Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Austen J., Mansfield park — [2005] (Complete and unabridged) (Wordsworth classics)

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Pride and Prejudice — 2019 (Classical Literature. English)

Ïðåäëàãàåì âíèìàíèþ ÷èòàòåëåé çíàìåíèòûé ðîìàí çàìå÷àòåëüíîé àíãëèéñêîé ïèñàòåëüíèöû Äæåéí Îñòèí "Ãîðäîñòü è ïðåäóáåæäåíèå". Ðîìàí ìíîãîêðàòíî èçäàâàëñÿ, ïåðåâåäåí íà ìíîãèå ÿçûêè ìèðà è ÿâëÿåòñÿ îáÿçàòåëüíûì äëÿ èçó÷åíèÿ âî âñåõ àíãëèéñêèõ êîëëåäæàõ è óíèâåðñèòåòàõ, ïî íåìó ñíÿòî íåñêîëüêî õóäîæåñòâåííûõ ôèëüìîâ è òåëåñåðèàëîâ. Íåàäàïòèðîâàííûé òåêñò íà ÿçûêå îðèãèíàëà ñíàáæåí ïîñòðàíè÷íûì êîììåíòàðèåì è ñëîâàðåì. Êíèãà àäðåñîâàíà ñòóäåíòàì ÿçûêîâûõ âóçîâ è âñåì ëþáèòåëÿì àíãëèéñêîé ëèòåðàòóðû. Êîììåíòàðèè è ñëîâàðü Ê.Þ. Ìèõíî

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Îñòåí Ä., Ãîðäîñòü è ïðåäóáåæäåíèå — 2019 (Êàðìàííîå ÷òåíèå íà àíãëèéñêîì ÿçûêå. Upper-Intermediate)

 êíèãó âîøåë ñîêðàùåííûé (ñ ñîõðàíåíèåì îñíîâíîé ñþæåòíîé ëèíèè) è óïðîùåííûé òåêñò ðîìàíà àíãëèéñêîé ïèñàòåëüíèöû Äæåéí Îñòåí "Ãîðäîñòü è ïðåäóáåæäåíèå". Óâëåêàòåëüíîå ïîâåñòâîâàíèå, ÿðêèå õàðàêòåðû ïåðñîíàæåé, îñòðîóìíûå äèàëîãè è ðîìàíòè÷åñêàÿ ñîñòàâëÿþùàÿ - âñå ýòî äåëàåò "Ãîðäîñòü è ïðåäóáåæäåíèå" îäíèì èç ñàìûõ ïîïóëÿðíûõ ïðîèçâåäåíèé àíãëèéñêîé ëèòåðàòóðû íà ïðîòÿæåíèè ìíîãèõ ëåò. Ïðåäíàçíà÷àåòñÿ äëÿ ïðîäîëæàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê (óðîâåíü Upper-Intermediate).

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Early Works — 2018

Jane Austen is one of the most enduring and skilled English novelists. Early Works remained unpublished during her lifetime even though the last one was completed before she was 17. With her wit, social perception and unerring ability to create some of literature's most charismatic and believable heroines, Jane Austen mesmerizes her readers as much today as she did when her famous novels were first published.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Early Works II — 2018

Jane Austen is one of England's most enduring and skilled novelists. With her wit, social precision, and unerring ability to create some of literature's most charismatic and believable heroines, she mesmerises her readers as much today as when her novels were first published.This selection of Jane Austen's earliest writing remained unpublished during her lifetime. The title story was written before she was 15, while the other stories were completed before she was 17.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Teenage writings — 2017 (Oxford World s Classics)

Three notebooks of Jane Austen's early writings survive. The pieces probably date from 1786 or 1787, around the time that Jane, aged 11 or 12, and her older sister and collaborator Cassandra left school. By this point Austen was already an indiscriminate and precocious reader, devouring pulp fiction and classic literature alike; what she read, she soon began to imitate and parody.Unlike many teenage writings then and now, these are not secret or agonized confessions entrusted to a private journal and for the writer's eyes alone. Rather, they are stories to be shared and admired by a named audience of family and friends. Devices and themes which appear subtly in Austen's later fiction run riot openly and exuberantly across the teenage page. Drunkenness, brawling, sexual misbehavior, theft, and even murder prevail. It is as if Lydia Bennett is the narrator

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Îñòèí Ä., Àíãëèéñêèé ñ Äæåéí Îñòèí. Ëåäè Ñüþçàí. ðîìàí â ïèñüìàõ — 2017 (Ìåòîä îáó÷àþùåãî ÷òåíèÿ Èëüè Ôðàíêà) (Ó÷èì ÿçûê, ÷èòàÿ èíòåðåñíûå êíèãè!)

Áóäó÷è îäíèì èç ðàííèõ ïðîèçâåäåíèé Äæåéí Îñòèí, ðîìàí "Ëåäè Ñüþçàí" óâèäåë ñâåò ëèøü ñïóñòÿ ïîëâåêà ïîñëå åå êîí÷èíû. È òåì íå ìåíåå ýòà èñòîðèÿ îáîëüñòèòåëüíîé èíòðèãàíêè, êîòîðàÿ â ïîïûòêàõ çàïîëó÷èòü âûãîäíóþ ïàðòèþ ãîòîâà ïåðåñòóïèòü ÷åðåç ñ÷àñòüå ñîáñòâåííîé äî÷åðè, óæå â ïîëíîé ìåðå îáëàäàåò äîñòîèíñòâàìè, ïðèíåñøèìè âñåìèðíóþ ñëàâó òàêèì øåäåâðàì, êàê "Ðàçóì è ÷óâñòâî" è "Ãîðäîñòü è ïðåäóáåæäåíèå", - óâëåêàòåëüíîñòüþ ñþæåòà, òî÷íîñòüþ ïèñüìà, ïñèõîëîãè÷åñêîé ãëóáèíîé, òîíêîé èðîíèåé, ìÿãêèì, "èñòèííî àíãëèéñêèì" þìîðîì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Îñòèí Ä., Ãîðäîñòü è ïðåäóáåæäåíèå — 2016 (Áåñòñåëëåð íà âñå âðåìåíà)

×òåíèå îðèãèíàëüíûõ ïðîèçâåäåíèé - ïðîñòîé è äåéñòâåííûé ñïîñîá ïîãðóçèòüñÿ â ÿçûêîâóþ ñðåäó è ñîâåðøåíñòâîâàòüñÿ â èíîñòðàííîì ÿçûêå. Ñåðèÿ "Áåñòñåëëåð íà âñå âðåìåíà" - ýòî âîçìîæíîñòü óëó÷øèòü ñâîé àíãëèéñêèé, ÷èòàÿ ëó÷øèå ïðîèçâåäåíèÿ àíãëîÿçû÷íûõ àâòîðîâ, ëþáèìûå ìèëëèîíàìè ÷èòàòåëåé. Äëÿ ëó÷øåãî ïîíèìàíèÿ òåêñòà â êíèãó âêëþ÷åíû êðàòêèé ñëîâàðü è êîììåíòàðèè, ïîÿñíÿþùèå ÿçûêîâûå è ëèíãâîñòðàíîâåä÷åñêèå âîïðîñû, èñòîðè÷åñêèå è êóëüòóðíûå ðåàëèè îïèñûâàåìîé ýïîõè."Ãîðäîñòü è ïðåäóáåæäåíèå" - ýòî íåïðåâçîéäåííàÿ èñòîðèÿ ëþáâè,ñòîÿùåé âûøå ëþäñêèõ ñïëåòåí è ïðåäðàññóäêîâ.Áëàãîäàðÿ âåëèêîëåïíîìó ñëîãó Äæåéí Îñòåí, åå òîíêîé èðîíèè,ãëóáîêîìó çíàíèþ ëþäåé è íåïðåâçîéäåííîìó ñòèëþ ðîìàí ñðàçó çàâîåâàë ñåðäöà ÷èòàòåëåé è ïî ñåé äåíü îñòàåòñÿ áåñòñåëëåðîì. Ýòà êíèãà ïîäàðèò ðàäîñòü îò ÷òåíèÿ è ïîìîæåò óëó÷øèòü ñâîé àíãëèéñêèé

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Îñòèí Ä., Ðàçóì è ÷óâñòâà è ãàäû ìîðñêèå. ðîìàí — 2010

Èäåÿ êëàññè÷åñêîãî ðîìàíà, íàñåëåííîãî ñâåðõúåñòåñòâåííûìè ñóùåñòâàìè èç ñîâðåìåííîé ìèôîëîãèè õîððîðà, îáðåëà íåñëûõàííóþ ïîïóëÿðíîñòü. Íüþ-éîðêñêèé ïèñàòåëü è äðàìàòóðã Áåí Óèíòåðñ, èçâåñòíûé ñâîèì íåçàóðÿäíûì ÷óâñòâîì þìîðà, âíåñ ëåäåíÿùèé äóøó âêëàä â "Ðàçóì è ÷óâñòâà" Äæåéí Îñòèí.Ìíîãîñòðàäàëüíàÿ Àíãëèÿ â íà÷àëå XIX âåêà èç ïîñëåäíèõ ñèë ïðîòèâîñòîèò íàøåñòâèÿì ìîðñêèõ ÷óäîâèù, ñòðåìÿùèõñÿ èñòðåáèòü ðîä ëþäñêîé. Åå ñòîëèöà, íàêðûòàÿ ñòåêëÿííûì êóïîëîì, ïåðåíåñåíà íà ìîðñêîå äíî. È îñòðîâà ïîðîé îêàçûâàþòñÿ âîâñå íå îñòðîâàìè— ýòîé çëîâåùåé àòìîñôåðå ïðåëåñòíûå ñåñòðû Äýøâóä ãëóáîêî ïåðåæèâàþò êàæäàÿ ñâîå íåñ÷àñòüå. Óìíàÿ, ñäåðæàííàÿ Ýëèíîð âëþáëåíà â ÷åëîâåêà, ïîìîëâëåííîãî ñ äðóãîé. Ðîìàíòè÷íàÿ, ïîðûâèñòàÿ Ìàðèàííà áåç óìà îò âåðîëîìíîãî îõîòíèêà çà ñîêðîâèùàìè è äàæå íå ñìîòðèò â ñòîðîíó áëàãîðîäíîãî ïîëêîâíèêà Áðåíäîíà ñ óæàñíûìè îñìèíîæüèìè ùóïàëüöàìè âìåñòî áîðîäû. À ðàçáèòîå ñåðäöå îïàñíî âäâîéíå, êîãäà âîêðóã áóøóåò âðàæäåáíûé îêåàí—

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Aciman A., Twitterature. The World's Greatest Books. Retold Through Twitter — 2009

Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Pride and prejudice. stage 6 — 2008 (Oxford bookworms library)

The moment I first met you, I noticed your pride, your sense of superiority, and your selfish disdain for the feelings of others. You are the last man in the world whom I could ever be persuaded to marry,' said Elizabeth Bennet. And so Elizabeth rejects the proud Mr Darcy. Can nothing overcome her prejudice against him? And what of the other Bennet girls - their fortunes, and misfortunes, in the business of getting husbands? This famous novel by Jane Austen is full of wise and humorous observation of the people and manners of her times.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Sense and Sensibility. stage 5 — 2008 (Oxford Bookworms Library)

This award-winning collection of adapted classic literature and original stories develops reading skills for low-beginning through advanced students. Accessible language and carefully controlled vocabulary build students' reading confidence. Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension. Before, during, and after reading activities included in the back of each book strengthen student comprehension. Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Persuation — 1990 (Charnwood Library Series)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Pride And Prejudice — 1989 (Charnwood Library Series)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Mansfield Park — 1988 (Charnwood Library Series)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Pride and Prejudice — 1994 (Penguin Popular Classics)

"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife". Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels. Pride and Prejudice - Austen's own "darling child" - tells the story of fiercely independent Elizabeth Bennet, one of five sisters who must marry rich, as she confounds the arrogant, wealthy Mr. Darcy. What ensues is one of the most delightful and engrossingly readable courtships known to literature, written by a precocious Austen when she was just twenty-one years old

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Sense and Sensibility — 2008 (Oxford Bookworms Library. Classics. Stage 5 (1800 headwoords))

Sometimes the Dashwood girls do not seem like sisters. Elinor is all calmness and reason, and can be relied upon for practical, common sense opinions. Marianne, on the other hand, is all sensibility, full of passionate and romantic feeling. She has no time for dull common sense - or for middle-aged men of thirty-five, long past the age of marriage. True love can only be felt by the young, of course. And if your heart is broken at the age of seventeen, how can you ever expect to recover from the passionate misery that fills your life, waking and sleeping?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen J., Sense and Sensibility — 2008

"Sense and Sensibility" is a novel by the English novelist Jane Austen. Published in 1811, it was the first of Austen's novels to be published.Elinor and Marianne are two daughters of Mr. Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John and the Dashwood women are left in reduced circumstances. Fortunately, a distant relative offers to rent the women a cottage on his property.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Austen G., Northanger Abbey — 2007 (Wordswoth Classics)

This book tells the story of a young girl, Catherine Morland, who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ