religi¦sen Mysterium von einer geheimen Gesellschaft seit zweitausend Jahren geschatzt - was die Grundlagen des Christentums erschattern k¦nnte

Àííîòàöèÿ: The global bestseller - Origin is the latest Robert Langdon novel from the author of The Da Vinci Code. On a trail marked only by enigmatic symbols and elusive modern art, Langdon and Vidal will come face-to-face with a breathtaking truth that has remained buried - until now.

Àííîòàöèÿ: Robert Langdon, Harvard professor of symbology and religious iconology, arrives at the Guggenheim Museum Bilbao to attend the unveiling of a discovery that "will change the face of science forever". The evening's host is his friend and former student, Edmond Kirsch, a forty-year-old tech magnate whose dazzling inventions and audacious predictions have made him a controversial figure around the world. This evening is to be no exception: he claims he will reveal an astonishing scientific breakthrough to challenge the fundamentals of human existence. But Langdon and several hundred other guests are left reeling when the meticulously orchestrated evening is blown apart before Kirsch's precious discovery can be revealed. With his life under threat, Langdon is forced into a desperate bid to escape, along with the museum's director, Ambra Vidal. Together they flee to Barcelona on a perilous quest to locate a cryptic password that will unlock Kirsch's secret. In order to evade a tormented enemy who is one step ahead of them at every turn, Langdon and Vidal must navigate labyrinthine passageways of hidden history and ancient religion. On a trail marked only by enigmatic symbols and elusive modern art, Langdon and Vidal uncover the clues that will bring them face-to-face with a world-shaking truth that has remained buried — until now.

Àííîòàöèÿ: Íîâàÿ êíèãà àâòîðà ëåãåíäàðíîãî "Êîäà äà Âèí÷è", òèðàæ êîòîðîãî ïðåâûñèë 81 ìèëëèîí ýêçåìïëÿðîâ. Ïðîèçâåäåíèå, ïðàâà íà êîòîðîå êóïèëè áîëåå 60 ñòðàí. Ýòó êíèãó æäàëè ìèëëèîíû ïîêëîííèêîâ Äýíà Áðàóíà ïî âñåìó ìèðó - òîëüêî çà ïåðâûé äåíü ïðîäàæ ðàñêóïëåíî ñâûøå 1 000 000 ýêçåìïëÿðîâ! Ïðèêëþ÷åíèÿ Ðîáåðòà Ëýíãäîíà ïðîäîëæàþòñÿ. Íà ýòîò ðàç åìó ïðåäñòîèò ðàçãàäàòü âåëè÷àéøóþ òàéíó ìàñîíîâ, êîòîðàÿ ñïîñîáíà èçìåíèòü ìèð. Âåêàìè õðàíèìûå ñåêðåòû, çàãàäî÷íûå çíàêè è ñèìâîëû - è ñìåðòåëüíî îïàñíîå ïóòåøåñòâèå ïî ëàáèðèíòàì ïðîøëîãî.

Àííîòàöèÿ: Ðàçãàäêà òàéíû ìàñîíîâ, ñïîñîáíàÿ èçìåíèòü ìèð.

Àííîòàöèÿ: Ñåêðåòíûé êîä ñêðûò â ðàáîòàõ Ëåîíàðäî äà Âèí÷è— Òîëüêî îí ïîìîæåò íàéòè õðèñòèàíñêèå ñâÿòûíè, äàþùèå íåìûñëèìûå âëàñòü è ìîãóùåñòâî— Êëþ÷ ê âåëè÷àéøåé òàéíå, íàä êîòîðîé ÷åëîâå÷åñòâî áèëîñü âåêàìè, ìîæåò áûòü íàéäåí— Â ðîìàíå "Êîä äà Âèí÷è" àâòîð ñîáðàë âåñü íàêîïëåííûé îïûò ðàññëåäîâàíèé è âëîæèë åãî â ãëàâíîãî ãåðîÿ, ãàðâàðäñêîãî ïðîôåññîðà èêîíîãðàôèè è èñòîðèè ðåëèãèè ïî èìåíè Ðîáåðò Ëýíãäîí. Çàâÿçêîé íûíåøíåé èñòîðèè ïîñëóæèë íî÷íîé çâîíîê, îïîâåñòèâøèé Ëýíãäîíà îá óáèéñòâå â Ëóâðå ñòàðîãî õðàíèòåëÿ ìóçåÿ. Âîçëå òåëà óáèòîãî íàéäåíà çàøèôðîâàííàÿ çàïèñêà, êëþ÷è ê êîòîðîé ñîêðûòû â ðàáîòàõ Ëåîíàðäî äà Âèí÷è—

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call. The elderly curator of the Louvre has been murdered inside the museum, a baffling cipher found near the body. As Langdon and a gifted French cryptologist, Sophie Neveu, sort through the bizarre riddles, they are stunned to discover a trail of clues hidden in the works of Da Vinci-clues visible for all to see and yet ingeniously disguised by the painter

Àííîòàöèÿ: Digital Fortress is a provider of Business Continuity Planning Services for small and medium-sized enterprises. We teach businesses how to survive their next disaster, by preventing their emergency from becoming a disaster

Àííîòàöèÿ: Struggling to rebound from a series of embarrassing blunders that have jeopardized its political life at the start of this lively thriller, NASA makes an astounding discovery: there is a meteor embedded deep within the arctic ice. And it isn't just any meteor. Inside the huge rock, which crashed to earth in 1716, are fossils of giant insects proof of extraterrestrial life. Yet, given NASA's slipping reputation, the question arises: Is the meteor real or a fake? That uncertainty dogs NASA and its supporters in Brown's latest page-flipper, a finely polished amalgam of action and intrigue. Trying to determine the truth are intelligence agent Rachel Sexton and popular oceanographer Michael Tolland, both among the first to suspect something is amiss when the meteor is pulled from the ice. Their doubts quickly make them the targets of a mysterious death squad controlled by someone or something that doesn't want the public to hear the meteor may be a fraud. Together, Sexton and Tolland scramble across arctic glaciers, take refuge on ice floes, are rescued by a nuclear submarine, then find themselves trapped aboard a small research vessel off the coast of New Jersey. All the while, the nation's capital is buzzing as to whether NASA has engaged in deception. Or is NASA just a dupe for aerospace companies that have long wanted a bigger share of space contracts? Brown (Angels & Demons) moves into new territory with his latest. It's an excellent thriller a big yet believable story unfolding at breakneck pace, with convincing settings and just the right blend of likable and hateful characters. He's also done his research...

Àííîòàöèÿ: Pitting scientific terrorists against the cardinals of Vatican City, this well-plotted if over-the-top thriller is crammed with Vatican intrigue and high-tech drama. Robert Langdon, a Harvard specialist on religious symbolism, is called in by a...

Àííîòàöèÿ: Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: The fifth volume of Poets of the English Language brings together the most representative poets of two latter-day groups. In style and craftsmanship the poetry of the last half of the nineteenth century and first part of the twentieth extended, developed, and refined the discoveries of the early Romantics.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Ñî ñìåðòüþ Ïàïû Ðèìñêîãî â ìèðå íà÷àëè ïðîèñõîäèòü çàãàäî÷íûå è ïóãàþùèå ñîáûòèÿ. Ïîñëå çàïóñêà áîëüøîãî àäðîííîãî êîëëàéäåðà èç ëàáîðàòîðèè áûë ïîõèùåí êîíòåéíåð ñ àíòèìàòåðèåé, ïðè ýòîì óáèò îäèí èç ó÷åíûõ. Íà ãðóäè óáèòîãî îêàçàëñÿ âûðåçàí ñèìâîë èëëþìèíàòîâ — äðåâíåãî òàèíñòâåííîãî îðäåíà, ïðîñëàâèâøåãîñÿ â Ñðåäíèå âåêà ÿðîñòíîé áîðüáîé ñ îôèöèàëüíîé öåðêîâüþ. À â øòàá-êâàðòèðå ïàïñêîé ãâàðäèè íà àïïàðàòóðå âèäåîíàáëþäåíèÿ ïîÿâèëîñü èçîáðàæåíèå ñòðàííîãî îáúåêòà ñ òàéìåðîì îáðàòíîãî îòñ÷åòà. Åâðîïåéñêèé öåíòð ÿäåðíûõ èññëåäîâàíèé îáðàòèëñÿ ê èçâåñòíîìó àìåðèêàíñêîìó ñïåöèàëèñòó ïî ñèìâîëèêå Ðîáåðòó Ëýíãäîíó çà ïîìîùüþ â ðàñêðûòèè óáèéñòâà; òàêîé æå çàïðîñ ïîñòóïèë è èç Âàòèêàíà. Ëýíãäîí è åãî íàïàðíèöà, äî÷ü óáèòîãî, íà÷àëè ñîáñòâåííîå ðàññëåäîâàíèå — è âñêîðå ïðèøëè ê íåâåðîÿòíûì ðåçóëüòàòàì—

Àííîòàöèÿ: Ein Kernforscher wird in seinem Schweizer Labor ermordet aufgefunden. Auf seiner Brust finden sich merkwürdige Symbole eingraviert, Symbole, die nur der Harvardprofessor Robert Langdon zu entziffern vermag. Was er dabei entdeckt, erschreckt ihn zutiefst: Die Symbole gehören zu der legendären Geheimgesellschaft der Illuminati. Diese Gemeinschaft scheint wieder zum Leben erweckt zu sein, und sie verfolgt einen finsteren Plan, denn aus dem Labor des ermordeten Kernforschers wurde Antimaterie entwendet.

Àííîòàöèÿ: Ñåêðåòíûé êîä ñêðûò â ðàáîòàõ Ëåîíàðäî äà Âèí÷è— Òîëüêî îí ïîìîæåò íàéòè õðèñòèàíñêèå ñâÿòûíè, äàâàâøèå íåìûñëèìûå âëàñòü è ìîãóùåñòâî— Êëþ÷ ê âåëè÷àéøåé òàéíå, íàä êîòîðîé ÷åëîâå÷åñòâî áèëîñü âåêàìè, ìîæåò áûòü íàéäåí— Â ðîìàíå "Êîä äà Âèí÷è" àâòîð ñîáðàë âåñü íàêîïëåííûé îïûò ðàññëåäîâàíèé è âëîæèë åãî â ãëàâíîãî ãåðîÿ, ãàðâàðäñêîãî ïðîôåññîðà èêîíîãðàôèè è èñòîðèè ðåëèãèè ïî èìåíè Ðîáåðò Ëýíãäîí. Çàâÿçêîé íûíåøíåé èñòîðèè ïîñëóæèë íî÷íîé çâîíîê, îïîâåñòèâøèé Ëýíãäîíà îá óáèéñòâå â Ëóâðå ñòàðîãî õðàíèòåëÿ ìóçåÿ. Âîçëå òåëà óáèòîãî íàéäåíà çàøèôðîâàííàÿ çàïèñêà, êëþ÷è ê êîòîðîé ñîêðûòû â ðàáîòàõ Ëåîíàðäî äà Âèí÷è.