Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Áýíêñ À., React. ñîâðåìåííûå øàáëîíû äëÿ ðàçðàáîòêè ïðèëîæåíèé — 2022 (Áåñòñåëëåðû O'Reilly)

Õîòèòå ñîçäàâàòü ýôôåêòèâíûå ïðèëîæåíèÿ ñ ïîìîùüþ React? Òîãäà ýòà êíèãà íàïèñàíà äëÿ âàñ. Ïîçíàêîìüòåñü c ëó÷øèìè ïðàêòèêàìè è øàáëîíàìè ñîçäàíèÿ ñîâðåìåííîãî êîäà. Âàì íå ïîòðåáóþòñÿ ãëóáîêèå çíàíèÿ React èëè ôóíêöèîíàëà JavaScript — äîñòàòî÷íî çíàêîìñòâà ñ ïðèíöèïàìè ðàáîòû JavaScript, CSS è HTML. Àëåêñ Áýíêñ è Åâà Ïîðñåëëî íàó÷àò âàñ ñîçäàâàòü ïîëüçîâàòåëüñêèå èíòåðôåéñû, êîòîðûå áóäóò äèíàìè÷åñêè îòîáðàæàòü èçìåíåíèÿ áåç íåîáõîäèìîñòè ïåðåçàãðóçêè ñòðàíèöû äàæå íà êðóïíîìàñøòàáíûõ ñàéòàõ, ðàáîòàþùèõ ñ îãðîìíûìè ìàññèâàìè äàííûõ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Áýíêñ À., React è Redux. ôóíêöèîíàëüíàÿ âåá-ðàçðàáîòêà — 2020 (Áåñòñåëëåðû O'Reilly)

Õîòèòå íàó÷èòüñÿ ïèñàòü ýôôåêòèâíûå ïîëüçîâàòåëüñêèå èíòåðôåéñû ïðè ïîìîùè React? Òîãäà âû íàøëè íóæíóþ êíèãó. Àâòîðû ðàññêàæóò, êàê ñîçäàâàòü ïîëüçîâàòåëüñêèå èíòåðôåéñû ïðè ïîìîùè ýòîé êîìïàêòíîé áèáëèîòåêè è ïèñàòü ñàéòû, íà êîòîðûõ ìîæíî îáðàáàòûâàòü îãðîìíûå îáúåìû äàííûõ áåç ïåðåçàãðóçêè ñòðàíèö. Òàêæå âû èçó÷èòå íîâåéøèå âîçìîæíîñòè ñòàíäàðòà ECMAScript è ôóíêöèîíàëüíîãî ïðîãðàììèðîâàíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks, III — 2019

III-òðåòèé ñòóäèéíûé àëüáîì àìåðèêàíñêîé ïåâèöû è àâòîðà ïåñåí Áýíêñ, âûïóùåííûé 12 èþëÿ 2019 ãîäà ëåéáëîì Harvest Records. Åìó ïðåäøåñòâîâàë âûïóñê òðåõ ñèíãëîâ: Gimme, Look What You're Doing to Me è Contaminated. Àëüáîì äîñòèã 21-ãî ìåñòà â ÷àðòå Billboard 200

Ñîäåðæàíèå: Till Now;Gimme;Contaminated;Stroke;Godless;Sawzall;Look What You're Doing To Me;Hawaiian Mazes;Alaska;Propaganda;The Fall;If We Were Made Of Water;What About Love

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Áýíêñ À., GraphQL.ßçûê çàïðîñîâ äëÿ ñîâðåìåííûõ âåá-ïðèëîæåíèé — 2019 (Áåñòñåëëåðû O'Reilly)

GraphQL - ýòî ÿçûê çàïðîñîâ, àëüòåðíàòèâíûé REST è ñèòóàòèâíûì àðõèòåêòóðàì âåá-ñåðâèñîâ, ñàìàÿ ðåâîëþöèîííàÿ òåõíîëîãèÿ èçâëå÷åíèÿ äàííûõ ñî âðåìåí Ajax. Òî÷íî êàê React èçìåíèë âçãëÿä âåá-ðàçðàáîò÷èêà íà ñîçäàíèå ïîëüçîâàòåëüñêèõ èíòåðôåéñîâ, GraphQL ïîëíîñòüþ èçìåíèò ïðàêòèêó ïåðåäà÷è äàííûõ ïî HTTP. Ýòî ïðàêòè÷åñêîå ðóêîâîäñòâî ïîìîæåò âàì ïðèñòóïèòü ê ðàáîòå ñ ÿçûêîì GraphQL.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Marz R., Green Lantern. — 55,September 1994. Assault & Battery — 1994

Kyle is being brutally assaulted by Major Force since his ring has no power. Despite this he does not back down. Major Force continues his beating until pulling out the green rock to get some answers before killing Kyle. The green rock charges Kyle—s ring and forms itself into a power battery. With his powers restored he steamrolls Major force then has him strapped into an electric chair so he can get some answers about who sent him and why Alex was killed.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Stanley C., Britain s Coastline. History from the Air — 1986

A picture book of Britan s coastline.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks L.R., Two is Lonely. The L-Shaped Room

Jane's son David is eight years old and Jane is filled with doubts as he grows up without a father. Toby, her first love, has gone to Israel after the collapse of his marriage to Melissa. Then there is Andy, close at hand, a complex personality with his own problem son. In the background is Terry, David's father, an amorphous shadow hanging over them.This intense, compassionate novel completes the the trilogy which began with The L-Shaped Room

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks I. M., Canal dreams — 2003

The plot is fairly simple. In the first half, when the ship is stranded but unharmed, the mood is bucolic and philosophical, and the main challenge Hisako has is to pass the time in a tropical lake. She has an affair with one of the ship's officers and they go scuba diving together. She practises the cello. She is worried about the future, and has violent nightmares and flashbacks to her early life in Japan. She also spends time with the other passengers, among them a South African engineer and an erudite Egyptian. In the much darker second half, the book becomes an almost Die Hard-like thriller. Guerrillas (who turn out to be agents provocateur) take over the ship. The rebels kill everybody aboard except Hisako and rape her. She avenges herself, killing the pirates. The violence of the rebel takeover and of Hisako's revenge is described very graphically

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Áýíêñ È., Øàãè ïî ñòåêëó. ðîìàí — 2010 (Pocket book)

Íåóäà÷íèê, êîòîðûé õîäèò âñå âðåìÿ â êàñêå íà ãîëîâå è ìîëîäîé áåçíàäåæíî âëþáëåííûé ÷åëîâåê. ×òî ìîæåò îáüåäèíÿòü ýòèõ ñîâåðøåííî ðàçíûõ ëþäåé? Îòâåòèòü íà ýòîò âîïðîñ ìîæíî, òîëüêî ïðî÷èòàâ ýòî ïðîèçâåäåíèå ñ âåëèêîëåïíîé êîíöîâêîé!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks L.R., The L-Shaped Room. The L-Shaped Room — 1977

Jane Graham is unmarried and pregnant when she is turned out of her comfortable suburban home by an angry father. She lights dejectedly on a bug-ridden room at the top of a squalid house in Fulham. She cares nothing for it, or herself, or her neighbours. But it is these neighbours, by their unaffected kindness, that draw her back into life - Toby, a Jewish writer, John, a black jazz-player, and even her tyrannical landlady. And in the L-Shaped room which she has slowly made her home Jane comes to find a new and positive faith in life

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks L.R., The Blackward Shadow. The L-Shaped Room — 1978

Jane has had her baby and is living along with him in a country cottage. Her idyllic time there is soon complicated by the arrival of Toby, the love of her life, and her friend Dorothy. The two women start up a shop in the village, and it is their changing fortunes and feelings for the men on whom so much of their lives are staked which form the core of this funny and vivdly-told novel.The Backward Shadow is a worthy sequel to The L-Shaped Room

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Stewart A., Arrows of Eros — 1989

The scope of this collection of stories ranges from the mega-violence of Kim Newman to Stephen Gallagher's literary horror story, from the surreal nightmare landscapes of Simon Ounsley's "Growing Place" to the plain bizzare in the curious shape of "The Amorous Adventures of Hogfoot Right".

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks I., Whit or Isis Amongst The Unsaved — 2007

A little knowledge can be a very dangerous thing. Innocent in the ways of the world, an ingenue when it comes to pop and fashion, the Elect of God of a small but committed Stirlingshire religious cult: Isis Whit is no ordinary teenager. When her cousin Morag - Guest of Honour at the Luskentyrian's four- yearly Festival of Love - disappears after renouncing her faith, Isis is marked out to venture among the Unsaved and bring the apostate back into the fold. But the road to Babylondon (as Sister Angela puts it) is a treacherous one, particularly when Isis discovers that Morag appears to have embraced the ways of the Unsaved with spectacular abandon. Truth and falsehood; kinship and betrayal; 'herbal' cigarettes and compact discs - Whit is an exploration of the techno-ridden barrenness of modern Britain from a unique perspective

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Banks I., The Wasp Factory — 2005

By the author of "Canal Dreams" and "Walking on Glass", this is the story of Frank, an unconventional 16 year-old. Frank has already killed three people, but was it just a stage he was going through? Frank, no ordinary sixteen-year-old, lives with his father outsIde a remote Scottish village. Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly. Iain Banks' celebrated first novel is a work of extraordinary originality, imagination and horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; and compulsive, because the humour and compassion of that mind reach out to us all

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ