Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Old Music XVI - XVIII Centuries: for Guitar — [200-]

Ñîäåðæàíèå: Dance; Incomparable dance; Saltarello; Minuet; Country Dance; Aria: ( From Music Book of Anna Magdalena Bach); Lied; Aria; Flon-flon: (Arietta); Minuet: ( From Music Book of Anna Magdalena Bach)/ Anonim. Five pieces; Sonatina/ D. Turk. Allegro/ W.A. Mozart. Ecossaise/ M. Giuliani. Bourree/ L. Mozart. Minuet; Bourree/ J. Krieger. Dutch dance/ H. Neusidler. Minuet/ K. Seixas. Allemande/ J. Haydn. Bransle/ J. Hotteterre.Saint Catherine/ J. Barret. Minuet/ J. Ch. F. Bach. Prelude/ J. Haessler. Allegro/ A. Lang. Old song Variations/ M. Giuliani. Andante/ F. Kemeny. Minuet/ J. Clark. Bransle simple/ F. Caroubel. Minuet/ J.F. Rameau. Minuet/ W.F. Bach. Gavotte/ J.F. D' Andrieu. Aria/ G. Kirchhof. Aria; Fuga/ G. Handel. Hornpipe/ H. Purcell. La Charolaise/ F. Couperin. Sonata; Larghetto; Prelude; Gigue/ D. Scarlatti

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Sechs Stucke alter Meister: Fur Altblockflote in f (Querflote, Oboe, Violine) und Klavier (Cembalo) — Cop. 1939 (Originalmusik fur Blockflote)

Øåñòü ïüåñ ñòàðûõ ìàñòåðîâ

Ñîäåðæàíèå: Gavotte / J. Ph. Rameau. Andante: aus Sonate fur Oboe / G. F. Handel. Rondo / G. B. Bononcini. Air / J. Barrett. Soeur Monique : Rondo / F. Couperin. Pastorale / D. Scarlatti

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

100 Favorite English and Irish Poems — 2006

Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Asimov s Science Fiction April — 2003

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Áàððåòî Á., Êàïåëà äîñ Îìåíñ. Êàôàéÿ. ðîìàíû — 1980

Ðîìàíû îäíîãî èç ñàìûõ òàëàíòëèâûõ áðàçèëüñêèõ ïèñàòåëåé ïîñâÿùåíû äðàìàòè÷åñêèì ñîáûòèÿì íà þãî-âîñòîêå ñòðàíû â êàíóí àïðåëüñêîãî ïåðåâîðîòà 1964 ã., óñòàíîâèâøåãî âîåííî-ïîëèöåéñêóþ äèêòàòóðó. Áåçîðóæíûå êðåñòüÿíå ìàëåíüêîãî ñåëåíèÿ Êàïåëû äîñ Îìåíñ ïðîòèâîñòîÿò ìåñòíûì áîãàòåÿì è íàåìíûì áàíäèòàì, ïûòàÿñü îòâîåâàòü ó ïîìåùèêà ïóñòóþùóþ çåìëþ. Íàêàë áîðüáû, îòðàæåííûé â ýòèõ ïðîèçâåäåíèÿõ, èñòèííàÿ èõ íàðîäíîñòü ñòàâÿò ðîìàíû Áàððåòî â îäèí ðÿä ñ íàèáîëåå çíà÷èòåëüíûìè ïðîèçâåäåíèÿìè ñîâðåìåííîé ëèòåðàòóðû

Ñîäåðæàíèå: Í. Ìàòÿø. Ðîæäåíèå áóäóùåãî (ñ. 5); Êàïåëà äîñ Îìåíñ. Ïåðåâîä Í. Ìàëûõèíîé (ñ. 21); Êàôàéÿ. Ïåðåâîä À. Áîãäàíîâñêîãî (ñ. 421)

Ïîäðîáíàÿ èíôîðìàöèÿ

An Anthology of English and American Verse — 1972

Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

An Antology of English and American Verse — 1972

Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

More B., [Concierto]

Ñîäåðæàíèå: Ñòîðîíà A: SANTA ISABEL DE LAS LAJAS; DOLOR Y PERDON; QUE BUENO BAlLA USTED; Y HOY COMO AYER; MANZANILLO; CONOCI LA PAZ; Ñòîðîíà B: TU ME SABES COMPRENDER; MARACAIBO ORIENTAL; TE QUEDARAS; CIENFUEGOS; OH VIDA; SANTIAGO DE CUBA

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

100 Best-Loved Poems — 1995

Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Victorian Poetry. An Anthology — 1999 (Dover Thrift Editions)

This anthology presents over 170 poems by the major poets of the 19th century, including Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Arthur Hugh Clough, Edward FitzGerald, Matthew Arnold, Dante Gabriel Rossetti, Christina Rossetti, Rudyard Kipling, and many others. An introduction and brief biographical notes on the poets are included

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Barreto G., Na-Nu. o menino que estudava num livro de pedra — 1979

Äåòñêàÿ ëèòåðàòóðà íà ïîðòóãàëüñêîì ÿçûêå

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Barrett N., Le deltaplane — 1989 (Bibliotheque en images)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Tillman B., The Sixth Battle — 1992

Hi-tech military action from the bestselling author of Warriors. In a new era of instability, the Soviet Union has become the Union of Eurasian Republics, South Africa is prey to UER-sponsored invaders, and the former policeman to the world, Uncle Sam, is called out of "retirement" to bring his most potent air, sea, and land power to bear on a crisis in the making.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Barrett N.S., Canoe et kayak — 1989 (Bibl. en images)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Barrett M.E., Castle Ugly — 1968

What begins as a "delicious game of love" for the beautiful and restless Sarah Courtland slips slowly and inexorable into a chilling drama of suspense and violence. Against the glamorous backdrop of Long Island's summer luxury set, where the rich and careless play out their strange private games of love and destruction, Mary Ellin Barrett has spun a hypnotic tale of passion, intrigue, and murder that will hold you spellbound from first page to last. Never before has there been so powerful a blending of the elements of love, of elegance, and of horror.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Browning E.B., Sonnets — s.a. (Tauchnitz pocket library)

Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Matteoni L., Harvest Moon — cop.1986 (Economy Reading Series)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Barrett N.S., La voile — 1989 (Bibliotheque en images)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Barrett N.S., La planche a voile — 1989 (Bibliotheque en images)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ