Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ñáîðíèê áóäåò èíòåðåñåí âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê è ëþáèò ìóçûêó — äåòÿì è âçðîñëûì.  íåãî âêëþ÷åíû ïåñíè èç çíàìåíèòûõ ìóëüòôèëüìîâ Óîëòà Äèñíåÿ, ìþçèêëîâ, èç ðåïåðòóàðà ãðóïïû "Beatles" è äðóãèõ àìåðèêàíñêèõ è àíãëèéñêèõ ïîïóëÿðíûõ èñïîëíèòåëåé

Àííîòàöèÿ:  äàííîå èçäàíèå âîøëè ñòàòüè Ã.Áåéòñîíà ïî àíòðîïîëîãèè (êàê ðàííèå, â êîòîðûõ îí ñàìîñòîÿòåëüíîñôîðìóëèðîâàë ðÿä ïðîêèáåðíåòè÷åñêèõ èäåé, òàê è ïîçäíèå, â êîòîðûõ êèáåðíåòè÷åñêèé ïîäõîä ïðèìåíÿåòñÿ â ïîëíîé ìåðå), à òàêæå "Ìåòàëîãè" - íàèáîëåå ïëïóëÿðíàÿ ó øèðîêîãî ÷èòàòåëÿ ÷àñòü êíèãè, â êîòîðîé àâòîð â íåïðèíóæäåííîé ôîðìå îáñóæäàåò ñî ñâîåé óìíîé è ñîîáðàçèòåëüíîé äî÷åðüþ ðàçëè÷íûå íåòðèâèàëüíûå íàó÷íûå è ôèëîñîôñêèå ïðîáëåìû

Àííîòàöèÿ: Êíèãà "Ðàçóì è ïðèðîäà" (1979), çàâåðøåííàÿ Áåéòñîíîì íåçàäîëãî äî ñìåðòè, ïîäâîäèò èòîã åãî óñèëèÿì ïî ñîçäàíèþ íîâîé ýïèñòåìîëîãèè, âîçíèêàþùåé èç êèáåðíåòèêè, ãåíåòèêè è òåîðèè ýâîëþöèè. Îí ñ÷èòàë, ÷òî ýòà ýïèñòåìîëîãèÿ äîëæíà ïîñëóæèòü îñíîâîé áóäóùåé ñèíòåòè÷åñêîé íàóêè î æèâîì, êîòîðóþ îí íàçâàë "ýêîëîãèÿ ðàçóìà".

Àííîòàöèÿ: Features 13 captivating tales, including stories by Maria Edgeworth and William Carleton from the beginning of Irish prose fiction in English; the retellings of traditional tales by Lady Gregory and Standish O`Grady from the great age of the Irish Literary Revival; and the 20th-century works of William Butler Yeats, James Stephens, James Joyce, Seumas O`Kelly, and Liam O`Flaherty

Àííîòàöèÿ: Àíãëèÿ-ñòðàíà,ïîðîäèâøàÿ âåëèêóþ ïëåÿäó þðèñòîâ, êëàññèêîâ ìèðîâîé ëèòåðàòóðû.Òðàäèöèè,çàëîæåííûå Øåêñïèðîì,Ôèëäèíãîì,Ñòåðíîì,Äèêêåíñîì,ïðîäîëæàþò è ðàçâèâàþò àíãëèéñêèå þìîðèñòû XIX-XX ñòîëåòèé:Äæåðîì Ê.Äæåðîì, Ã.Ê.×åñòåðòîí, Õ.Áåëëîê, Äæ.Ìèêåø è äðóãèå, ñ òâîð÷åñòâîì êîòîðûõ è ïîçíàêîìèò äàííûé ñáîðíèê.Èçäàíèå ïðåäíàçíà÷åíî êàê âëàäåþùèì àíãëèéñêèì ÿçûêîì, òàê è èçó÷àþùèì åãî

Àííîòàöèÿ:  ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Àííîòàöèÿ: Ñáîðíèê ñòàâèò ñâîåé öåëüþ ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àíãëèéñêèõ íîâåëèñòîâ 50-õ - 60-õ ãã.  íåì ïðåäñòàâëåíû ïèñàòåëè íåñêîëüêèõ ïîêîëåíèé, ñîçäàâàÿ êðàñî÷íóþ, ìíîãîëèêóþ êàðòèíó ñåãîäíÿøíåé Àíãëèè. Êíèãè ïðåäñòàâëÿåò ðàçíîîáðàçíûå òåìàòèêè è ñòèëèñòèêè ñîâðåìåííîãî àíãëèéñêîãî ðàññêàçà.

Àííîòàöèÿ: Setting his scenes with subtitle skill-a seaside garrison town, the Italian lakes,a Spanish port, an island off Tahiti-he probes with a sharp yet compassionate irony the illusions, deceits-and the joys-that tngle haman relationships

Àííîòàöèÿ: ÃÝÎÒÀÐ-Ìåäèà. Ðóêîâîäñòâî óæå áîëåå 50 ëåò ÿâëÿåòñÿ ñòàíäàðòîì ïî ëàáîðàòîðíîé ãåìàòîëîãèè â ÑØÀ è Çàïàäíîé Åâðîïå. Àâòîðû ïîäðîáíî îïèñûâàþò ìåòîäèêè ëàáîðàòîðíîãî îáñëåäîâàíèÿ áîëüíûõ ñ çàáîëåâàíèÿìè êðîâè è èíòåðïðåòàöèþ ïîëó÷åííûõ ðåçóëüòàòîâ, ïðèíöèïû îðãàíèçàöèè è óïðàâëåíèÿ ðàáîòîé ãåìàòîëîãè÷åñêîé ëàáîðàòîðèè, à òàêæå îñâåùàþò âîïðîñû êîíòðîëÿ çà êà÷åñòâîì ïðîâîäèìûõ èññëåäîâàíèé. Ðóêîâîäñòâî ìîæåò ñëóæèòü íàñòîëüíîé êíèãîé äëÿ çàâåäóþùèõ ëàáîðàòîðèÿìè, âðà÷åé-ãåìàòîëîãîâ, ëàáîðàíòîâ, à òàêæå ñïðàâî÷íèêîì ïî êà÷åñòâåííîé ëàáîðàòîðíîé ïðàêòèêå äëÿ ðóêîâîäÿùåãî çâåíà ó÷ðåæäåíèé çäðàâîîõðàíåíèÿ....

Àííîòàöèÿ: During World War II, a small English community are forced to flee when Japanese forces invade Burma. Paterson, the manager of a rice-mill, organises the evacuation and takes with him his Burmese mistress and her young brother. The rest of the party take along their prejudices, their pettiness and their squabbles, and a small enclave of English insularity moves north through Burma. Inevitably, as the journey continues, bitterness, tension and insoluble conflict unfold...Inspired by Bates' period of service in the Eastern theatre of war, "The Jacaranda Tree" skillfully evokes the atmosphere of Burma during the chaos of invasion.

Àííîòàöèÿ: When John Franklin brings his plane down into Occupied France at the height of the Second World war, there are two things in his mind - the safety of his crew and his own badly injured arm. It is a stroke of unbelievable luck when the family of a French farmer risk their lives to offer the airmen protection. During the hot summer weeks that follow, the English officer and the daughter of the house are drawn inexorably to each other.

Àííîòàöèÿ:  ýòîé êíèãå Ã.Áåéòñîí íàìå÷àåò ïîäõîäû ê ðåøåíèþ ïîñòàâëåííîé èì øèðîêîìàñøòàáíîé çàäà÷è ïî ðåâèçèè è ìîäèôèêàöèè ôóíäàìåíòàëüíûõ îñíîâ ãóìàíèòàðíîãî çíàíèÿ â ñâåòå ñîâðåìåííûõ ïîëîæåíèé êèáåðíåòèêè, òåîðèè èíôîðìàöèè è òåîðèè ñèñòåì, à òàêæå ñîçäàíèþ íîâîé ñèíòåòè÷åñêîé íàóêè î æèâîì, êîòîðóþ îí íàçâàë "ýêîëîãèÿ ðàçóìà"

Àííîòàöèÿ:  äàííîå èçäàíèå âîøëè ñòàòüè ïî òåîðèè îáó÷åíèÿ è ïñèõèàòðèè, ñâÿçàííûå ñ èññëåäîâàòåëüñêèì "ïðîåêòîì Ïàëî-Àëüòî", ïðèâåäøèì ê âûÿñíåíèþ ëîãè÷åñêîé ñòðóêòóðû íîðìàëüíîé è ïàòîëîãè÷åñêîé êîììóíèêàöèè, ê ôîðìóëèðîâêå "òåîðèè äâîéíîãî ïîñëàíèÿ", à òàêæå ñîçäàíèþ êèáåðíåòè÷åñêîé òåîðèè øèçîôðåíèè è àëêîãîëèçìà

Àííîòàöèÿ: This volume contains the latest of H.E.Bates's justly famous stories. As Francis King wrote in the SANDAY TELEGRAPH, 'In THE SONG OF THE WREN, Mr Bates has produced a first-rate book, with three long elegiac stories, as good as anything he has ever done, and two short ones, featuring an 'irresistible' (i.e.only too easily resisted) female eccentric.

Àííîòàöèÿ: The Darling Buds of May, which came out in 1958, was the first of five Larkin novels and in it readers witness the transformation of Mr. Charlton from a undernourished and timid tax clerk to —Charlie—, a fully-converted member of the Larkin way of life: an easygoing celebration of nature, food, drink, and family. In the process, the reader is introduced to the Brigadier, Miss Pilchester, and Angela Snow. Setting the style for the series, the book ends with a grand celebration, and the announcement of the wedding of Charlie and Mariette.The novel was filmed with the title —The Mating Game—, and between 1991 and 1993, Yorkshire Television produced a highly-successful television series called —The Darling Buds of May—. This first book in the Larkin series was very successful, appearing first in the United States and then in Britain, where it sold 40,000 in the first two months. Many critics felt that Bates deserved better than to be remembered mostly for the Larkin novels, but they were very profitable.The immensely popular Larkin series of comic novels consisted of —The Darling Buds of May—, —A Breath of French Air— (1959), —When the Green Woods Laugh— (1960), —Oh! To Be in England— (1963), and —A Little of What You Fancy— (1970). Bates, speaking of how he was inspired to create the Larkins, recalled the real junkyard that he often passed near his home in Kent; and he remembered seeing a family -- a father, mother and many children, sucking at ice-creams and eating crisps in a "ramshackle lorry that had been recently painted a violent electric blue".He tried writing a brief tale based on the family, but soon decided that he couldn—t waste such a rich gallery of characters to a short story." Pop is a wonderful character who hates pomp, pretension and humbug; loves his family, but doesn—t hesitate to break a few rules... and his and the Larkins' secret is —that they live as many of us would like to live if only we had the guts and nerve to flout the conventions." See also the Pop Larkin Chronicles, which contains all five Larkin books.