Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Êíèãà Àëàíà Ãðèíñïåíà, ýêñ-ãëàâû ÔÐÑ, îäíîãî èç ñàìûõ ìîãóùåñòâåííûõ ôèíàíñèñòîâ â ìèðå, è Àäðèàíà Âóëäðèäæà â 2018 ãîäó âîøëà â øîðò-ëèñò ïðåñòèæíîé êíèæíîé ïðåìèè Financial Times and McKinsey Business Book. Àâòîðû ïðåäñòàâëÿþò íà ñóä ÷èòàòåëÿ ãëóáîêèé ðàçáîð îñíîâíûõ äâèæóùèõ ñèë ïðîãðåññà àìåðèêàíñêîé ýêîíîìèêè, äåéñòâîâàâøèõ íà ïðîòÿæåíèè âñåé åå èñòîðèè. Ýòî ìàñøòàáíîå èññëåäîâàíèå ïîñëåäíèõ 400 ëåò ýêîíîìè÷åñêîé èñòîðèè ÑØÀ ïîçâîëÿåò ïðîñëåäèòü ïóòü è ïîíÿòü ñîñòàâëÿþùèå, ïîçâîëèâøèå òðèíàäöàòè êîëîíèÿì ñîçäàòü ñàìóþ ìîùíóþ ýêîíîìèêó â ìèðå.

Àííîòàöèÿ: Where does prosperity come from, and how does it spread through a society? What role does innovation play in creating prosperity and why do some eras see the fruits of innovation spread more democratically, and others, including our own, find the opposite? In Capitalism in America, Alan Greenspan, legendary Chair of the Federal Reserve, distils a lifetime of grappling with these questions into a profound assessment of the decisive drivers of the US economy over the course of its history. In partnership with Economist journalist and historian Adrian Wooldridge, he unfolds a tale of vast landscapes, titanic figures and triumphant breakthroughs as well as terrible moral failings. Every crucial American economic debate is here - from the role of slavery in the antebellum Southern economy to America's violent swings in its openness to global trade. At heart, the authors argue, America's genius has been its enthusiasm for the effects of creative destruction, the ceaseless churn of the old giving way to the new. Although messy and painful, it has lifted the overwhelming majority of Americans to standards of living unimaginable even a few generations past. At a time when productivity has again stalled, stirring populist furies, and the continuing of American pre-eminence seems uncertain, Capitalism in America explains why America has worked so successfully in the past and been such a gigantic engine of economic growth.

Àííîòàöèÿ: Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: Êîãäà-òî Ìîðèñ è Ñàðà áûëè åäèíûì öåëûì, êîòîðîå íå ìîãëà ðàçðóøèòü íèêàêàÿ ñèëà. Èõ ñåðäöà áèëèñü â òàêò, è âïåðåäè âëþáëåííûõ æäàëà öåëàÿ âå÷íîñòü. Íî îäíî åäèíñòâåííîå ìãíîâåíèå èçìåíèëî âñå.

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.

Àííîòàöèÿ: Àíãëèÿ-ñòðàíà,ïîðîäèâøàÿ âåëèêóþ ïëåÿäó þðèñòîâ, êëàññèêîâ ìèðîâîé ëèòåðàòóðû.Òðàäèöèè,çàëîæåííûå Øåêñïèðîì,Ôèëäèíãîì,Ñòåðíîì,Äèêêåíñîì,ïðîäîëæàþò è ðàçâèâàþò àíãëèéñêèå þìîðèñòû XIX-XX ñòîëåòèé:Äæåðîì Ê.Äæåðîì, Ã.Ê.×åñòåðòîí, Õ.Áåëëîê, Äæ.Ìèêåø è äðóãèå, ñ òâîð÷åñòâîì êîòîðûõ è ïîçíàêîìèò äàííûé ñáîðíèê.Èçäàíèå ïðåäíàçíà÷åíî êàê âëàäåþùèì àíãëèéñêèì ÿçûêîì, òàê è èçó÷àþùèì åãî

Àííîòàöèÿ:  ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû òâîð÷åñòâà àìåðèêàíñêèõ ïîýòîâ XIX-XX ââ. è èõ ïåðåâîäû íà ðóññêèé ÿçûê. Êíèãà äàåò íàãëÿäíîå ïðåäñòàâëåíèå î òîì, êàê ðàçâèâàëàñü ðóññêàÿ è ñîâåòñêàÿ øêîëà ñòèõîòâîðíîãî ïåðåâîäà è êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àìåðèêàíñêàÿ ïîýçèÿ. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, êîììåíòàðèÿìè, ñïðàâêàìè îá àâòîðàõ è ïåðåâîä÷èêàõ è àäðåñîâàíî øèðîêèì êðóãàì ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Back Up Train—äåáþòíûé àëüáîì Ýëà Ãðèíà,âûïóùåííûé Hot Line Records, ëåéáëîì,ñîçäàííûì Ïàëìåðîì Äæåéìñîì è Êåðòèñîì Ðîäæåðñîì,øêîëüíûìè äðóçüÿìè Ýëà Ãðèíà

Àííîòàöèÿ: Ñáîðíèå ðàññêàçîâ ñîâðåìåííûõ àíãëèéñêèõ ïèñàòåëåé ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ ñòàðøèõ êóðñîâ ÿçûêîâûõ âóçîâ è ôàêóëüòåòîâ â êà÷åñòâå ìàòåðèàëà äëÿ ÷òåíèÿ.

Àííîòàöèÿ: This new edition of Adventures in American Literature is one of five books which make up the ADVENTURES series for the senior high school. The editors have put their best thought and effort into this revision. They have consulted numerous teachers who have been teaching the text, and have received many valuable suggestions as to pruming weakness and preserving strength

Àííîòàöèÿ: The Best of the World's Classics from Great Britain and Ireland

Àííîòàöèÿ: A selection of short stories in the Bookworm Collection series. The texts are neither graded nor adapted, and each book contains biographical information about the authors, notes on the texts, and language activities.Murder: the unlawful, intentional killing of a human being - a terrible crime. But murder stories are always fascinating. Who did it? And how? Or why? And was it murder, or just an unfortunate accident? Who will triumph, the murderer or the detective? This collection contains a wide range of murder stories, from the astute detection of the famous Sherlock Holmes, to the chilling psychology of Ruth Rendell. This collection contains stories by Agatha Christie, Ruth Rendell, Graham Greene, Angela Noel, Dorothy L. Sayers, Sir Arthur Conan Doyle, Margery Allingham, and Patricia Highsmith

Àííîòàöèÿ: The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today