Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ýíäðþñ Â. Ê., Öâåòû íà ÷åðäàêå. [èñêóñíî ñïëåòåííàÿ ñîâðåìåííàÿ ñêàçêà. ðîìàí] — 2017 (Àçáóêà-áåñòñåëëåð)

Ýòà êíèãà ïîêîðèëà âåñü ìèð è ïðèíåñëà åå àâòîðó, àìåðèêàíñêîé ïèñàòåëüíèöå Â.Ê. Ýíäðþñ, çàñëóæåííóþ ëþáîâü ìèëëèîíîâ ïîêëîííèêîâ. Ðîìàí «Öâåòû íà ÷åðäàêå», îñíîâàííûé íà ðåàëüíûõ ñîáûòèÿõ, ñðàçó ñòàë áåñòñåëëåðîì è áûë äâàæäû ýêðàíèçèðîâàí (â 1987 è 2014 ãã.). Çà íèì ïîñëåäîâàëè äðóãèå êíèãè çàõâàòûâàþùåé ñàãè î ñåìåéñòâå Äîëëàíãåíäæåð: «Ëåïåñòêè íà âåòðó», «Ñêâîçü òåðíèè», «Ñåìåíà ïðîøëîãî», «Ñàä òåíåé». Æèëà-áûëà ñ÷àñòëèâàÿ ñåìüÿ: îòåö, ìàòü è ÷åòâåðî ïðåëåñòíûõ áåëîêóðûõ äåòåé. Íî âíåçàïíî îòåö ãèáíåò â àâòîêàòàñòðîôå. Ñïàñàÿ ñåáÿ è äåòåé îò íèùåòû, Êîðèííà Äîëëàíãåíäæåð âîçâðàùàåòñÿ ê ñâîèì ðîäèòåëÿì, íåâåðîÿòíî áîãàòûì, íî ñóðîâûì è æåñòîêèì ëþäÿì, ìíîãî ëåò íàçàä èçãíàâøèì åå èç äîìà. Åé ïðåäñòîèò ñíîâà çàâîåâàòü ðàñïîëîæåíèå ñâîåãî îòöà, ÷òîáû óíàñëåäîâàòü åãî ñîñòîÿíèå. Íî âîò ïðîáëåìà: îí íå äîëæåí óçíàòü, ÷òî ó íåå åñòü äåòè. È ëþáÿùàÿ ìàòü ïðÿ÷åò ñâîèõ àíãåëî÷êîâ íà âåðõíåì ýòàæå îãðîìíîãî ðîäèòåëüñêîãî äîìà, ãäå â èõ ðàñïîðÿæåíèè âñåãî îäíà êîìíàòà ñ âûõîäîì íà ÷åðäàê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ýíäðþñ Â. Ê., Õåâåí, äî÷ü àíãåëà. [ðîìàí] — 2015

Õåâåí Ëè — ñòàðøàÿ èç ïÿòè äåòåé ñåìåéñòâà Êàñòèë, æèâóùåãî â óáîãîé õèæèíå â ãîðàõ Çàïàäíîé Âèðãèíèè. Ïðåçèðàåìàÿ îòöîì è ýêñïëóàòèðóåìàÿ ìàòåðüþ, äåâî÷êà íàõîäèò óòåøåíèå â ëþáâè ê ìëàäøèì áðàòüÿì è ñåñòðàì. Íàêàíóíå ñâîåãî äåñÿòèëåòèÿ Õåâåí óçíàåò îò áàáóøêè, ÷òî åå íàñòîÿùåé ìàòåðüþ áûëà êðàñèâàÿ è áîãàòàÿ äåâóøêà, êîòîðàÿ áåç ïàìÿòè âëþáèëàñü â Ëþêà Êàñòèëà. Ê íåñ÷àñòüþ, ñðàçó ïîñëå ðîæäåíèÿ Õåâåí îíà óìåðëà, è îòåö íå ìîæåò ïðîñòèòü ýòîãî äåâî÷êå. ×åðåç íåñêîëüêî ëåò, íå âûäåðæàâ íèùåòû è ïðåíåáðåæåíèÿ ñî ñòîðîíû ìóæà, ìà÷åõà Õåâåí óåçæàåò, áðîñèâ äåòåé íà ïðîèçâîë ñóäüáû. ×òîáû ïîïðàâèòü ñâîè äåëà, ïðèøåäøèå â ïîëíûé óïàäîê èç-çà ñòðàñòè ê àçàðòíûì èãðàì, Ëþê Êàñòèë ïðèäóìûâàåò ãåíèàëüíûé, ïî åãî ìíåíèþ, ïëàí: îí íà÷èíàåò ðàñïðîäàâàòü ñîáñòâåííûõ äåòåé áîãàòûì áåçäåòíûì ïàðàì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ýíäðþñ Â. Ê., Öâåòû íà ÷åðäàêå. [èñêóñíî ñïëåòåííàÿ ñîâðåìåííàÿ ñêàçêà. ðîìàí] — 2014 (ìàêåò 2015) (Àçáóêà-áåñòñåëëåð)

Ýòà êíèãà ïîêîðèëà âåñü ìèð è ïðèíåñëà åå àâòîðó, àìåðèêàíñêîé ïèñàòåëüíèöå Â.Ê. Ýíäðþñ, çàñëóæåííóþ ëþáîâü ìèëëèîíîâ ïîêëîííèêîâ. Ðîìàí «Öâåòû íà ÷åðäàêå», îñíîâàííûé íà ðåàëüíûõ ñîáûòèÿõ, ñðàçó ñòàë áåñòñåëëåðîì è áûë äâàæäû ýêðàíèçèðîâàí (â 1987 è 2014 ãã.). Çà íèì ïîñëåäîâàëè äðóãèå êíèãè çàõâàòûâàþùåé ñàãè î ñåìåéñòâå Äîëëàíãåíäæåð: «Ëåïåñòêè íà âåòðó», «Ñêâîçü òåðíèè», «Ñåìåíà ïðîøëîãî», «Ñàä òåíåé». Æèëà-áûëà ñ÷àñòëèâàÿ ñåìüÿ: îòåö, ìàòü è ÷åòâåðî ïðåëåñòíûõ áåëîêóðûõ äåòåé. Íî âíåçàïíî îòåö ãèáíåò â àâòîêàòàñòðîôå. Ñïàñàÿ ñåáÿ è äåòåé îò íèùåòû, Êîðèííà Äîëëàíãåíäæåð âîçâðàùàåòñÿ ê ñâîèì ðîäèòåëÿì, íåâåðîÿòíî áîãàòûì, íî ñóðîâûì è æåñòîêèì ëþäÿì, ìíîãî ëåò íàçàä èçãíàâøèì åå èç äîìà. Åé ïðåäñòîèò ñíîâà çàâîåâàòü ðàñïîëîæåíèå ñâîåãî îòöà, ÷òîáû óíàñëåäîâàòü åãî ñîñòîÿíèå. Íî âîò ïðîáëåìà: îí íå äîëæåí óçíàòü, ÷òî ó íåå åñòü äåòè. È ëþáÿùàÿ ìàòü ïðÿ÷åò ñâîèõ àíãåëî÷êîâ íà âåðõíåì ýòàæå îãðîìíîãî ðîäèòåëüñêîãî äîìà, ãäå â èõ ðàñïîðÿæåíèè âñåãî îäíà êîìíàòà ñ âûõîäîì íà ÷åðäàê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Analog Science Fiction and Fact November — 2004

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews J. R., Workbook for introduction to classical Nahuatl — 2003

For many years, J. Richard Andrews—s Introduction to Classical Nahuatl has been the standard reference work for scholars and students of Nahuatl, the language used by the ancient Aztecs and the Nahua Indians of Central Mexico. Andrews—s work was the first book to make Nahuatl accessible as a coherent language system and to recognize such crucial linguistic features as vowel length and the glottal stop. Accompanied by a workbook, this long-awaited new edition is extensively revised, enlarged, and updated with the latest research.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Washington B. T., Up from Slavery — 2000 (Oxford World's Classics)

My life had its beginning in the midst of the most miserable, desolate, and discouraging surroundings. For half a century from its publication in 1901 Up from Slavery was the best known book written by an African American. The life of ex-slave Booker T Washington embodied the legendary rise of the American self-made man, and his autobiography gave prominence for the first time to the voice of a group which had to pull itself up from extreme adversity. Washington attributes his success to his belief in many of the virtues celebrated by Benjamin Franklin: selflessness, industry, pragmatism, and optimism. But from behind the mask of the humble, plainspoken schoolmaster come hints that reveal Washington the ambitious and tough-minded analyst of power who had to balance the demands of blacks with the constraints imposed on him by whites. To read Up from Slavery is to explore the means by which Washington rose to become the most influential and powerful black American of his time. How far he compromised African American rights in order to achieve his aims remains a matter of controversy.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews J. F., Hasta Luego, San Diego — 1991 (Flying Fingers Club #3)

The Flying Fingers Club sleuths find themselves in action again when the boys witness the theft of rare cockatoos from the San Diego Zoo. Middle readers will delight in this latest thriller!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews J.F., The Secret in the Dorm Attic — 1990 (Flying Fingers Club #2)

Susan, Donald, and Matt are back, as the Flying Fingers Club solves another mystery! Donald visits Matt at his school for the deaf in Kentucky, where the boys and their new friend Saleem discover strange happenings in their dorm attic. Susan arrives on a Girl Scout camping trip, and helps investigate the mystery of the stolen necklace! Young readers will learn about Deaf culture as they puzzle along.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews V.C., Child of Darkness — 2005

SHE GREW UP IN THE SHADOWS OF LIES.NOW THE PAST WILL COME TO LIGHT.As a child, she was Baby Celeste, the one thing that kept her mother in touch with reality. But now her mother is in an institution, damaged by years of lies and secrets, and sixteen-year-old Celeste Atwell is alone in the world. Adopted by a wealthy couple, Wade and Ami Emerson, Celeste has everything a girl could desire: designer clothes, luxury cars, even a handsome boyfriend. But her new life is shrouded in mystery: Ami acts more like a girlfriend than Celeste's adoptive mother -- what mother would encourage her daughter to flirt outrageously and dress in racy outfits? Wade, meanwhile, stoically accepts his wife's wild spending sprees and over-the-top behavior. Celeste is about to discover the true price of having it all -- because the secrets hidden within the Emerson household are too dangerous to keep under wraps....

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews V.C., Celeste — 2004

The first thrilling book in Andrews's new Gemini series. The death of Celeste's twin brother Noble pushes their mother over the edge. Desperate for her son, Celeste's mother forces her to take on Noble's identity. Origina

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Ïîäðîáíàÿ èíôîðìàöèÿ

Áåê Á., Ìèð â 2050 ãîäó — 2013 (The Economist)

Íàø ìèð ïîñòîÿííî ìåíÿåòñÿ, è â ïîñëåäíèå äåñÿòèëåòèÿ - áûñòðåå, ÷åì êîãäà áû òî íè áûëî. Ñòðåìèòåëüíîå ðàçâèòèå òåõíîëîãèé, ìîðå èíôîðìàöèè, åå äîñòóïíîñòü - âñå ýòî îêàçûâàåò îãðîìíîå âëèÿíèå íà ñîñòîÿíèå ãîñóäàðñòâ, ðûíêîâ è ãðàæäàíñêîãî îáùåñòâà.Êàêèì ñòàíåò ìèð ê 2050 ãîäó?  êíèãå - ïîïûòêà ýêñïåðòîâ ëåãåíäàðíîãî The Economist îòâåòèòü íà ýòîò âîïðîñ. Îíè âûÿâèëè è èññëåäîâàëè îñíîâíûå òåíäåíöèè, îêàçûâàþùèå ðåøàþùåå âîçäåéñòâèå íà ìèð â ðàçëè÷íûõ ñôåðàõ æèçíè - îò çäðàâîîõðàíåíèÿ äî ýêîíîìèêè. Îíè äåòàëüíî, äîñòóïíûì ÿçûêîì îïèñàëè èõ è ïîäêðåïèëè áîëüøèì êîëè÷åñòâîì ôàêòîâ, áëàãîäàðÿ ÷åìó êíèãà ïðåâðàòèëàñü â öåííûé ñïðàâî÷íûé èíñòðóìåíò.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews K., Dispossesses Australians — 1984 (The Making of Australia)

The books in the series The Making of Australia form an authentic library of Australia s history. Carefully researched and edited and featurig direct quotations from early records as well as many original historical illustrations, each book traces one important theme. From the early exploration of the Pacific and the first settlement at Port Jackson, The Making of Australia continues the story up to the problems of government and the social and economic developments of today.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Andrews V., Flowers in the Attic — 2005

The four Dollanganger children had such perfect lives -- a beautiful mother, a doting father, a lovely home. Then Daddy was killed in a car accident, and Momma could no longer support the family. So she began writing letters to her parents, her millionaire parents, whom the children had never heard of before. Momma tells the children all about their rich grandparents, and how Chris and Cathy and the twins will live like princes and princesses in their grandparents' fancy mansion. The children are only too delighted by the prospect. But there are a few things that Momma hasn't told them.She hasn't told them that their grandmother considers them "devil's spawn" who should never have been born. She hasn't told them that she has to hide them from their grandfather if she wants to inherit his fortune. She hasn't told them that they are to be locked away in an abandoned wing of the house with only the dark, airless attic to play in. But, Momma promises, it's only for a few days....Then the days stretch into months, and the months into years. Desperately isolated, terrified of their grandmother, and increasingly convinced that their mother no longer cares about them, Chris and Cathy become all things to the twins and to each other. They cling to their love as their only hope, their only strength -- a love that is almost stronger than death

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ