Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ðèñó Àêèçóêè — ïñåâäîíèì ÿïîíñêîãî õóäîæíèêà ìàíãè, ðîäèëàñü â 1957 ãîäó.  1988 ãîäó îíà äåáþòèðîâàëà â ïðîôåññèîíàëüíîì ïëàíå â ôèëüìå «Òåîðèÿ ýâîëþöèè æåíû» («Weekly Morning Extra Edition/Party»).  ñëåäóþùåì ãîäó «OL Evolution Theory» íà÷àëà âûõîäèòü â æóðíàëå «Weekly Morning». Îí áûñòðî ñòàë î÷åíü ïîïóëÿðíûì ñðåäè äîìîõîçÿåê è ðàáîòàþùèõ âçðîñëûõ. «Òåîðèÿ ýâîëþöèè OL» ðàçîøëàñü ìèëëèîííûì òèðàæîì è äî ñèõ ïîð âûïóñêàåòñÿ â ñåðèàëüíîì âèäå.  2004 ãîäó îíà âûèãðàëà 8-þ êóëüòóðíóþ ïðåìèþ Òýäçóêà Îñàìó

Àííîòàöèÿ: Îòêðîéòå äëÿ ñåáÿ óäèâèòåëüíûé ìèð ñîâðåìåííîé õóäîæíèöû èç Êèòàÿ, èçâåñòíîé ïîä íèêíåéìîì Àêè. Ýòîò àðòáóê — íàñòîÿùàÿ ñîêðîâèùíèöà äëÿ ëþáèòåëåé èñêóññòâà è êà÷åñòâåííîãî ãåéì-äèçàéíà. Íà åãî ñòðàíèöàõ èëëþñòðàòîð ñîáðàëà áîëüøå 50 èëëþñòðàöèé: îò ÷åðíîâûõ íàáðîñêîâ è ëýéàóòîâ ñ ðàçíûì ñåòòèíãîì äî öåëûõ êîìèêñîâ ñ âûñòðîåííûì ñòîðèòåëëèíãîì. Àêè — ôðèëàíñ-èëëþñòðàòîð ðîäîì èç Êèòàÿ. Óæå ìíîãî ëåò ÿâëÿåòñÿ ïðèçíàííûì ïðîôåññèîíàëîì â èíäóñòðèè âèäåîèãð. Íà ArtStation åå àóäèòîðèÿ ïðåâûøàåò 55 òûñÿ÷ ïîëüçîâàòåëåé. Ýòîò àðòáóê — êîëëåêöèÿ ëþáèìûõ àðòîâ Àêè è ôàíòàñòè÷åñêèõ ìèðîâ, âäîõíîâëåííûõ Êèòàåì, ßïîíèåé è èñêóññòâîì åâðîïåéñêîãî Ñðåäíåâåêîâüÿ.

Àííîòàöèÿ: Ãàëåðåÿ «Òðèóìô» ïðåäñòàâëÿåò êàòàëîã ê ïåðñîíàëüíîé âûñòàâêå Ñîôèè Àêèìîâîé The Last Gala.  îñíîâå íîâîé ñåðèè ðàáîò õóäîæíèöû ëåæèò èäåÿ ñîçäàíèÿ ïîðòðåòà ñîâðåìåííîãî îáùåñòâà è èññëåäîâàíèÿ åãî ðîëè â æèçíè îòäåëüíîãî ÷åëîâåêà. Ñîöèóì, ñïîñîáíûé ïðèíÿòü â ñâîè ðÿäû èëè, íàîáîðîò, îòâåðãíóòü, ïðè ýòîì îêàçûâàåòñÿ ïðèâèëåãèðîâàííûì ïî îòíîøåíèþ ê ëè÷íîñòè. Äëÿ ñþæåòîâ ñâîèõ ðàáîò Ñîôèÿ âûáèðàåò ñöåíû ïðàçäíåñòâ, ïðèåìîâ, âå÷åðèíîê, áàëîâ è ïðî÷èõ óâåñåëåíèé èç æèçíè âûñøåãî îáùåñòâà. Ýòîò êàæóùèéñÿ âå÷íûì ïðàçäíèê ïðîèñõîäèò íà èçëåòå ÷åëîâå÷åñêîé ýðû: âîçäóõ íàä ãîëîâàìè íè÷åãî íå ïîäîçðåâàþùèõ ãîñïîä è äàì ñãóùàåòñÿ è íàïîëíÿåòñÿ îùóùåíèåì òðåâîãè è íàäâèãàþùåéñÿ êàòàñòðîôû. Ïî ìíåíèþ õóäîæíèöû, ñàìî ïîíÿòèå ïðàçäíèêà è åãî âíóòðåííåå ñîäåðæàíèå ïîìåíÿëèñü çà ïîñëåäíèå äåñÿòèëåòèÿ: ïîñòåïåííî îí òðàíñôîðìèðîâàëñÿ â ïëîùàäêó äëÿ íåòâîðêèíãà, ñàìîïðåçåíòàöèè è ñîçäàíèÿ êîíòåíòà. Ñîôèÿ Àêèìîâà, à âñëåä çà íåé è çðèòåëü, çàíèìàåò ïîçèöèþ íàáëþäàòåëÿ. Ïåðñîíàæè ðàáîò Àêèìîâîé — æèâàÿ äâèæóùàÿñÿ ìàññà, íàìåðåííî îáåçëè÷åííàÿ è ëèøåííàÿ ïåðñîíàëüíûõ õàðàêòåðèñòèê. «Ýòîò áëåñòÿùèé æóææàùèé ðîé õàîòè÷íî äâèæåòñÿ âíóòðè çàìêíóòîé ñèñòåìû, ïîä÷èíÿÿñü âíóòðåííåé ëîãèêå, à ñòàëêèâàÿñü ñ «äðóãèì» èäåíòèôèöèðóåò åãî ïî ïðèíöèïó ñâîé/÷óæîé, èñïîëüçóÿ îïðåäåëåííûé íàáîð ñîöèàëüíûõ ìàðêåðîâ», — ãîâîðèò êóðàòîð âûñòàâêè Ïîëèíà Ìîãèëèíà. Íàáëþäàÿ çà ðàóòîì ñî ñòîðîíû, çðèòåëü ìå÷òàåò ñòàòü åãî ÷àñòüþ. Îäíàêî ïðè áëèæàéøåì ðàññìîòðåíèè æåëàííûé ïðàçäíèê îêàçûâàåòñÿ ïîäîáåí èñêóñíûì, íî âñå æå ñèíòåòè÷åñêèì äåêîðàöèÿì ê ôèëüìó, ôèíàë êîòîðîãî óæå èçâåñòåí.

Àííîòàöèÿ: Ñåãîäíÿ òðóäíî ïðåäñòàâèòü ìèðîâîé ðûíîê áûòîâîé ðàäèîýëåêòðîíèêè áåç òåõíèêè ïðîèçâîäñòâà Sony. Àâòîð, îäèí èç îñíîâàòåëåé êîðïîðàöèè Sony, ðàññêàçûâàåò îá èñòîðèè êîìïàíèè, î ðàçðàáîòêå ïëååðà Walkman, âèäåîìàãíèòîôîíà Betamax, êîìïàêò-äèñêà è äðóãèõ óíèêàëüíûõ èçîáðåòåíèÿõ. êíèãå ïîäðîáíî ðàññêàçàíî î âçàèìîîòíîøåíèÿõ êðóïíîãî áèçíåñà ñ ãîñóäàðñòâîì, ïðîôñîþçàìè, êîíêóðåíòàìè, î õàðàêòåðíûõ ÷åðòàõ ÿïîíñêîãî ìåíåäæìåíòà, â ÷àñòíîñòè î âîñïðèÿòèè êîðïîðàöèè êàê ðîäíîé ñåìüè è ò.ï. óñëîâèÿõ ïîñëåâîåííîé ßïîíèè ïðàêòè÷åñêè âñå, äàæå óïðàâëåí÷åñêèå ïîäõîäû, Ìîðèòå ïðèøëîñü ñîçäàâàòü "ñ íóëÿ", ôîðìèðóÿ íîâóþ ïðåäïðèíèìàòåëüñêóþ êóëüòóðó è òðàäèöèè.Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé

Àííîòàöèÿ: Arthur Clennam is back in England after many years abroad. He finds his mother as cold and hard as ever, but his father's recent death has thrown up a mystery, and he is determined to get to the bottom of it. Could it have anything to do with Little Dorrit, the quiet, kind girl who sews for his mother and goes back at night to her home in the Marshalsea Prison? As Arthur gets to know the Dorrit family, he is too busy looking for the truth about his mother's secret to notice that he has perhaps found the answer to his own happiness...

Àííîòàöèÿ: Who will speak for the poor? Who will listen to slaves, and those who have no rights? Who will work for a future where everyone is equal? Who will give up his house, job and money to fight for people who are shut out by everyone else? I will, said Mohandas Gandhi. And he began to fight in a way the world had not seen before - not with weapons, and wild crowds, and words of hate, but with the power of non-violence. This is the story of a man who became the Father of the Nation in his own country of India, and a great leader for the whole world.

Àííîòàöèÿ: In 1918 in the peaceful province of Transkei, South Africa, the Mandela family gave their new baby son the name Rolihlahla - 'troublemaker'. But the young boy's early years were happy ones, and he grew up to be a good student and an enthusiastic sportsman.Who could imagine then what was waiting for Nelson Mandela - the tireless struggle for human rights, the long years in prison, the happiness and sadness of family life, and one day the title of President of South Africa?

Àííîòàöèÿ: Risu Akizuki: Born in 1957. In 1988, she made her professional debut with her ``Wife Evolution Theory'' (``Weekly Morning Extra Edition/Party''). The following year, her ``OL Evolution Theory'' was serialized in ``Weekly Morning''. She quickly became very popular among housewives and working people. "OL Evolution Theory" has become a million-seller and is still being serialized (this data was published at the time this book was published)

Àííîòàöèÿ: Young painter Akira Yamaguchi has taken Japan's art world by storm. His work combines the techniques of classical Japanese painting with the observant eye of a modern-day Peter Breughel and the humor and draftsmanship of a manga cartoonist. Yamaguchi's landscapes of the imagination, compressions of time and space, and quixotic human/machine figures combine Eastern and Western sensibilities and techniques into artwork that transcends exoticism.This beautiful volume collects the artist's work from the past decade, including several pieces never before published, allowing Western readers to share the delight of Japanese critics and audiences in this fresh, new view of the world. Also included are an introduction by art historian Yuji Yamashita, 80 pages of full-color illustrative plates, and a magnifying glass for enhanced viewing of painting details

Àííîòàöèÿ: In an intense psychedelic fight between Mew and Dr. Watabe, Mew gains her memory and loses control of reality. In the midst of turmoil, Tokimitsu challenges Ai in their ongoing aura fight. Rated for teens.

Àííîòàöèÿ: The contemporary Japanese literary scene is among the most active and interesting anywhere in the world today. Here,in one comprehensive and beautifully planned volume, is a superb survey of that scene, a representative selection of the finest work-fiction, poetry, drama, even film writing -done in Japan since the end of World War II. Containing translations from nearly two dozen authors, many of them until now known in the West and all of the first importance, this collection is of key cultural significance.

Àííîòàöèÿ: It is a story of animal wanderers - four-footed, winged and finned - of where they walk, fly and swim. The reader will learn baout their amazing mechanisms for navigation, the mesteries of migration etc.

Àííîòàöèÿ:  ïîñîáèè ðàññìàòðèâàþòñÿ ýòèêåòíûå ðå÷åâûå ôîðìóëû â çàâèñèìîñòè îò ñòèëÿ ïèñüìà, ïîñëåäîâàòåëüíîñòü åãî òåìàòè÷åñêèõ ÷àñòåé, îôîðìëåíèå íà÷àëà è êîíöîâêè ïèñüìà, ôîðìû îáðàùåíèÿ è ò.ä.  ïîñîáèè ïðåäñòàâëåíû ñèñòåìà óïðàæíåíèé äëÿ âûðàáîòêè íàâûêîâ ñîñòàâëåíèÿ äåëîâîãî, ÷àñòíîãî îôèöèàëüíîãî è ÷àñòíîãî íåîôèöèàëüíîãî ïèñüìà, à òàêæå îáðàçöû ïèñåì ðàçëè÷íûõ ñòèëåé. Ïðåäíàçíà÷åíî äëÿ øèðîêîãî êðóãà èíîñòðàííûõ ó÷àùèõñÿ íà÷àëüíîãî è ïðîäâèíóòîãî ýòàïîâ îáó÷åíèÿ. Îäíîâðåìåííî ìîæåò ñëóæèòü ñïðàâî÷íèêîì äëÿ âñåõ, êòî âåäåò ïåðåïèñêó íà ðóññêîì ÿçûêå.

Àííîòàöèÿ: UK vinyl LP pressing. 2010 release, the seventh album from British Jazz Funk pioneers Jamiroquai. Fronted by the charismatic Jay Kay, this is the band's first album in five years, following Dynamite with the kind of catchiness that made Jamiroquai a household name. Recorded between Buckinghamshire, Oxfordshire, and Thailand, Rock Dust Light Star features the single 'Blue Skies', a Take That-esque uplifting pop song - a departure from tracks such as 'Space Cowboy'. This record shows the group's talent remains as strong in 2010 as it was in 1994