Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Almaty became the capital of Soviet modernism after it ceased to be Alma-Ata, as its former rivals in terms of architecture—Yerevan and Kyiv, Tashkent and Minsk—gradually lost the heritage of the period dating from the 1960s through the 1980s. The losses in Almaty were not so serious. In 1997, the capital moved to Astana, which took on the architectural representation of independent Kazakhstan. Almaty remained a working museum of Soviet modernism, where one can see the first transparent library in the world, the first postmodernist skyscraper in the USSR, and a dam constructed using the most powerful controlled explosion in history. Authors Anna Bronovitskaya and Nikolay Malinin present the architecture of the city within the broad context of art, culture, and social and political history. This book is the second in a series launched in 2016 with a guidebook to Moscow's Soviet modernist architecture. "From the 1960s through the 1980s, Alma-Ata saw the emergence of a unique blend of international modernism, Soviet colonialism, and attempts by architects to enrich the language of modernism with Kazakh national traditions. Thanks to this book I discovered a completely unfamiliar stratum of postwar Soviet architecture."Àëìàòû ñòàë ñòîëèöåé ñîâåòñêîãî ìîäåðíèçìà ïîñëå òîãî, êàê ïåðåñòàë áûòü Àëìà-Àòîé, ïîñêîëüêó åãî áûâøèå ñîïåðíèêè ïî àðõèòåêòóðå — Åðåâàí è Êèåâ, Òàøêåíò è Ìèíñê — ïîñòåïåííî óòðàòèëè íàñëåäèå ïåðèîäà ñ 1960-õ ïî 1980-å ãîäû. Ïîòåðè â Àëìàòû áûëè íå ñòîëü ñåðüåçíûìè.  1997 ãîäó ñòîëèöà ïåðååõàëà â Àñòàíó, êîòîðàÿ ïðèîáðåëà àðõèòåêòóðíûé îáëèê íåçàâèñèìîãî Êàçàõñòàíà. Àëìàòû îñòàëñÿ äåéñòâóþùèì ìóçååì ñîâåòñêîãî ìîäåðíèçìà, ãäå ìîæíî óâèäåòü ïåðâóþ â ìèðå ïðîçðà÷íóþ áèáëèîòåêó, ïåðâûé ïîñòìîäåðíèñòñêèé íåáîñêðåá â ÑÑÑÐ è ïëîòèíó, ïîñòðîåííóþ ñ èñïîëüçîâàíèåì ñàìîãî ìîùíîãî óïðàâëÿåìîãî âçðûâà â èñòîðèè. Àâòîðû Àííà Áðîíîâèöêàÿ è Íèêîëàé Ìàëèíèí ïðåäñòàâëÿþò àðõèòåêòóðó ãîðîäà â øèðîêîì êîíòåêñòå èñêóññòâà, êóëüòóðû, ñîöèàëüíîé è ïîëèòè÷åñêîé èñòîðèè. Ýòà êíèãà - âòîðàÿ â ñåðèè, âûïóùåííîé â 2016 ãîäó ñ ïóòåâîäèòåëåì ïî ñîâåòñêîé ìîäåðíèñòñêîé àðõèòåêòóðå Ìîñêâû.

Àííîòàöèÿ: Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.Ìîñêâà: Ïóòåâîäèòåëü ïî ñîâåòñêîé ìîäåðíèñòñêîé àðõèòåêòóðå 1955-1991 ãîäîâ ñîäåðæèò îïèñàíèÿ ïî÷òè 100 çäàíèé ñàìîãî íåäîîöåíåííîãî ïåðèîäà ñîâåòñêîé àðõèòåêòóðû. Ýòî ïåðâîå ðóêîâîäñòâî, îáúåäèíÿþùåå àðõèòåêòóðó, ñîçäàííóþ çà òðè äåñÿòèëåòèÿ ìåæäó Õðóùåâûì è Ãîðáà÷åâûì, îò íàèâíîãî ìîäåðíèçìà "îòòåïåëè" êîíöà 1950-õ äî ïîñòìîäåðíèçìà. Ñðåäè çäàíèé - Äâîðåö ìîëîäåæè, êèíîòåàòð "Ðîññèÿ", Äâîðåö ïèîíåðîâ, Îñòàíêèíñêàÿ òåëåáàøíÿ, øòàá-êâàðòèðà ÒÀÑÑ, "çîëîòûå ìîçãè" Àêàäåìèè íàóê è ìåíåå èçâåñòíûå ñîîðóæåíèÿ, òàêèå êàê Äîì íîâîé æèçíè è ìóçåé àâòîçàâîäà èìåíè Ëåíèíñêîãî êîìñîìîëà. Àâòîðû ïîìåùàþò ïîñëåâîåííóþ àðõèòåêòóðó Ìîñêâû â èñòîðè÷åñêèé è ïîëèòè÷åñêèé êîíòåêñò Ñîâåòñêîãî Ñîþçà, à òàêæå ññûëàþòñÿ íà ñîáûòèÿ â ìåæäóíàðîäíîé àðõèòåêòóðå òîãî ïåðèîäà.