Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Èçáðàííûå ïðîèçâåäåíèÿ àíãëèéñêîãî ïîýòà è äðàìàòóðãà Ðîáåðòà Áðàóíèíãà

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: Dickens' final novel, left unfinished at his death in 1870, is a mystery story much influenced by the "Sensation Novel" as written by his friend Wilkie Collins. The action takes place in an ancient cathedral city and in some of the darkest places in Victorian London. Drugs, disappearances, sexual obsession, disguise and a possible murder are among the themes and motifs. A sombre and menacing atmosphere, a fascinating range of characters and Dickens' usual command of language combine to make this an exciting and tantalising story. Also included in this volume are a number of unjustly neglected stories and sketches, with subjects as different as murder, guilt and childhood romance

Àííîòàöèÿ: Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: "English for Computer Science" is an intermediate level reading course in English designed for people working with computers or studying computer science. It is suitable for in-company training programmes, and for universities, colleges and technical schools. The student learns in two main ways: the Units develop the reading skills necessary to extract information from computer-related texts; the Focus sections (highlighted in green) teach the grammar and vocabulary of the English used in computer science.

Àííîòàöèÿ: The wonderful anthology of verse and prose, short stories, reminiscences and diary entries, ranging from the traditional to the subversive, the whimsical to the sinister, the ironic to the tragic. Exquisitely illustrated with black and white drawings from many periods, The Christmas Reader is a perfect source-book for reading aloud to family and friends.

Àííîòàöèÿ:  ñáîðíèê âîøëè íàèáîëåå èçâåñòíûå îáðàçöû øèðîêî ðàñïðîñòðàíåííîãî â àíãëî-àìåðèêàíñêîé ëèòåðàòóðíîé òðàäèöèè æàíðà ïàðîäèè. ×èòàòåëü ïîçíàêîìèòñÿ êàê ñ ïàðîäèÿìè íà òâîð÷åñòâî èçâåñòíûõ ïèñàòåëåé- Äèêêåíñà, Êóïåðà, Ëîíãôåëëî, Ãîëñóîðñè è äð., òàê è ñ ïàðîäèÿìè íà îòäåëüíûå ëèòåðàòóðíûå æàíðû - äåòåêòèâ, ñåíòèìåíòàëüíûé ðîìàí, ëèòåðàòóðîâåä÷åñêóþ ñòàòüþ è ïð. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè.

Àííîòàöèÿ: Çàäà÷à íàñòîÿùåãî ñáîðíèêà-ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àìåðèêàíñêèõ êðèòèêîâ è ëèòåðàòóðîâåäîâ,à òàêæå ïèñàòåëåé,âûñòóïàâøèõ â ðîëè êðèòèêîâ,çà äâà ñòîëåòèÿ. Ñðåäè òåõ,êòî îïðåäåëÿë íàïðàâëåíèå àìåðèêàíñêîé ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè XIX âåêà-ïîýòû Ý.Ïî è Ó.Óèòìåí,ïðîçàèêè Í.Ãîòîðí è Ã.Äæåéìñ.Ñðåäè êðèòèêîâ ÕÕ âåêà,÷üè èäåè âíåñëè âêëàä â ñòàíîâëåíèå è ðàçâèòèå àìåðèêàíñêîé øêîëû ðåàëèçìà-Â.Â.Áðóêñ è Â.Ë.Ïàððèíãòîí,Ì.Ãàéñìàð è Ì.Êàóëè.Èçäàíèå ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì,êîììåíòàðèÿìè è ïðåäíàçíà÷àåòñÿ òåì,êòî èíòåðåñóåòñÿ ïðîáëåìàìè èñòîðèè è òåîðèè çàðóáåæíîé êðèòèêè

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: The fifth volume of Poets of the English Language brings together the most representative poets of two latter-day groups. In style and craftsmanship the poetry of the last half of the nineteenth century and first part of the twentieth extended, developed, and refined the discoveries of the early Romantics.

Àííîòàöèÿ: "One of the most notable and attractive forms of English Literature is the essay. In his introduction to this selection, first made for Pelican in 1942 and now enlarged and reprinted, Sir William Emrys Williams points out that the Essay, —has a multitude of forms and manners, and scarcely any rules and regulations.— Although many of the pieces chosen for this volume are such well-known ones as Charles Lamb—s —In Praise of Chimney Sweepers— or De Quincy—s memorable commentary on an episode in —Macbeth—, an endeavour has been made to remind readers that Addison, for example, wrote other and better essays than the few which are usually included in anthologies. Modern writers such as Hilaire Belloc, JB Priestly, Aldous Huxley, Robert Lynd, Ivor Brown, Harold Nicholson. EV Lucas, and VS Pritchett are given a fair share of representation."

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.

Àííîòàöèÿ: The Best of the World's Classics from Great Britain and Ireland